Exam 2: Art of the Ancient Near East
Exam 1: Prehistoric Art39 Questions
Exam 2: Art of the Ancient Near East38 Questions
Exam 3: Art of Ancient Egypt39 Questions
Exam 4: Art of the Ancient Aegean38 Questions
Exam 5: Art of Ancient Greece41 Questions
Exam 6: Etruscan and Roman Art40 Questions
Exam 7: Jewish and Early Christian Art40 Questions
Exam 8: Byzantine Art40 Questions
Exam 9: Islamic Art40 Questions
Exam 10: Art of South and Southeast Asia Before 120040 Questions
Exam 11: Chinese and Korean Art Before 127940 Questions
Exam 12: Japanese Art Before 133340 Questions
Exam 13: Art of the Americas Before 130040 Questions
Exam 14: Arts of Africa To the Sixteenth Century39 Questions
Exam 15: Early Medieval Art in Europe40 Questions
Exam 16: Romanesque Art40 Questions
Exam 17: Gothic Art of the Twelfth and Thirteenth Centuries40 Questions
Exam 18: Fourteenth-century Art in Europe40 Questions
Exam 19: Fifteenth-century Art in Northern Europe40 Questions
Exam 20: Renaissance Art in Fifteenth-century Italy40 Questions
Exam 21: Sixteenth-century Art in Italy40 Questions
Exam 22: Sixteenth-century Art in Northern Europe and the Iberian Peninsula40 Questions
Exam 23: Seventeenth-century Art in Europe40 Questions
Exam 24: Art of South and Southeast Asia After 120040 Questions
Exam 25: chinese and Korean Art After 127940 Questions
Exam 26: Japanese Art After 133340 Questions
Exam 27: Art of the Americas After 130040 Questions
Exam 28: Art of Pacific Cultures40 Questions
Exam 29: Arts of Africa From The Sixteenth Century To the Present39 Questions
Exam 30: European and American Art,1715–184040 Questions
Exam 31: Mid- to Late Nineteenth-century Art in Europe and the United States40 Questions
Exam 32: Modern Art in Europe and the Americas,1900-195040 Questions
Exam 33: the International Scene Since the 1950s40 Questions
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What were most of the buildings in Kalhu built from?
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D
What types of Persian art show the Persians' high level of technical and artistic sophistication?
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The capital Persepolis and the relief carvings show a wide variety of media,scale,and narratives.
Discuss the development of Mesopotamian architecture and city development from Sumer to Persia.
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1.Ziggurats were the first monumental architecture to imply a relationship between humans and gods.
2.Large temples and palace complexes throughout Mesopotamian cultures emphasize physical height and the symbolic significance of walking up stairs or ramps.
3.Relief carvings and large sculptures increasingly decorated temples and palace complexes to valid rulers.
4.Walls and elaborate gates were a feature of later Mesopotamian culture.
How did agriculture change the face of culture in the Fertile Crescent?
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What does the uppermost scene of the Carved Vessel from Uruk represent?
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Which culture controlled most of Mesopotamia by the end of the ninth century BCE?
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Discuss the form,iconography,and style of the figure of Gudea as seen in Figure 2-12 in the text.
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The first domestication of grains occurred in the area known as the
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Consider the style and purpose of the female figures portrayed in Head of a Woman ,Carved Vessel ,and Assurbanipal and His Queen in the Garden .What do these images suggest about the role of women in Mesopotamia?
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What original element of the Head of a Woman symbolizes the purity of the figure?
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In the image of Enemies Crossing the Euphrates to Escape Assyrian Archers ,what device is used to convey spatial depth?
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What did the low relief scenes on the walls at Kalhu portray?
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In the ancient Near East,why was there a need to control the water supply of the Tigris and Euphrates Rivers?
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In the Stele of Hammurabi,Hammurabi stands before the seated god Shamash in an attitude of
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The lion hunting scene of Assurnasirpal II marks a shift in Mesopotamian art from a sense of timeless solemnity toward greater
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