Deck 8: Audiences and Creators
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Unlock Deck
Sign up to unlock the cards in this deck!
Unlock Deck
Unlock Deck
1/49
Play
Full screen (f)
Deck 8: Audiences and Creators
1
"No Comment" was a space where readers of Ms. could ______.
A) identify images from mainstream media and "expose" their underlying sexism
B) "trash talk" men
C) share memes that other women could relate to
D) ask other women for relationship help involving sexist husbands or boyfriends
A) identify images from mainstream media and "expose" their underlying sexism
B) "trash talk" men
C) share memes that other women could relate to
D) ask other women for relationship help involving sexist husbands or boyfriends
A
2
Who is most likely creating content online?
A) a woman in her second year of college
B) a boy who is a sophomore in highschool
C) a mother of three
D) a man who graduated highschool and is taking a year break before college to work
A) a woman in her second year of college
B) a boy who is a sophomore in highschool
C) a mother of three
D) a man who graduated highschool and is taking a year break before college to work
A
3
Scholars use the term polysemy to describe ______.
A) the time it takes to create meaningful media content
B) the notion that multiple meanings can coexist in media content
C) the notion that there is only one true meaning in media content
D) the amount of people it takes to create meaningful media content
A) the time it takes to create meaningful media content
B) the notion that multiple meanings can coexist in media content
C) the notion that there is only one true meaning in media content
D) the amount of people it takes to create meaningful media content
B
4
What makes racialized spaces online like "Black Twitter" important?
A) It encourages pride in blackness and stimulates communal responsibility among all people of color.
B) It allows users to redefined mainstream media content.
C) It gives the opportunity to share information and anecdotal experiences.
D) all of these
A) It encourages pride in blackness and stimulates communal responsibility among all people of color.
B) It allows users to redefined mainstream media content.
C) It gives the opportunity to share information and anecdotal experiences.
D) all of these
Unlock Deck
Unlock for access to all 49 flashcards in this deck.
Unlock Deck
k this deck
5
Teenage fans are able to interpret sexual music videos in their own way due to ______.
A) watching
B) encoding
C) decoding
D) reading reviews
A) watching
B) encoding
C) decoding
D) reading reviews
Unlock Deck
Unlock for access to all 49 flashcards in this deck.
Unlock Deck
k this deck
6
According to Janice Radway's classic book, Reading the Romance, the damsel in distress, the woman who is incomplete without her heroic man, and the woman who finds love with the man who has sexually assaulted her are all heterosexist visions most commonly found in ______.
A) romance novels
B) romantic comedies
C) dramas
D) biographies
A) romance novels
B) romantic comedies
C) dramas
D) biographies
Unlock Deck
Unlock for access to all 49 flashcards in this deck.
Unlock Deck
k this deck
7
The sexuality of videos featuring performers such as Madonna and Cyndi Lauper was interpreted by teenage fans as a ______.
A) simple display of promiscuity
B) sign of female power
C) display of seduction prowess
D) sign of male-dominated media
A) simple display of promiscuity
B) sign of female power
C) display of seduction prowess
D) sign of male-dominated media
Unlock Deck
Unlock for access to all 49 flashcards in this deck.
Unlock Deck
k this deck
8
In regard to online participation, what is the 1% rule?
A) A rule that says for every person not creating content, there are 99 who are.
B) A rule that says for every person who creates content, there are 99 who do not.
C) Only one percent of content online is created by a group of 99 people.
D) The percentage of all content available online that the average person sees is 1%.
A) A rule that says for every person not creating content, there are 99 who are.
B) A rule that says for every person who creates content, there are 99 who do not.
C) Only one percent of content online is created by a group of 99 people.
D) The percentage of all content available online that the average person sees is 1%.
Unlock Deck
Unlock for access to all 49 flashcards in this deck.
Unlock Deck
k this deck
9
When Liebes and Katz compared the decodings of six different ethnic groups from three different countries, they found that the distinct strategies they used to interpret could be explained by their ______.
A) age
B) home life
C) cultural position
D) country of origin
A) age
B) home life
C) cultural position
D) country of origin
Unlock Deck
Unlock for access to all 49 flashcards in this deck.
Unlock Deck
k this deck
10
Which characterizes the "matrix media" that users live in today?
A) multiple sites of idleness
B) a lack of tools available for interpretation and use
C) interactive exchanges among users
D) all of these
A) multiple sites of idleness
B) a lack of tools available for interpretation and use
C) interactive exchanges among users
D) all of these
Unlock Deck
Unlock for access to all 49 flashcards in this deck.
Unlock Deck
k this deck
11
What does "decoding" mean in regard to an audience viewing media content?
A) It refers to the process of figuring out how much money and time went into creating the content.
B) It is the thought process of what it would be like to be "behind the scenes" of the content.
C) It is a form of hacking that the viewer follows in a science-fiction film.
D) It is the process of using implicit knowledge of both medium-specific and broader cultural codes to interpret the meaning of a media text.
A) It refers to the process of figuring out how much money and time went into creating the content.
B) It is the thought process of what it would be like to be "behind the scenes" of the content.
C) It is a form of hacking that the viewer follows in a science-fiction film.
D) It is the process of using implicit knowledge of both medium-specific and broader cultural codes to interpret the meaning of a media text.
Unlock Deck
Unlock for access to all 49 flashcards in this deck.
Unlock Deck
k this deck
12
What is the argument for the almost endless possibilities of resistance based on?
A) facts backed by evidence gathered from years of research
B) faith in the power of citizens to think and behave as active subjects
C) the biology of the human brain
D) a survey that over 1,700 Americans participated in
A) facts backed by evidence gathered from years of research
B) faith in the power of citizens to think and behave as active subjects
C) the biology of the human brain
D) a survey that over 1,700 Americans participated in
Unlock Deck
Unlock for access to all 49 flashcards in this deck.
Unlock Deck
k this deck
13
Which is a well-known study that focused on the relationship between social structure and audience interpretation?
A) A Class Divided
B) Bobo Doll Experiment
C) Women Watching Television
D) Ross' False Consensus Effect Study
A) A Class Divided
B) Bobo Doll Experiment
C) Women Watching Television
D) Ross' False Consensus Effect Study
Unlock Deck
Unlock for access to all 49 flashcards in this deck.
Unlock Deck
k this deck
14
What is one reason polysemy can be a highly desirable content feature for mass-market media?
A) Polysemic texts are open to interpretation.
B) It only appeals to the ages range of 30-40.
C) Polysemic texts are easy to digest.
D) Both it only appeals to the ages range of 30-40 and polysemic texts are easy to digest.
A) Polysemic texts are open to interpretation.
B) It only appeals to the ages range of 30-40.
C) Polysemic texts are easy to digest.
D) Both it only appeals to the ages range of 30-40 and polysemic texts are easy to digest.
Unlock Deck
Unlock for access to all 49 flashcards in this deck.
Unlock Deck
k this deck
15
In Morley's study of British families, who is most likely to view sitting down just to watch television as a waste of time?
A) the father
B) the mother
C) the young son
D) the young daughter
A) the father
B) the mother
C) the young son
D) the young daughter
Unlock Deck
Unlock for access to all 49 flashcards in this deck.
Unlock Deck
k this deck
16
The Internet brought audience members out from ______.
A) being just audience members
B) discussing media content with friends and family
C) not being able to critique media
D) poorly analyzing media
A) being just audience members
B) discussing media content with friends and family
C) not being able to critique media
D) poorly analyzing media
Unlock Deck
Unlock for access to all 49 flashcards in this deck.
Unlock Deck
k this deck
17
Which is a defining differences between the traditional broadcast model of mass media and today's Internet environment?
A) The flood of creators has made all news untrustworthy.
B) People mostly communicate information through memes.
C) Professional "gatekeepers" have been diminished.
D) Gifs are now used to convey complex emotion.
A) The flood of creators has made all news untrustworthy.
B) People mostly communicate information through memes.
C) Professional "gatekeepers" have been diminished.
D) Gifs are now used to convey complex emotion.
Unlock Deck
Unlock for access to all 49 flashcards in this deck.
Unlock Deck
k this deck
18
What are the two activities that captivate audiences in the playful celebrity world?
A) avoiding and downplaying
B) analyzing and critiquing
C) gossip and detective work
D) consuming and talking
A) avoiding and downplaying
B) analyzing and critiquing
C) gossip and detective work
D) consuming and talking
Unlock Deck
Unlock for access to all 49 flashcards in this deck.
Unlock Deck
k this deck
19
The "uses and gratifications" approach focuses on ______.
A) what people are doing with media
B) who is controlling the media
C) why people are using media
D) both what people are doing with media and why people are using media
A) what people are doing with media
B) who is controlling the media
C) why people are using media
D) both what people are doing with media and why people are using media
Unlock Deck
Unlock for access to all 49 flashcards in this deck.
Unlock Deck
k this deck
20
What is the main strategy employed by cultural jammers?
A) harrasment
B) rioting
C) picketing
D) pranking
A) harrasment
B) rioting
C) picketing
D) pranking
Unlock Deck
Unlock for access to all 49 flashcards in this deck.
Unlock Deck
k this deck
21
Critical cultural studies focused on how people interpret and make meaning out of the media content they use.
Unlock Deck
Unlock for access to all 49 flashcards in this deck.
Unlock Deck
k this deck
22
An advertisement for a bottle that's easier to open that targets women wouldn't likely be seen on the "No Comment" feature of the original Ms. magazine.
Unlock Deck
Unlock for access to all 49 flashcards in this deck.
Unlock Deck
k this deck
23
Reviewing and recommending movies and TV shows is no longer the exclusive domain of professional reviewers
Unlock Deck
Unlock for access to all 49 flashcards in this deck.
Unlock Deck
k this deck
24
Social position has nothing to do with influencing interpretation.
Unlock Deck
Unlock for access to all 49 flashcards in this deck.
Unlock Deck
k this deck
25
The media environment today includes multiple sites of productivity and a diverse range of tools available for interpretation and use.
Unlock Deck
Unlock for access to all 49 flashcards in this deck.
Unlock Deck
k this deck
26
According to press, middle-class women were much less likely to think about whether the programs were realistic.
Unlock Deck
Unlock for access to all 49 flashcards in this deck.
Unlock Deck
k this deck
27
Watching something violent and horrific but gaining an alternative interpretation from it is an example of polysemy.
Unlock Deck
Unlock for access to all 49 flashcards in this deck.
Unlock Deck
k this deck
28
Define polysemy as it's used in the field of cultural studies and explain why it is important for mass-market media.
Unlock Deck
Unlock for access to all 49 flashcards in this deck.
Unlock Deck
k this deck
29
Why do audience members enjoy online meaning-making?
Unlock Deck
Unlock for access to all 49 flashcards in this deck.
Unlock Deck
k this deck
30
In regard to Cultural Jamming, sabotage and appropriation of company symbols and products were tactics commonly used in "pranking."
Unlock Deck
Unlock for access to all 49 flashcards in this deck.
Unlock Deck
k this deck
31
Twitter is not commonly used as a tool for online meaning-making.
Unlock Deck
Unlock for access to all 49 flashcards in this deck.
Unlock Deck
k this deck
32
Why have African Americans used Twitter at higher rates than their White counterparts?
Unlock Deck
Unlock for access to all 49 flashcards in this deck.
Unlock Deck
k this deck
33
Watching a video and interpreting it in a way that opposes the dominant meaning is called resistance.
Unlock Deck
Unlock for access to all 49 flashcards in this deck.
Unlock Deck
k this deck
34
Give an example of an audience member using the process of decoding.
Unlock Deck
Unlock for access to all 49 flashcards in this deck.
Unlock Deck
k this deck
35
How might someone create online meaning-making through the use of the "second screen?"
Unlock Deck
Unlock for access to all 49 flashcards in this deck.
Unlock Deck
k this deck
36
Content creators tend to be in their 30s or older
Unlock Deck
Unlock for access to all 49 flashcards in this deck.
Unlock Deck
k this deck
37
The argument for the almost endless possibilities of resistance involves faith.
Unlock Deck
Unlock for access to all 49 flashcards in this deck.
Unlock Deck
k this deck
38
A relatively small number of people generate most of the content found online.
Unlock Deck
Unlock for access to all 49 flashcards in this deck.
Unlock Deck
k this deck
39
According to Morley, when it comes to television, men were either very attentive when they watched or they didn't watch at all.
Unlock Deck
Unlock for access to all 49 flashcards in this deck.
Unlock Deck
k this deck
40
One of Radway's principal findings was that, when she asked about why they read romance novels, women focused on the content instead of on the act of reading.
Unlock Deck
Unlock for access to all 49 flashcards in this deck.
Unlock Deck
k this deck
41
How has the Internet helped people become more than just audience members?
Unlock Deck
Unlock for access to all 49 flashcards in this deck.
Unlock Deck
k this deck
42
Describe one of the reasons why women read romance novels that Radway gives.
Unlock Deck
Unlock for access to all 49 flashcards in this deck.
Unlock Deck
k this deck
43
What age range is producing more content? Why?
Unlock Deck
Unlock for access to all 49 flashcards in this deck.
Unlock Deck
k this deck
44
Why do people enjoy the activites of gossip and detective work that surrounds celebrity media?
Unlock Deck
Unlock for access to all 49 flashcards in this deck.
Unlock Deck
k this deck
45
What created the media resistance known as cultural jamming?
Unlock Deck
Unlock for access to all 49 flashcards in this deck.
Unlock Deck
k this deck
46
Out of the seven types of users who are the most active online? What do they do?
Unlock Deck
Unlock for access to all 49 flashcards in this deck.
Unlock Deck
k this deck
47
Explain the differences between men and women watching television based on David Morley's findings.
Unlock Deck
Unlock for access to all 49 flashcards in this deck.
Unlock Deck
k this deck
48
What are some issues with the argument for the almost endless possibilities of resistance?
Unlock Deck
Unlock for access to all 49 flashcards in this deck.
Unlock Deck
k this deck
49
Describe the importance of the "No Comment" feature of Ms. Magazine.
Unlock Deck
Unlock for access to all 49 flashcards in this deck.
Unlock Deck
k this deck