Deck 9: Prelude: The Late Baroque Period

Full screen (f)
exit full mode
Question
Baroque composers were likely to think of themselves as:

A) artists striving for self-expression.
B) virtuoso performers capable of amazing the ordinary person.
C) craftspeople creating a product on demand.
D) undesirables constantly moving from town to town looking for employment.
Use Space or
up arrow
down arrow
to flip the card.
Question
An instrument from the Baroque period that has been revived is the:

A) harpsichord.
B) clarinet.
C) piano.
D) violin.
Question
Who are the two most important composers of the late Baroque period?

A) Johann Sebastian Bach and Georg Philipp Telemann
B) Antonio Vivaldi and Johann Sebastian Bach
C) George Frideric Handel and Antonio Vivaldi
D) Johann Sebastian Bach and George Frideric Handel
Question
The three main institutions in which Baroque composers could make a living were the:

A) church, the tavern, and the concert hall.
B) church, the opera house, and the court.
C) court, the university, and musical journals.
D) opera house, the theater, and the concert hall.
Question
Who was the leading monarch in the Age of Absolutism?

A) Elizabeth I of England
B) Cosimo de' Medici of Florence
C) King Phillip of Spain
D) Louis XIV of France
Question
In the early eighteenth century,court musicians had a better sense of new musical trends than church musicians because:

A) they were required to travel with their employers.
B) they studied composition with their employers.
C) they periodically took time to refine their skills.
D) they studied past compositional techniques.
Question
Which is true of the Baroque treatment of rhythm?

A) There are no bar lines, so meter is not important.
B) The beat tends to be unsteady and unpredictable.
C) Certain instruments, such as the harpsichord, emphasize a clear, steady beat and meter.
D) The harmonic rhythm tends to be unsteady and unpredictable.
Question
Which characteristic of Baroque theater made it appealing to Baroque audiences and composers of opera?

A) the deep, quiet spirituality
B) the slapstick comedy
C) the display of strong emotions
D) the realistic, down-to-earth topics and characters
Question
Which best describes the dualism found in Baroque art and music?

A) recitative versus aria
B) pomp and extravagance versus system and calculation
C) church music versus secular music
D) systematic extravagance versus calculated pomp
Question
Opera arose around the year:

A) 1600.
B) 1603.
C) 1637.
D) 1650.
Question
The Baroque Period spanned the years:

A) 1200-1450.
B) 1400-1550.
C) 1600-1750.
D) 1700-1800.
Question
Baroque dynamics generally:

A) change with the harmonic rhythm.
B) get gradually louder and softer throughout a movement.
C) stay the same throughout a movement.
D) get louder and softer according to the emotions of the performer.
Question
Which is true of music in the Age of Absolutism?

A) Monarchs had no control over music.
B) Music functioned at least partly to flatter the nobility who paid for it.
C) Absolutely no emotional display was allowed in Baroque music.
D) Only emotion mattered in music; control was not important.
Question
Which best describes rhythm in the Baroque era?

A) It became less regular.
B) It became more regular.
C) Bar lines disappeared.
D) Meters changed frequently and often were unidentifiable.
Question
The purpose of art in the Age of Absolutism was:

A) to share personal feelings with the general populace.
B) to demonstrate scientific absolutes.
C) to impress and overwhelm.
D) to protest the influence of the church.
Question
Historians might speak of the Baroque period as the:

A) Age of Absolutism.
B) ars nova.
C) Age of Classicism.
D) Age of Literature.
Question
Baroque music is often very adaptable and changeable with regard to which musical element?

A) rhythm
B) texture
C) harmony
D) tone color
Question
A tendency in Baroque music to change chords at every measure or some set interval is called a:

A) marching bass.
B) harmonic rhythm.
C) ground bass.
D) continuo.
Question
Which best describes the musical depiction of emotion in the late Baroque era?

A) Emotions were expressed freely and naturally.
B) A piece of music was performed differently each time; the performer expressed what he or she felt at the moment.
C) Emotional display was kept at a minimum, as a reaction to the Renaissance musical style.
D) Emotions were scientifically categorized, and musical expression of emotions was systematized into techniques and devices.
Question
Much of the Baroque music heard today is from the late Baroque era,which spanned the years:

A) 1600-1750.
B) 1700-1750.
C) 1750-1850.
D) 1650-1750.
Question
Explain the impact of improved tuning on composers in the Baroque era.
Question
In Baroque music,the continuo,or basso continuo,is the:

A) lowest voice part in polyphonic vocal music.
B) lowest instrument in the orchestra that plays continuously.
C) chordal instrument.
D) bass part that is linked to a series of chords.
Question
Which phrase best describes Baroque melodies?

A) simple lines
B) symmetrical and graceful
C) complex and appearing in sequences
D) brief motives
Question
Which instrument group formed the core of the Baroque orchestra?

A) strings
B) woodwinds
C) brass
D) percussion
Question
Alessandro Scarlatti,Antonio Vivaldi,François Couperin,Jean-Philippe Rameau,Domenico Scarlatti,and Georg Philipp Telemann were important composers in the late Baroque period.Name their respective countries of employment.
Question
Describe two purposes of opera in the Age of Absolutism.
Question
Explain the "divine right of kings" and name a king to whom this right seemed to apply.Relate this concept to the Age of Absolutism.
Question
How did composers approach form in the late Baroque era?
Question
Define baroque.What is the source of this word? When was the word baroque applied to the music of this period,and in what spirit?
Question
Which two instruments would most likely have played the basso continuo in a Baroque composition?

A) flute and violin
B) violin and cello
C) cello and harpsichord
D) lute and violin
Question
The orchestra of the court of Louis XIV was called the:

A) "Opera Orchestra of the Sun King."
B) "Twenty-Four Violins of the King."
C) "Royal Festival Orchestra."
D) "Versailles Philharmonic."
Question
Describe the extent to which the monarchy of "the Sun King" influenced music,the visual arts,and architecture in his country and elsewhere.
Question
The standard texture of much Baroque music is:

A) monophonic.
B) homophonic.
C) non-imitative.
D) polyphonic.
Question
How did Baroque composers view the use of emotion in their compositions?

A) They isolated emotions, analyzed them, and portrayed them as consistently as possible.
B) They revealed their own emotions directly in their compositions.
C) They allowed only subtle emotional displays in their work.
D) They left all emotion out of the music, knowing that the performer would provide an emotional rendition of it.
Question
Explain how science affected both art and ordinary life in the Baroque era.
Question
Describe the types of music and the musical forces demanded in the courts of nobility in the Age of Absolutism.
Question
Describe the change in the use of harmony in the late Baroque era.
Question
The numerical shorthand below the basso continuo notes indicating the content of the chords to be played is called:

A) ground bass.
B) figured bass.
C) ground figures.
D) concerto grosso.
Question
Ornamentation is the practice of:

A) improvising changes in the beat.
B) improvising melodic extras in the music.
C) wearing highly decorative costumes in operas.
D) improvising changes to the words of an aria.
Question
Explain the theatrical quality of the Baroque play as it related to and inspired opera of the time.
Question
Name the keyboard instruments of the Baroque orchestra.For which type of music was each used?
Question
Describe the way a career as a composer was viewed in the Baroque era.
Question
Briefly describe the two ways Baroque composers approached and used tone color.
Question
Describe the basic Baroque orchestra and explain the difference between this and the festive Baroque orchestra.When might the festive orchestra be called on to play?
Question
Briefly describe the early Baroque orchestra as typified in the court of Louis XIV.
Question
Characterize the Baroque use of rhythm.Refer to marking time,meter,and harmonic rhythm in your answer.
Question
How did Baroque composers and performers use dynamics?
Question
What two nonmusical factors were influential in making Baroque forms so clear and regular? In what ways were they influential?
Question
Characterize the Baroque depiction of emotion in music.Was it realistic or exaggerated? Explain.
Question
Discuss the patronage system that existed in the Baroque era.
Question
Is it generally easier to sing typical Baroque melodies or to play them on instruments? Explain.
Question
Describe the scientific approach to emotional expression in music in the late Baroque era.
Question
Name and describe the three main institutions in which a Baroque composer could make a living.Contrast the probable quality of life of composers in each institution.
Question
Define harmonic rhythm.
Question
Briefly describe the functions of the left and right hands of a continuo keyboard player.
Question
Is Baroque music primarily simple or complex in texture? Describe instances in which Baroque music is polyphonic and ways in which it is homophonic.
Question
Define basso continuo.Refer to instrumentation and figured bass in your answer.
Question
Characterize Baroque melody.Refer to musical elements such as pitch range,rhythm,ornamentation,length,and use of sequence.
Question
Briefly explain the way Baroque harmony is polarized.
Unlock Deck
Sign up to unlock the cards in this deck!
Unlock Deck
Unlock Deck
1/59
auto play flashcards
Play
simple tutorial
Full screen (f)
exit full mode
Deck 9: Prelude: The Late Baroque Period
1
Baroque composers were likely to think of themselves as:

A) artists striving for self-expression.
B) virtuoso performers capable of amazing the ordinary person.
C) craftspeople creating a product on demand.
D) undesirables constantly moving from town to town looking for employment.
C
2
An instrument from the Baroque period that has been revived is the:

A) harpsichord.
B) clarinet.
C) piano.
D) violin.
A
3
Who are the two most important composers of the late Baroque period?

A) Johann Sebastian Bach and Georg Philipp Telemann
B) Antonio Vivaldi and Johann Sebastian Bach
C) George Frideric Handel and Antonio Vivaldi
D) Johann Sebastian Bach and George Frideric Handel
D
4
The three main institutions in which Baroque composers could make a living were the:

A) church, the tavern, and the concert hall.
B) church, the opera house, and the court.
C) court, the university, and musical journals.
D) opera house, the theater, and the concert hall.
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
5
Who was the leading monarch in the Age of Absolutism?

A) Elizabeth I of England
B) Cosimo de' Medici of Florence
C) King Phillip of Spain
D) Louis XIV of France
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
6
In the early eighteenth century,court musicians had a better sense of new musical trends than church musicians because:

A) they were required to travel with their employers.
B) they studied composition with their employers.
C) they periodically took time to refine their skills.
D) they studied past compositional techniques.
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
7
Which is true of the Baroque treatment of rhythm?

A) There are no bar lines, so meter is not important.
B) The beat tends to be unsteady and unpredictable.
C) Certain instruments, such as the harpsichord, emphasize a clear, steady beat and meter.
D) The harmonic rhythm tends to be unsteady and unpredictable.
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
8
Which characteristic of Baroque theater made it appealing to Baroque audiences and composers of opera?

A) the deep, quiet spirituality
B) the slapstick comedy
C) the display of strong emotions
D) the realistic, down-to-earth topics and characters
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
9
Which best describes the dualism found in Baroque art and music?

A) recitative versus aria
B) pomp and extravagance versus system and calculation
C) church music versus secular music
D) systematic extravagance versus calculated pomp
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
10
Opera arose around the year:

A) 1600.
B) 1603.
C) 1637.
D) 1650.
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
11
The Baroque Period spanned the years:

A) 1200-1450.
B) 1400-1550.
C) 1600-1750.
D) 1700-1800.
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
12
Baroque dynamics generally:

A) change with the harmonic rhythm.
B) get gradually louder and softer throughout a movement.
C) stay the same throughout a movement.
D) get louder and softer according to the emotions of the performer.
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
13
Which is true of music in the Age of Absolutism?

A) Monarchs had no control over music.
B) Music functioned at least partly to flatter the nobility who paid for it.
C) Absolutely no emotional display was allowed in Baroque music.
D) Only emotion mattered in music; control was not important.
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
14
Which best describes rhythm in the Baroque era?

A) It became less regular.
B) It became more regular.
C) Bar lines disappeared.
D) Meters changed frequently and often were unidentifiable.
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
15
The purpose of art in the Age of Absolutism was:

A) to share personal feelings with the general populace.
B) to demonstrate scientific absolutes.
C) to impress and overwhelm.
D) to protest the influence of the church.
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
16
Historians might speak of the Baroque period as the:

A) Age of Absolutism.
B) ars nova.
C) Age of Classicism.
D) Age of Literature.
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
17
Baroque music is often very adaptable and changeable with regard to which musical element?

A) rhythm
B) texture
C) harmony
D) tone color
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
18
A tendency in Baroque music to change chords at every measure or some set interval is called a:

A) marching bass.
B) harmonic rhythm.
C) ground bass.
D) continuo.
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
19
Which best describes the musical depiction of emotion in the late Baroque era?

A) Emotions were expressed freely and naturally.
B) A piece of music was performed differently each time; the performer expressed what he or she felt at the moment.
C) Emotional display was kept at a minimum, as a reaction to the Renaissance musical style.
D) Emotions were scientifically categorized, and musical expression of emotions was systematized into techniques and devices.
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
20
Much of the Baroque music heard today is from the late Baroque era,which spanned the years:

A) 1600-1750.
B) 1700-1750.
C) 1750-1850.
D) 1650-1750.
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
21
Explain the impact of improved tuning on composers in the Baroque era.
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
22
In Baroque music,the continuo,or basso continuo,is the:

A) lowest voice part in polyphonic vocal music.
B) lowest instrument in the orchestra that plays continuously.
C) chordal instrument.
D) bass part that is linked to a series of chords.
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
23
Which phrase best describes Baroque melodies?

A) simple lines
B) symmetrical and graceful
C) complex and appearing in sequences
D) brief motives
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
24
Which instrument group formed the core of the Baroque orchestra?

A) strings
B) woodwinds
C) brass
D) percussion
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
25
Alessandro Scarlatti,Antonio Vivaldi,François Couperin,Jean-Philippe Rameau,Domenico Scarlatti,and Georg Philipp Telemann were important composers in the late Baroque period.Name their respective countries of employment.
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
26
Describe two purposes of opera in the Age of Absolutism.
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
27
Explain the "divine right of kings" and name a king to whom this right seemed to apply.Relate this concept to the Age of Absolutism.
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
28
How did composers approach form in the late Baroque era?
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
29
Define baroque.What is the source of this word? When was the word baroque applied to the music of this period,and in what spirit?
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
30
Which two instruments would most likely have played the basso continuo in a Baroque composition?

A) flute and violin
B) violin and cello
C) cello and harpsichord
D) lute and violin
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
31
The orchestra of the court of Louis XIV was called the:

A) "Opera Orchestra of the Sun King."
B) "Twenty-Four Violins of the King."
C) "Royal Festival Orchestra."
D) "Versailles Philharmonic."
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
32
Describe the extent to which the monarchy of "the Sun King" influenced music,the visual arts,and architecture in his country and elsewhere.
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
33
The standard texture of much Baroque music is:

A) monophonic.
B) homophonic.
C) non-imitative.
D) polyphonic.
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
34
How did Baroque composers view the use of emotion in their compositions?

A) They isolated emotions, analyzed them, and portrayed them as consistently as possible.
B) They revealed their own emotions directly in their compositions.
C) They allowed only subtle emotional displays in their work.
D) They left all emotion out of the music, knowing that the performer would provide an emotional rendition of it.
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
35
Explain how science affected both art and ordinary life in the Baroque era.
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
36
Describe the types of music and the musical forces demanded in the courts of nobility in the Age of Absolutism.
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
37
Describe the change in the use of harmony in the late Baroque era.
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
38
The numerical shorthand below the basso continuo notes indicating the content of the chords to be played is called:

A) ground bass.
B) figured bass.
C) ground figures.
D) concerto grosso.
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
39
Ornamentation is the practice of:

A) improvising changes in the beat.
B) improvising melodic extras in the music.
C) wearing highly decorative costumes in operas.
D) improvising changes to the words of an aria.
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
40
Explain the theatrical quality of the Baroque play as it related to and inspired opera of the time.
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
41
Name the keyboard instruments of the Baroque orchestra.For which type of music was each used?
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
42
Describe the way a career as a composer was viewed in the Baroque era.
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
43
Briefly describe the two ways Baroque composers approached and used tone color.
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
44
Describe the basic Baroque orchestra and explain the difference between this and the festive Baroque orchestra.When might the festive orchestra be called on to play?
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
45
Briefly describe the early Baroque orchestra as typified in the court of Louis XIV.
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
46
Characterize the Baroque use of rhythm.Refer to marking time,meter,and harmonic rhythm in your answer.
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
47
How did Baroque composers and performers use dynamics?
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
48
What two nonmusical factors were influential in making Baroque forms so clear and regular? In what ways were they influential?
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
49
Characterize the Baroque depiction of emotion in music.Was it realistic or exaggerated? Explain.
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
50
Discuss the patronage system that existed in the Baroque era.
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
51
Is it generally easier to sing typical Baroque melodies or to play them on instruments? Explain.
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
52
Describe the scientific approach to emotional expression in music in the late Baroque era.
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
53
Name and describe the three main institutions in which a Baroque composer could make a living.Contrast the probable quality of life of composers in each institution.
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
54
Define harmonic rhythm.
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
55
Briefly describe the functions of the left and right hands of a continuo keyboard player.
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
56
Is Baroque music primarily simple or complex in texture? Describe instances in which Baroque music is polyphonic and ways in which it is homophonic.
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
57
Define basso continuo.Refer to instrumentation and figured bass in your answer.
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
58
Characterize Baroque melody.Refer to musical elements such as pitch range,rhythm,ornamentation,length,and use of sequence.
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
59
Briefly explain the way Baroque harmony is polarized.
Unlock Deck
Unlock for access to all 59 flashcards in this deck.
Unlock Deck
k this deck
locked card icon
Unlock Deck
Unlock for access to all 59 flashcards in this deck.