Deck 17: The Early Romantics
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Deck 17: The Early Romantics
1
How many different characters do you hear in "Erlkönig"?
A) one, plus the narrator
B) two, plus the narrator
C) three, plus the narrator
D) four, plus the narrator
A) one, plus the narrator
B) two, plus the narrator
C) three, plus the narrator
D) four, plus the narrator
C
2
"Im wunderschönen Monat Mai" is part of a(n):
A) opera.
B) song cycle.
C) oratorio.
D) Mass.
A) opera.
B) song cycle.
C) oratorio.
D) Mass.
B
3
"Erlkönig" is a:
A) da capo aria.
B) miniature, a song.
C) grandiose composition.
D) recitative from an opera.
A) da capo aria.
B) miniature, a song.
C) grandiose composition.
D) recitative from an opera.
B
4
Who composed "Die alten,bösen Lieder"?
A) Franz Schubert
B) Franz Liszt
C) Robert Schumann
D) Hector Berlioz
A) Franz Schubert
B) Franz Liszt
C) Robert Schumann
D) Hector Berlioz
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5
Who composed "Der Mond kommt still gegangen"?
A) Robert Schumann
B) Clara Schumann
C) Franz Schubert
D) Frédéric Chopin
A) Robert Schumann
B) Clara Schumann
C) Franz Schubert
D) Frédéric Chopin
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6
The performing forces in "Erlkönig" consist of:
A) three soloists and piano.
B) two soloists and piano.
C) one soloist, piano, and violin.
D) one soloist and piano.
A) three soloists and piano.
B) two soloists and piano.
C) one soloist, piano, and violin.
D) one soloist and piano.
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7
Who composed "Erlkönig"?
A) Robert Schumann
B) Franz Schubert
C) Hector Berlioz
D) Richard Wagner
A) Robert Schumann
B) Franz Schubert
C) Hector Berlioz
D) Richard Wagner
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8
What does the piano introduction of "Erlkönig" bring to mind?
A) the gurgling of a restful stream
B) the spinning of a windmill
C) the crash of the ocean waves
D) the pounding of a horse's hooves
A) the gurgling of a restful stream
B) the spinning of a windmill
C) the crash of the ocean waves
D) the pounding of a horse's hooves
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9
The form of "Erlkönig" is:
A) strophic.
B) A B A.
C) through-composed.
D) rondo.
A) strophic.
B) A B A.
C) through-composed.
D) rondo.
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10
The form of "Die alten,bösen Lieder" is:
A) mostly strophic.
B) mostly sonata.
C) mostly through-composed.
D) a loosely arranged da capo aria.
A) mostly strophic.
B) mostly sonata.
C) mostly through-composed.
D) a loosely arranged da capo aria.
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11
Who composed "Im wunderschönen Monat Mai"?
A) Franz Schubert
B) Richard Wagner
C) Frédéric Chopin
D) Robert Schumann
A) Franz Schubert
B) Richard Wagner
C) Frédéric Chopin
D) Robert Schumann
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12
Which musical element contributes most to the thoughtful mood of "Der Mond kommt still gegangen"?
A) somewhat unusual chords in the harmony
B) insistent rhythmic figures
C) A B A form
D) voice and piano tone color
A) somewhat unusual chords in the harmony
B) insistent rhythmic figures
C) A B A form
D) voice and piano tone color
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13
Because of the piano accompaniment,it can be said that the mood of "Erlkönig" is:
A) agitated.
B) loving.
C) restful.
D) victorious.
A) agitated.
B) loving.
C) restful.
D) victorious.
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14
The form of "Im wunderschönen Monat Mai" is:
A) strophic.
B) da capo aria.
C) through-composed.
D) theme and variations.
A) strophic.
B) da capo aria.
C) through-composed.
D) theme and variations.
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15
Which best describes the prevailing mood of "Die alten,bösen Lieder"?
A) cheerful, then gloomy at the end
B) sad, then downright frightening at the end
C) meditative, then suddenly cheerful and bright at the end
D) anguished, then comforting at the end
A) cheerful, then gloomy at the end
B) sad, then downright frightening at the end
C) meditative, then suddenly cheerful and bright at the end
D) anguished, then comforting at the end
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16
"Der Mond kommt still gegangen" is a(n):
A) miniature composition.
B) sonata.
C) character piece.
D) opera aria.
A) miniature composition.
B) sonata.
C) character piece.
D) opera aria.
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17
Which is true of the ending of "Im wunderschönen Monat Mai"?
A) The climax at the end gives the impression of love returned at last.
B) The lack of a harmonic resolution gives the impression of yearning.
C) The quiet cadence gives the impression of peace and solitude.
D) The climax at the end gives the impression that the hero is victorious over his rival suitor.
A) The climax at the end gives the impression of love returned at last.
B) The lack of a harmonic resolution gives the impression of yearning.
C) The quiet cadence gives the impression of peace and solitude.
D) The climax at the end gives the impression that the hero is victorious over his rival suitor.
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18
"Der Mond kommt still gegangen" is in ________ form.
A) da capo, or A B A¢
B) through-composed
C) theme and variations
D) modified strophic, or A A A¢
A) da capo, or A B A¢
B) through-composed
C) theme and variations
D) modified strophic, or A A A¢
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19
Which best describes the mood of "Der Mond kommt still gegangen"?
A) angry
B) triumphant
C) pensive
D) whimsical
A) angry
B) triumphant
C) pensive
D) whimsical
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20
The performing forces in "Im wunderschönen Monat Mai" consist of ________ vocal soloist(s)and ________.
A) one female; piano
B) one male; orchestra
C) one male; piano
D) two; piano
A) one female; piano
B) one male; orchestra
C) one male; piano
D) two; piano
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21
The special effect of col legno in the violins that is heard toward the end of the fifth movement of the Fantastic Symphony is the:
A) technique of pizzicato-that is, plucking the strings.
B) use of sharply accented notes.
C) use of the wood-that is, the back of the bow-on the strings.
D) light stamping of the violin section.
A) technique of pizzicato-that is, plucking the strings.
B) use of sharply accented notes.
C) use of the wood-that is, the back of the bow-on the strings.
D) light stamping of the violin section.
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22
All of the following are heard in the fifth movement of the Fantastic Symphony except a(n):
A) plainchant melody.
B) fugal section.
C) idée fixe.
D) cadenza.
A) plainchant melody.
B) fugal section.
C) idée fixe.
D) cadenza.
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23
Moment Musical No.2 in A-flat has in its opening idea a:
A) plain melody with a steady accompaniment.
B) quick running figure in the left hand.
C) series of ascending scales.
D) gentle, rhythmic rocking figure.
A) plain melody with a steady accompaniment.
B) quick running figure in the left hand.
C) series of ascending scales.
D) gentle, rhythmic rocking figure.
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24
Which best describes the mood of "Florestan"?
A) mysterious and macabre
B) explosive and impetuous
C) peaceful, but with longing
D) controlled and restrained
A) mysterious and macabre
B) explosive and impetuous
C) peaceful, but with longing
D) controlled and restrained
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25
Who composed the Fantastic Symphony?
A) Franz Liszt
B) Hector Berlioz
C) Richard Wagner
D) Ludwig van Beethoven
A) Franz Liszt
B) Hector Berlioz
C) Richard Wagner
D) Ludwig van Beethoven
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26
Who composed Moment Musical No.2 in A-flat?
A) Robert Schumann
B) Franz Schubert
C) Frédéric Chopin
D) Clara Schumann
A) Robert Schumann
B) Franz Schubert
C) Frédéric Chopin
D) Clara Schumann
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27
Which is true of the fifth movement of the Fantastic Symphony?
A) The meter and rhythm are consistent and steady throughout the selection.
B) A plainchant melody is heard in this selection.
C) This selection is a programmatic concert overture.
D) This selection is a character piece for orchestra.
A) The meter and rhythm are consistent and steady throughout the selection.
B) A plainchant melody is heard in this selection.
C) This selection is a programmatic concert overture.
D) This selection is a character piece for orchestra.
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28
Because of much of the orchestration,the mood of the fifth movement of the Fantastic Symphony can be described as:
A) grotesque and macabre.
B) serene and soothing.
C) spiritual and introspective.
D) passionate and romantic.
A) grotesque and macabre.
B) serene and soothing.
C) spiritual and introspective.
D) passionate and romantic.
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29
The contrasting section of Moment Musical No.2 in A-flat is characterized by a:
A) change in mode.
B) short fugal section.
C) change in meter.
D) quick running note melody in the right hand.
A) change in mode.
B) short fugal section.
C) change in meter.
D) quick running note melody in the right hand.
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30
The Fantastic Symphony is a(n):
A) opera.
B) song cycle.
C) program symphony.
D) concert overture.
A) opera.
B) song cycle.
C) program symphony.
D) concert overture.
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31
Which technique do you hear in Nocturne in F-sharp?
A) decoration of the melodic line
B) syncopation in the bass line
C) isorhythm throughout
D) fugue in the middle section
A) decoration of the melodic line
B) syncopation in the bass line
C) isorhythm throughout
D) fugue in the middle section
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32
Who composed "Eusebius"?
A) Franz Schubert
B) Robert Schumann
C) Franz Liszt
D) Frédéric Chopin
A) Franz Schubert
B) Robert Schumann
C) Franz Liszt
D) Frédéric Chopin
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33
Who composed "Florestan"?
A) Frédéric Chopin
B) Franz Liszt
C) Robert Schumann
D) Franz Schubert
A) Frédéric Chopin
B) Franz Liszt
C) Robert Schumann
D) Franz Schubert
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34
"Florestan" is a:
A) movement from a piano sonata.
B) movement from a piano concerto.
C) character piece.
D) grandiose composition.
A) movement from a piano sonata.
B) movement from a piano concerto.
C) character piece.
D) grandiose composition.
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35
Nocturne in F-sharp is a:
A) movement from a piano sonata.
B) program piano sonata.
C) movement from a piano concerto.
D) character piece.
A) movement from a piano sonata.
B) program piano sonata.
C) movement from a piano concerto.
D) character piece.
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36
Which best describes the mood of "Eusebius"?
A) introspective and dreamy
B) angry
C) triumphant
D) sad and defeated
A) introspective and dreamy
B) angry
C) triumphant
D) sad and defeated
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37
"Eusebius" is a:
A) lied.
B) movement from a piano sonata.
C) character piece.
D) grandiose Romantic composition.
A) lied.
B) movement from a piano sonata.
C) character piece.
D) grandiose Romantic composition.
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38
Who composed Nocturne in F-sharp?
A) Franz Schubert
B) Frédéric Chopin
C) Robert Schumann
D) Franz Liszt
A) Franz Schubert
B) Frédéric Chopin
C) Robert Schumann
D) Franz Liszt
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39
Who was not a Romantic composer?
A) Robert Schumann
B) Wolfgang Amadeus Mozart
C) Franz Schubert
D) Frédéric Chopin
A) Robert Schumann
B) Wolfgang Amadeus Mozart
C) Franz Schubert
D) Frédéric Chopin
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40
The texture of "Eusebius" is:
A) monophonic.
B) homophonic.
C) imitative polyphony.
D) non-imitative polyphony.
A) monophonic.
B) homophonic.
C) imitative polyphony.
D) non-imitative polyphony.
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41
What are the two basic forms of lieder?
A) sonata and theme and variations
B) recitative and da capo aria
C) minuet and rondo
D) strophic and through-composed
A) sonata and theme and variations
B) recitative and da capo aria
C) minuet and rondo
D) strophic and through-composed
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42
In the nineteenth century,what instrument was the most likely to beused for the great profusion of Romantic miniature compositions?
A) piano
B) organ
C) violin
D) trumpet
A) piano
B) organ
C) violin
D) trumpet
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43
A song in which the musical sections are not the same for all verses of poetry but instead are composed with new material for each verse from beginning to end is said to be:
A) through-composed.
B) strophic.
C) programmatic.
D) grandiose.
A) through-composed.
B) strophic.
C) programmatic.
D) grandiose.
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44
Which statement is false?
A) Schumann's musical career was eclipsed by that of his wife, the musically gifted Clara Wieck Schumann.
B) Schumann's performing career was cut short when he injured himself while trying to strengthen his fingers with a mechanical device.
C) Schumann's career included founding a music magazine.
D) Schumann's life and career were cut short by mental illness.
A) Schumann's musical career was eclipsed by that of his wife, the musically gifted Clara Wieck Schumann.
B) Schumann's performing career was cut short when he injured himself while trying to strengthen his fingers with a mechanical device.
C) Schumann's career included founding a music magazine.
D) Schumann's life and career were cut short by mental illness.
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45
Dichterliebe is a:
A) program symphony.
B) lied.
C) song cycle.
D) character piece for piano.
A) program symphony.
B) lied.
C) song cycle.
D) character piece for piano.
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46
The English translation of the German word Lied is:
A) "song."
B) "love."
C) "romance."
D) "story."
A) "song."
B) "love."
C) "romance."
D) "story."
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47
The nineteenth-century German genre consisting of a musical setting of a short poem for voice and piano is the:
A) song cycle.
B) lied.
C) concert overture.
D) character piece.
A) song cycle.
B) lied.
C) concert overture.
D) character piece.
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48
A song cycle is a(n):
A) group of four or more operas all unified by the same characters.
B) art song in German with several verses of poetry.
C) group of songs with a common poetic theme or unifying story.
D) form used in multimovement lieder in which the same theme comes back in each movement.
A) group of four or more operas all unified by the same characters.
B) art song in German with several verses of poetry.
C) group of songs with a common poetic theme or unifying story.
D) form used in multimovement lieder in which the same theme comes back in each movement.
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49
Schubert wrote nearly seven hundred:
A) lieder.
B) character pieces for piano.
C) opera arias.
D) string quartets.
A) lieder.
B) character pieces for piano.
C) opera arias.
D) string quartets.
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50
Who was the earliest master of the lied?
A) Robert Schumann
B) Ludwig van Beethoven
C) Franz Schubert
D) Johann Sebastian Bach
A) Robert Schumann
B) Ludwig van Beethoven
C) Franz Schubert
D) Johann Sebastian Bach
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51
For his character pieces,Chopin preferred genre titles like:
A) "March to the Scaffold."
B) "Venetian Boat Song."
C) "Étude."
D) "Eusebius."
A) "March to the Scaffold."
B) "Venetian Boat Song."
C) "Étude."
D) "Eusebius."
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52
Which is true of lieder?
A) Lieder are usually sung a cappella.
B) Lieder are set to sacred texts.
C) The emotional expression in lieder leaves an impression of intimacy.
D) Lieder generally appear in parts of operas where plot action does not move quickly.
A) Lieder are usually sung a cappella.
B) Lieder are set to sacred texts.
C) The emotional expression in lieder leaves an impression of intimacy.
D) Lieder generally appear in parts of operas where plot action does not move quickly.
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53
Which is true of Dichterliebe?
A) The text of Dichterliebe is a narrative poem.
B) It is entirely in through-composed form.
C) It includes the song "Erlkönig."
D) Its mood changes from cautious optimism to despair.
A) The text of Dichterliebe is a narrative poem.
B) It is entirely in through-composed form.
C) It includes the song "Erlkönig."
D) Its mood changes from cautious optimism to despair.
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54
Who had the greatest influence on early Romantic composers?
A) Johann Sebastian Bach
B) Wolfgang Amadeus Mozart
C) Ludwig van Beethoven
D) Franz Joseph Haydn
A) Johann Sebastian Bach
B) Wolfgang Amadeus Mozart
C) Ludwig van Beethoven
D) Franz Joseph Haydn
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55
Which statement about character pieces is false?
A) Character pieces are always connected to novels and literature.
B) Character pieces range from those meant for the beginning student to those for the virtuoso performer.
C) Character pieces are composed for piano.
D) Character pieces all portray a definite mood or character.
A) Character pieces are always connected to novels and literature.
B) Character pieces range from those meant for the beginning student to those for the virtuoso performer.
C) Character pieces are composed for piano.
D) Character pieces all portray a definite mood or character.
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56
The lied is a type of:
A) concert overture.
B) grandiose Romantic composition.
C) miniature Romantic composition.
D) opera aria.
A) concert overture.
B) grandiose Romantic composition.
C) miniature Romantic composition.
D) opera aria.
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57
Which of the other arts had the greatest influence on early Romantic composers?
A) sculpture
B) literature
C) painting
D) architecture
A) sculpture
B) literature
C) painting
D) architecture
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58
Schubert began his career as a ________,then devoted his time to ________.
A) performer; composition
B) librarian; singing
C) schoolteacher; composition
D) doctor; piano performance
A) performer; composition
B) librarian; singing
C) schoolteacher; composition
D) doctor; piano performance
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59
A character piece is a:
A) composition for voice and piano.
B) miniature composition for piano.
C) grandiose composition for piano.
D) miniature composition for orchestra.
A) composition for voice and piano.
B) miniature composition for piano.
C) grandiose composition for piano.
D) miniature composition for orchestra.
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60
Which statement is false?
A) Clara Schumann was recognized as a great pianist in her time.
B) Clara Schumann was recognized as one of the greatest composers of her day.
C) Clara Schumann was recognized as a great teacher in her time.
D) Clara Schumann married one of her father's music students.
A) Clara Schumann was recognized as a great pianist in her time.
B) Clara Schumann was recognized as one of the greatest composers of her day.
C) Clara Schumann was recognized as a great teacher in her time.
D) Clara Schumann married one of her father's music students.
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61
Which statement about Fanny Mendelssohn is false?
A) She was a prolific composer.
B) She was the sister of Felix Mendelssohn.
C) She was not a professional musician.
D) Her compositions were widely admired during her lifetime.
A) She was a prolific composer.
B) She was the sister of Felix Mendelssohn.
C) She was not a professional musician.
D) Her compositions were widely admired during her lifetime.
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62
What is a concert overture?
A) the purely orchestral selection at the beginning of an opera
B) the term for the first piece in any concert of nineteenth-century music
C) the first movement of a program symphony
D) an overture that is not connected to any following music such as an opera
A) the purely orchestral selection at the beginning of an opera
B) the term for the first piece in any concert of nineteenth-century music
C) the first movement of a program symphony
D) an overture that is not connected to any following music such as an opera
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63
Which statement about Hector Berlioz is false?
A) He was one of the first great conductors.
B) He studied medicine briefly before turning to composition.
C) He was a musical journalist.
D) He was a great pianist.
A) He was one of the first great conductors.
B) He studied medicine briefly before turning to composition.
C) He was a musical journalist.
D) He was a great pianist.
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64
Carnaval contains twenty pieces,each representing a different:
A) musical theme.
B) emotional state of the composer.
C) character at a masked ball.
D) character in the hero's opium dream.
A) musical theme.
B) emotional state of the composer.
C) character at a masked ball.
D) character in the hero's opium dream.
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65
Program symphonies are in the category of:
A) grandiose compositions.
B) miniature compositions.
C) orchestral cycles.
D) Gesamtkunstwerk.
A) grandiose compositions.
B) miniature compositions.
C) orchestral cycles.
D) Gesamtkunstwerk.
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66
The composer ________ is generally regarded as the most flamboyant pianist of the Romantic era.
A) Robert Schumann
B) Franz Liszt
C) Hector Berlioz
D) Ludwig van Beethoven
A) Robert Schumann
B) Franz Liszt
C) Hector Berlioz
D) Ludwig van Beethoven
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67
One of the most successful composers of concert overtures was:
A) Frédéric Chopin.
B) Franz Schubert.
C) Felix Mendelssohn.
D) Robert Schumann.
A) Frédéric Chopin.
B) Franz Schubert.
C) Felix Mendelssohn.
D) Robert Schumann.
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Unlock Deck
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68
At the end of his career,Liszt turned to composing:
A) operas.
B) piano music.
C) religious music.
D) orchestral music.
A) operas.
B) piano music.
C) religious music.
D) orchestral music.
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Unlock Deck
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69
The Fantastic Symphony includes a(n):
A) violin soloist.
B) idée fixe.
C) chorus.
D) group of vocal soloists.
A) violin soloist.
B) idée fixe.
C) chorus.
D) group of vocal soloists.
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Unlock Deck
k this deck
70
Which statement about Franz Liszt is false?
A) He was shy and reclusive.
B) He was recognized as a great composer of piano music in his time.
C) He was recognized as a great pianist in his time.
D) He had a lot of charisma, like a present-day rock star.
A) He was shy and reclusive.
B) He was recognized as a great composer of piano music in his time.
C) He was recognized as a great pianist in his time.
D) He had a lot of charisma, like a present-day rock star.
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Unlock for access to all 104 flashcards in this deck.
Unlock Deck
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71
Which is true of program music?
A) It relies on abstract musical elements for form.
B) It attempts to convey dramatic polarity in sonata form.
C) It refers to some nonmusical idea, such as a poem or literary work.
D) It includes a sung text.
A) It relies on abstract musical elements for form.
B) It attempts to convey dramatic polarity in sonata form.
C) It refers to some nonmusical idea, such as a poem or literary work.
D) It includes a sung text.
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Unlock for access to all 104 flashcards in this deck.
Unlock Deck
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72
What is Carnaval?
A) song cycle
B) set of character pieces
C) opera
D) lied
A) song cycle
B) set of character pieces
C) opera
D) lied
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Unlock Deck
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73
Franz Schubert's Moment Musical No.2 in A-flat is considered a:
A) lied.
B) reflection of the Classical period.
C) miniature.
D) minuet.
A) lied.
B) reflection of the Classical period.
C) miniature.
D) minuet.
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Unlock for access to all 104 flashcards in this deck.
Unlock Deck
k this deck
74
Frédéric Chopin did not compose:
A) piano concertos.
B) nocturnes.
C) symphonies.
D) mazurkas.
A) piano concertos.
B) nocturnes.
C) symphonies.
D) mazurkas.
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Unlock for access to all 104 flashcards in this deck.
Unlock Deck
k this deck
75
Which composer had an extraordinary imagination for orchestral tone color?
A) Hector Berlioz
B) Frédéric Chopin
C) Robert Schumann
D) Franz Liszt
A) Hector Berlioz
B) Frédéric Chopin
C) Robert Schumann
D) Franz Liszt
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Unlock for access to all 104 flashcards in this deck.
Unlock Deck
k this deck
76
Chopin was most noted for composing:
A) symphonies.
B) lieder.
C) character pieces for piano.
D) religious choral music.
A) symphonies.
B) lieder.
C) character pieces for piano.
D) religious choral music.
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Unlock for access to all 104 flashcards in this deck.
Unlock Deck
k this deck
77
"Night piece" is the definition of a:
A) lied.
B) song cycle.
C) program symphony.
D) nocturne.
A) lied.
B) song cycle.
C) program symphony.
D) nocturne.
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Unlock for access to all 104 flashcards in this deck.
Unlock Deck
k this deck
78
A program symphony is a(n):
A) through-composed symphony in which there is no recurrence of thematic material.
B) Romantic symphony that is based on a program.
C) orchestral concert for which a list of the works to be performed is handed out to the audience.
D) work for an instrumental soloist that is based on a program.
A) through-composed symphony in which there is no recurrence of thematic material.
B) Romantic symphony that is based on a program.
C) orchestral concert for which a list of the works to be performed is handed out to the audience.
D) work for an instrumental soloist that is based on a program.
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Unlock for access to all 104 flashcards in this deck.
Unlock Deck
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79
A concert overture such as the Hebrides Overture is in ________ form.
A) through-composed
B) strophic
C) sonata
D) rondo
A) through-composed
B) strophic
C) sonata
D) rondo
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Unlock Deck
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80
How did Chopin support himself?
A) He gave piano lessons and sold his music to publishers.
B) He was an organist and composer at the Cathedral of Notre Dame.
C) He was supported by the successful writer George Sand.
D) He was one of the first pianists to support himself entirely by giving concerts throughout the world.
A) He gave piano lessons and sold his music to publishers.
B) He was an organist and composer at the Cathedral of Notre Dame.
C) He was supported by the successful writer George Sand.
D) He was one of the first pianists to support himself entirely by giving concerts throughout the world.
Unlock Deck
Unlock for access to all 104 flashcards in this deck.
Unlock Deck
k this deck