Deck 2: Ancient Mesopotamia and Persia
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Deck 2: Ancient Mesopotamia and Persia
1
In his pursuit of beautifying the city of Bayblon, Nebuchadnezzar II built the ____ as one of the main entrances to the city.
A)White Temple
B)Ziggurat at Ur
C)Palace of Darius
D)Ishtar Gate
A)White Temple
B)Ziggurat at Ur
C)Palace of Darius
D)Ishtar Gate
D
2
The statement "measuring rods and coiled rope," which connotes the ruler's capacity to build social order and render judgments, is best depicted on the ____.
A)stele of Hammurabi
B)Standard of Ur
C)victory Stele of Naram-Sin
D)victory stele of Eannatum ( Stele of the Vultures )
A)stele of Hammurabi
B)Standard of Ur
C)victory Stele of Naram-Sin
D)victory stele of Eannatum ( Stele of the Vultures )
A
3
Alexander the Great razed Persepolis in 330 bce . What prior event suggests that this was an act of revenge?
A)Destruction of Assyrian city of Nimrud
B)Birth of the Sasanian dynasty
C)Persian sack of the Athenian Acropolis
D)Persian sack of Sparta
A)Destruction of Assyrian city of Nimrud
B)Birth of the Sasanian dynasty
C)Persian sack of the Athenian Acropolis
D)Persian sack of Sparta
C
4
The Ziggurat at Ur can best be described as a ____.
A)Sumerian burial ground
B)fortified city-state
C)palace for Naram-Sin
D)temple platform
A)Sumerian burial ground
B)fortified city-state
C)palace for Naram-Sin
D)temple platform
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5
The White Temple at Uruk is oriented to the ____.
A)Orion constellation
B)cardinal points of the compass
C)Persian Gulf
D)north
A)Orion constellation
B)cardinal points of the compass
C)Persian Gulf
D)north
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6
What information does the victory stele of Eannatum ( Stele of the Vultures ) provide about the nature of the ensi, or leader?
A)The ruler is equal to the soldiers.
B)Eannatum was not a brave warrior and lost.
C)Ningirsu chose Eannatum to rule Lagash.
D)Eannatum was divine.
A)The ruler is equal to the soldiers.
B)Eannatum was not a brave warrior and lost.
C)Ningirsu chose Eannatum to rule Lagash.
D)Eannatum was divine.
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7
Ishtar Gate, with its relief decorations of a dragon, lion, and bull, comes from the city of ____.
A)Lagash
B)Persepolis
C)Ur
D)Babylon
A)Lagash
B)Persepolis
C)Ur
D)Babylon
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8
The new concept of godlike sovereignty can be described by the representations of ____, the king who appeared as a god in Mesopotamian Akkadian art.
A)Urnanshe
B)Naram-Sin
C)Eannatum
D)Gilgamesh
A)Urnanshe
B)Naram-Sin
C)Eannatum
D)Gilgamesh
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9
The rock-cut relief decorating the palace of Shapur I at Bishapur depicts ____.
A)the goddess Inanna
B)the coronation of Shapur II
C)a dying lioness
D)Shapur's capture of the Roman emperor
A)the goddess Inanna
B)the coronation of Shapur II
C)a dying lioness
D)Shapur's capture of the Roman emperor
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10
Although largely influenced by Assyrian art, Persian art differed in the preference for ____.
A)bulging muscles
B)extremely large eyes
C)nudity
D)more rounded forms
A)bulging muscles
B)extremely large eyes
C)nudity
D)more rounded forms
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11
The Mesopotamian king who codified the law and prescribed penalties for infractions was ____.
A)Urnanshe
B)Innana
C)Naram-Sin
D)Hammurabi
A)Urnanshe
B)Innana
C)Naram-Sin
D)Hammurabi
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12
What epic poem(s) recounts the exploits of a legendary king of Uruk and slayer of the monster Huwawa?
A)Iliad and Odyssey
B)Epic of Gilgamesh
C)Epic of Nimrud
D)Tale of Homer
A)Iliad and Odyssey
B)Epic of Gilgamesh
C)Epic of Nimrud
D)Tale of Homer
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13
Bull-headed capitals would most likely be found in ____.
A)Lascaux
B)Jericho
C)Persia
D)Israel
A)Lascaux
B)Jericho
C)Persia
D)Israel
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14
Which of the following was not a significant contribution of the Sumerians:
A)Specialization of labor
B)The invention of post-and-lintel architecture
C)The advent of writing
D)The invention of the city-state
A)Specialization of labor
B)The invention of post-and-lintel architecture
C)The advent of writing
D)The invention of the city-state
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15
The exaggeration of the eye size on Sumerian votive sculptures likely symbolizes their ____.
A)mystical visions
B)great knowledge and wisdom
C)eternal wakefulness
D)divine nature
A)mystical visions
B)great knowledge and wisdom
C)eternal wakefulness
D)divine nature
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16
A central figure of the Neo-Sumerian age, ____ placed many statues in temples to render his perpetual service to the gods.
A)Ashurnasirpal
B)Imhotep
C)Senenmut
D)Gudea
A)Ashurnasirpal
B)Imhotep
C)Senenmut
D)Gudea
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17
Historical narrative relief can be found at the Assyrian palace of ____ at Nimrud.
A)Gudea
B)Sargon IV
C)Marduk I
D)Ashurnasirpal II
A)Gudea
B)Sargon IV
C)Marduk I
D)Ashurnasirpal II
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18
The statuettes of two worshipers, from the Square Temple at Eshnunna, created by the Sumerians, were ____.
A)placed in tombs to entertain the deceased in the afterlife
B)placed in temples in thanksgiving to the deities
C)guardians of the Citadel of Sargon II
D)used as a form of currency
A)placed in tombs to entertain the deceased in the afterlife
B)placed in temples in thanksgiving to the deities
C)guardians of the Citadel of Sargon II
D)used as a form of currency
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19
The themes portrayed in the murals that decorated Assyrian palaces were intended to ____.
A)demonstrate the ruler's religiosity
B)exalt royal power
C)provide a glimpse into the afterlife
D)show the royal protection of the king
A)demonstrate the ruler's religiosity
B)exalt royal power
C)provide a glimpse into the afterlife
D)show the royal protection of the king
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20
Found on the Warka Vase , the convention of hierarchy of scale indicated ____.
A)greater importance
B)order of the gods
C)the first families
D)the power of money
A)greater importance
B)order of the gods
C)the first families
D)the power of money
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21
What is the purpose of a votive figure?
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22
Why was the concept of the city-state an important innovation?
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23
The Elamite statue of Queen Napir-Asu represents the ideal queen; in addition, there is an allusion to fertility as it relates to being queen. Which motif supports this allusion?
A)Hands crossed over the belly
B)Upright posture
C)Patterned gown
D)Inscription on queen's skirt
A)Hands crossed over the belly
B)Upright posture
C)Patterned gown
D)Inscription on queen's skirt
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24
____ is a term for the large composite creatures that guarded the gates of Assyrian royal complexes.
A)Sphinx
B)Lamassu
C)Zimri-lim
D)Ishtar
A)Sphinx
B)Lamassu
C)Zimri-lim
D)Ishtar
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25
Which of the following works of art was created first?
A)Standard of Ur
B)Victory stele of Eannatum ( Stele of the Vultures )
C)Worshippers from the Square Temple at Eshnunna
D)Warka Vase
A)Standard of Ur
B)Victory stele of Eannatum ( Stele of the Vultures )
C)Worshippers from the Square Temple at Eshnunna
D)Warka Vase
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26
How does the lamassu provide a conceptual picture and all of its important parts?
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27
What is a lamassu , and where was it placed?
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28
The use of polished diorite in many depictions of Gudea is significant because ____.
A)it was symbolic of death
B)it was associated with military victory
C)it was commonly found in Ur
D)it was costly and difficult to carve
A)it was symbolic of death
B)it was associated with military victory
C)it was commonly found in Ur
D)it was costly and difficult to carve
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29
What is the significance of cuneiform ?
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30
The Elamite statue of Queen Napir-Asu shows its Mesopotamian heritage. Which phrase supports this assertion?
A)Square volume and strict frontality
B)Strict true profile and slim silhouette
C)Cylindrical volume and strict frontality
D)Optical profile and full silhouette
A)Square volume and strict frontality
B)Strict true profile and slim silhouette
C)Cylindrical volume and strict frontality
D)Optical profile and full silhouette
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31
Discuss the significance and function of cylinder seals.
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32
Discuss the focus of Sumerian city planning.
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33
What do the reliefs of the palace of Ashurbanipal at Nineveh depict?
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34
The Elamite empire was strong enough to plunder Babylon and carry off the steles of Naram-Sin and Hammurabi, then reerect them in their capital city of Susa. Why is this event significant?
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35
In Assyrian relief, such as the Assyrian archers pursuing enemies, the artists combine different viewpoints in the same frame and other adjustments for clarity. Which of the following phrases best describes the artists' primary goal?
A)Artistic license
B)Legible retelling of a decisive moment in a king's deeds
C)Following technical codes as established by the Sasanians
D)Following technical codes as established by the Elamites
A)Artistic license
B)Legible retelling of a decisive moment in a king's deeds
C)Following technical codes as established by the Sasanians
D)Following technical codes as established by the Elamites
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36
The name for the monumental gateway to the citadel of Persepolis, that Gate of All Lands, is a reference to ____.
A)the harmony of the peoples of the Assyrian empire
B)the harmony of the peoples of the Sasanian empire
C)the harmony of the peoples of the Persian empire
D)the harmony of the peoples of the Elamite empire
A)the harmony of the peoples of the Assyrian empire
B)the harmony of the peoples of the Sasanian empire
C)the harmony of the peoples of the Persian empire
D)the harmony of the peoples of the Elamite empire
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37
Explain the importance of cylinder seals.
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38
The Sumerians may have been the first to use pictures to tell coherent stories. What argument makes this a valid assertion?
A)Narrative presented with haphazard figures
B)Narrative presented in registers or bands
C)Narrative presented in squares or boxes
D)Narrative presented with same-size figures
A)Narrative presented with haphazard figures
B)Narrative presented in registers or bands
C)Narrative presented in squares or boxes
D)Narrative presented with same-size figures
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39
What is an iwan ?
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40
What is the most important archaeological source of knowledge regarding Persian architecture?
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41
How do the reliefs on the Palace of Darius at Persepolis reflect the purpose of the building?
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42
Discuss the changes that have occurred in art from the Neolithic period (Chapter 1) to the art of the ancient Near East. Use examples to support your essay.
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43
Describe the changing political map of the Ancient Near East. How did this political climate initiate change in the creative processes of three distinct groups (your choice)? How did the political climate disseminate the artistic motifs from group to group? How did your selected groups adapt these conventions to fit their respective aesthetic needs? Use examples to support your essay.
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44
Discuss the development of relief sculpture in the Ancient Near East. Focus on three groups. Consider changes in the proportions of the figures, the depiction of details, and the position of the head and shoulders in relation to the body. Cite specific works to illustrate your argument.
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45
Describe three stylistic conventions found in Sumerian sculpture.
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46
Describe the religion practiced by Sumer and how it affected their art. Use examples to support your essay.
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47
What concept of leadership did the Akkadians introduce to ancient Mesopotamia, and how did this influence their art?
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48
Describe an architectural feature used at Persepolis that seems to have been uniquely Persian.
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49
Why is the Hittite Lion Gate at Boghazköy significant?
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50
What was the importance of the code of Hammurabi?
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51
Discuss the impact Sumerian culture had on Mesopotamia. What were their contributions to the development of society and art? How did their culture influence contemporaneous and later groups? Use specific examples to develop your essay.
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52
Compare and contrast temple architecture and palace architecture. How do these structures define their respective groups? Use two distinct cultural groups and specific examples to support your essay.
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53
Describe the differences between Assyrian relief sculpture and Achaemenid relief sculpture. Consider the function of the relief and how it reflected the group. Use examples to support your essay.
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54
What was the primary purpose of Assyrian relief sculpture, and why was it unique in terms of style and subject matter from other ancient Mesopotamian cultures? Use examples to support your essay.
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55
Discuss the social and economic changes that took place in the Ancient Near East. How did these changes impact the art? Use specific examples to support your essay.
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