Deck 7: Writing for Broadcast
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Deck 7: Writing for Broadcast
1
A kicker is
A) a strong line or quote that ends a story.
B) a surprising twist in a story.
C) the climax of a story.
D) the resolution of a story.
A) a strong line or quote that ends a story.
B) a surprising twist in a story.
C) the climax of a story.
D) the resolution of a story.
A
2
You do NOT need to attribute a(n) _____.
A) actuality
B) sound bite
C) well‐known fact
D) paraphrase
A) actuality
B) sound bite
C) well‐known fact
D) paraphrase
C
3
_____ lead is a mini‐story that illustrates something about the theme or main character.
A) Blind
B) Anecdotal
C) Contextual
D) Soft news
A) Blind
B) Anecdotal
C) Contextual
D) Soft news
B
4
_____ lead establishes the main point of a story without revealing a key fact, which appears in the second paragraph.
A) Blind
B) Anecdotal
C) Contextual
D) Soft news
A) Blind
B) Anecdotal
C) Contextual
D) Soft news
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5
In general, limit the number of statistics in a story to _____.
A) 1
B) 3
C) 5
D) 10
A) 1
B) 3
C) 5
D) 10
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6
Terms such as "negative economic growth," "periorbital hematoma" and "dehiring staff" are examples of _____.
A) euphemisms
B) clichés
C) weasel words
D) jargon
A) euphemisms
B) clichés
C) weasel words
D) jargon
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7
Expressions such as "light as a feather," "raining cats and dogs" and "time will tell" are examples of _____.
A) euphemisms
B) clichés
C) weasel words
D) jargon
A) euphemisms
B) clichés
C) weasel words
D) jargon
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8
One of the best broadcast writers was _____.
A) David Sarnoff
B) Philo T. Farnsworth
C) Ansel Adams
D) Edward R. Murrow
A) David Sarnoff
B) Philo T. Farnsworth
C) Ansel Adams
D) Edward R. Murrow
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9
In general, sentences in hard news leads should NOT be longer than _____ words.
A) 10
B) 20
C) 40
D) 50
A) 10
B) 20
C) 40
D) 50
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10
"His feet flailed like a furious fox" is an example of _____.
A) sibilance
B) simile
C) alliteration
D) metaphor
A) sibilance
B) simile
C) alliteration
D) metaphor
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11
When should you use a middle name or initial on first reference?
A) always
B) if requested by the source
C) never
D) if a person is not well known
A) always
B) if requested by the source
C) never
D) if a person is not well known
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12
To convey a sense of immediacy, broadcast writers use ____ tense.
A) present
B) past
C) future
D) past perfect
A) present
B) past
C) future
D) past perfect
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13
The written version of a broadcast story is called a _____.
A) reader
B) voicer
C) package
D) script
A) reader
B) voicer
C) package
D) script
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14
You don't need to start thinking about your script until after you've finished your research, reporting and interviews.
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15
Select sound bites that are of the same length in a package about a controversial subject, such as abortion, so that all sides receive the same amount of time.
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16
Include as much wallpaper video as possible.
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17
People remember what they feel longer than what they learn.
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18
When attributing a source, use a dynamic verb, such as"declare" or "warn," rather than the neutral verb "say."
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19
Boost viewership of an upcoming story by teasing it with words such as "terrific," "special," "stunning" and" spectacular."
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20
Conversational writing captures the casual feel of how people talk by including bad grammar, slang, colloquialisms and profanity.
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21
"The gray seal was bitten by the great white shark" is an example of passive voice.
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22
Words such as "basically," "possibly," "rather" and "on the whole" can weaken your writing.
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23
Avoid contractions in broadcast writing.
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24
Round off numbers with decimals, such as 73.4.
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25
Put the script for each story on a separate page so the rundown can be easily changed.
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26
The _____ story form begins and ends with a person who is dealing with a problem or an issue. Information and perspectives in the middle explain the story's significance.
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27
The _____ story form introduces a person or place. One or more surprising twists lead to background and context.
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28
The _____ story form starts with a summary lead. A transition introduces the chronological telling of the story down to akicker ending.
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29
The _____ story form begins with a main character who is struggling with a problem or conflict. The tension rises until it reaches a climax, followed by a resolution.
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30
The _____ lead is a mini‐story that illustrates something about the theme or main character.
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31
_____ writing refers to writing that captures the casual feel of how people talk.
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32
Broadcasters don't use much punctuation, and they don't always follow all the punctuation rules. To show pauses, broadcasters often use _____ instead of commas.
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33
If the name of a person or place is difficult to say, the writer should include the _____ in the script.
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34
The _____ is the turning point that occurs near the end of a story.
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35
The _____ provides closure at the very end of a story by tying up the loose ends or solving the issue.
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36
To convey immediacy, broadcasters write in _____ tense.
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37
In a script, TRT stands for _____.
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38
At the top of each page of a script, put a _____, which includes your name, the date and sometimes the time
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39
List and briefly describe the five stages of storytelling.
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40
List the advantages and disadvantages of the diamond story form.
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41
List the advantages and disadvantages of the Christmas tree story form.
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42
List the advantages and disadvantages of the wine glass story form.
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43
List the advantages and disadvantages of the narrative arc story form.
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44
What is a wallpaper video?
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45
Why is it important to spell words correctly in a broadcast script?
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46
A strong, satisfying conclusion has two parts. What's the difference between the climax of a story and the resolution
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47
List and briefly describe three ways to organize the material you've gathered.
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48
Briefly describe three ways to use natural sound to enhance a radio or TV script.
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49
Broadcaster Forrest Carr calls these four words worthless:"allegedly," "suspect," "apparently" and "undetermined." Discuss why he calls each one worthless. Do you agree or disagree with him?
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50
One way to end a story is with an actuality or a sound bite. What are the three other ways you could end a story?
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