Deck 1: Content and Preproduction

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Question
The term, the convergence of media, refers to

A) the fact that all media flows eventually into a "stream" that reaches an audience either visually, aurally, or both.
B) the way all media is becoming digital.
C) the way types of programming, production methods, and distribution means of media overlap.
D) the way different media evolve to rely on each other.
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Question
When planning a media production, some categories can be helpful. The text suggests the most basic is whether a production is

A) for profit or not for profit.
B) fiction or nonfiction.
C) professional or amateur.
D) foreign or domestic.
Question
Nonnarritive productions

A) make no money for investors.
B) are typically recorded musical events.
C) are preferred by students who often lack a strong sense of narrative.
D) don't tell a story in a conventional sense.
Question
Aristotle's book, Poetics, is known for its systematic look at

A) the narrative form.
B) the origins of mythology.
C) the actor's preparation for performing.
D) the philosophy of artistic seeing.
Question
The following all add power to a story, except

A) diction.
B) thought.
C) spectacle.
D) none of the above.
Question
The terms linear and nonlinear refers to

A) the difference between traditional video editing and editing on a computer.
B) two different forms of media.
C) both a and b.
D) none of the above.
Question
A nonlinear story is one that

A) has a clear beginning, middle, and end.
B) might present events out of order, jumping through time and space.
C) gives clues to the narrative climax through foreshadowing.
D) none of the above.
Question
The process of media production is usually divided into

A) preproduction, production, and postproduction.
B) money-raising, recording and editing, marketing and promotion.
C) filming and editing.
D) none of the above.
Question
With the traditional three-act structure

A) key characters are introduced early in the first act.
B) the second act includes both a turning point and rising action.
C) the resolution comes at the end of the third act.
D) all of the above.
Question
The preproduction stage will often include

A) taking lunch orders for actors and crew.
B) a written proposal, which can be used for talking with investors.
C) editing the final product.
D) none of the above.
Question
A run-down sheet is used in the production of

A) first-person shooter video games.
B) talk shows.
C) websites.
D) sitcoms.
Question
Shot-by-shot sketches of a production's visual component is called the

A) cartoon.
B) sketch pad.
C) storyboard.
D) film strip.
Question
A needle drop fee is charged when

A) a crew interrupts the quiet of a set during production.
B) a disc jockey plays a song on the radio.
C) a customer downloads a song from iTunes.
D) none of the above.
Question
Only works of fiction have a strong narrative.
Question
A game show is not considered a documentary, though it shares similar characteristics.
Question
A proposal for a fiction project will often include a synopsis.
Question
A screenplay is a script format used live theatrical productions.
Question
A semiscripted program has both scripted portions and segments set aside for ad-lib.
Question
Creating a storyboard requires hiring a professional illustrator.
Question
Even more than traditional films, non-narrative films require a detailed script.
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Deck 1: Content and Preproduction
1
The term, the convergence of media, refers to

A) the fact that all media flows eventually into a "stream" that reaches an audience either visually, aurally, or both.
B) the way all media is becoming digital.
C) the way types of programming, production methods, and distribution means of media overlap.
D) the way different media evolve to rely on each other.
C
2
When planning a media production, some categories can be helpful. The text suggests the most basic is whether a production is

A) for profit or not for profit.
B) fiction or nonfiction.
C) professional or amateur.
D) foreign or domestic.
B
3
Nonnarritive productions

A) make no money for investors.
B) are typically recorded musical events.
C) are preferred by students who often lack a strong sense of narrative.
D) don't tell a story in a conventional sense.
D
4
Aristotle's book, Poetics, is known for its systematic look at

A) the narrative form.
B) the origins of mythology.
C) the actor's preparation for performing.
D) the philosophy of artistic seeing.
Unlock Deck
Unlock for access to all 20 flashcards in this deck.
Unlock Deck
k this deck
5
The following all add power to a story, except

A) diction.
B) thought.
C) spectacle.
D) none of the above.
Unlock Deck
Unlock for access to all 20 flashcards in this deck.
Unlock Deck
k this deck
6
The terms linear and nonlinear refers to

A) the difference between traditional video editing and editing on a computer.
B) two different forms of media.
C) both a and b.
D) none of the above.
Unlock Deck
Unlock for access to all 20 flashcards in this deck.
Unlock Deck
k this deck
7
A nonlinear story is one that

A) has a clear beginning, middle, and end.
B) might present events out of order, jumping through time and space.
C) gives clues to the narrative climax through foreshadowing.
D) none of the above.
Unlock Deck
Unlock for access to all 20 flashcards in this deck.
Unlock Deck
k this deck
8
The process of media production is usually divided into

A) preproduction, production, and postproduction.
B) money-raising, recording and editing, marketing and promotion.
C) filming and editing.
D) none of the above.
Unlock Deck
Unlock for access to all 20 flashcards in this deck.
Unlock Deck
k this deck
9
With the traditional three-act structure

A) key characters are introduced early in the first act.
B) the second act includes both a turning point and rising action.
C) the resolution comes at the end of the third act.
D) all of the above.
Unlock Deck
Unlock for access to all 20 flashcards in this deck.
Unlock Deck
k this deck
10
The preproduction stage will often include

A) taking lunch orders for actors and crew.
B) a written proposal, which can be used for talking with investors.
C) editing the final product.
D) none of the above.
Unlock Deck
Unlock for access to all 20 flashcards in this deck.
Unlock Deck
k this deck
11
A run-down sheet is used in the production of

A) first-person shooter video games.
B) talk shows.
C) websites.
D) sitcoms.
Unlock Deck
Unlock for access to all 20 flashcards in this deck.
Unlock Deck
k this deck
12
Shot-by-shot sketches of a production's visual component is called the

A) cartoon.
B) sketch pad.
C) storyboard.
D) film strip.
Unlock Deck
Unlock for access to all 20 flashcards in this deck.
Unlock Deck
k this deck
13
A needle drop fee is charged when

A) a crew interrupts the quiet of a set during production.
B) a disc jockey plays a song on the radio.
C) a customer downloads a song from iTunes.
D) none of the above.
Unlock Deck
Unlock for access to all 20 flashcards in this deck.
Unlock Deck
k this deck
14
Only works of fiction have a strong narrative.
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Unlock for access to all 20 flashcards in this deck.
Unlock Deck
k this deck
15
A game show is not considered a documentary, though it shares similar characteristics.
Unlock Deck
Unlock for access to all 20 flashcards in this deck.
Unlock Deck
k this deck
16
A proposal for a fiction project will often include a synopsis.
Unlock Deck
Unlock for access to all 20 flashcards in this deck.
Unlock Deck
k this deck
17
A screenplay is a script format used live theatrical productions.
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k this deck
18
A semiscripted program has both scripted portions and segments set aside for ad-lib.
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k this deck
19
Creating a storyboard requires hiring a professional illustrator.
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20
Even more than traditional films, non-narrative films require a detailed script.
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Unlock for access to all 20 flashcards in this deck.