Deck 6: Audio

Question 1

In sound, amplitude means volume and frequency is analogous to pitch.

Answer 1

True

Question 2

The ribbon microphone is physically more rugged and dependable than the dynamic microphone.

Answer 2

False

Question 3

Which of the following microphones requires an amplifier near the transducer?

A) ribbon
B) dynamic
C) condenser
D) electret condenser
E) C and D

Answer 3

E

Question 4

The ______ microphone is often chosen when you must pick up sounds from opposite directions with the same mike.

A) omnidirectional
B) bi-directional
C) cardioid
D) supercardioid
E) none of the above

Question 5

This is the pickup pattern of a/an _____ microphone.

A) omnidirectional
B) bi-directional
C) cardioid
D) supercardioid
E) none of the above

Question 6

A boom mike device that is hand-held by a sound technician and is extremely mobile is called a

A) perambulator
B) fishpole
C) giraffe
D) boom-boom
E) key grip

Question 7

Which of the following microphones is designed for capturing sound at long distances? (circle as many as may apply)

A) lavaliere
B) clip
C) boundary
D) shotgun
E) parabolic

Question 8

Wireless microphones are also referred to as_________microphones.

A) R.F.
B) MCP
C) boundary
D) dual redundancy
E) shotgun

Question 9

Which of the following are important considerations when choosing a microphone? (circle all that apply)

A) visibility
B) talent mobility
C) sensitivity
D) pickup pattern required
E) frequency response

Question 10

Which of the following is a boundary microphone? (circle the correct letter)

A)
B)
C)

Question 11

Unbalanced lines are better for professional recording than balanced lines.

Question 12

Analog audio signals that do not peak at the 80 percent level at least occasionally on the VU meter

A) may have audible background noise
B) have OK signal-to-noise ratios
C) are always acceptable
D) cannot be heard when played back
E) none of the above is correct

Question 13

Acoustical feedback is usually caused by

A) defective microphones
B) a loop from the speakers to the mike to the speakers
C) automatic muting
D) excessive audio peaks
E) A and C

Question 14

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-The strength or power of a sound wave, known colloquially as loudness or volume.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 15

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-A special amplifier in an audio mixing console allowing the operator to hear an audio source without mixing that source into the program.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 16

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-This is commonly known as pitch and is measured in Hertz (Hz).

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 17

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-Altering the electrical characteristics of an audio signal to correct perceived flaws in the original sound.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 18

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-A relatively small microphone designed to hang by a cord around the talent's neck.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 19

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-A special type of condenser microphone in which the metallic plates of the transducer are permanently charged.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 20

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-Refers to the relatively strong electrical signals reaching an audio mixing console from audio storage devices such as compact discs and recorders. These devices significantly amplify their own output.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 21

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-Refers to the relatively weak electrical signals reaching an audio mixing console from audio sources that do not significantly amplify their own output.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 22

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-Naturally occurring sounds intrinsic to a particular location that contribute to the mood of the scene. Also called "natural" or "wild" sound.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 23

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-The ability of an audio device such as a microphone to reproduce and/or amplify all frequencies in a sound equally.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 24

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-Electrical energy provided by an audio mixing console to operate condenser microphones.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 25

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-A large, heavy boom allowing microphone movement in any direction quickly and with precision.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 26

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-The tendency of a directional microphone to excessively emphasize the low frequencies in a sound source placed close to the transducer element.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 27

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-A small, self-supporting microphone boom mount on wheels.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 28

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-A large, long, extremely directional microphone that usually uses a special housing to provide directivity.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 29

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-Referring to the usually, or "normally," connected outputs and inputs on a patch panel.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 30

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-A microphone that uses a capsule containing carbon granules pressed between two metal plates as the transducer.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 31

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-A device in an audio mixing console that automatically silences all speakers in the vicinity of a microphone when the microphone is keyed on, thus preventing feedback.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 32

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-A microphone that is sensitive predominantly to sounds arriving from only two directions.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 33

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-It uses a pair of electrically charged metallic plates separated by an insulator as thetransduction element. It also requires a power source for operating its associated amplifier, and sometimes for charging the metallic plates of the transducer.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 34

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-A "velocity" microphone.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 35

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-A common term for a centralized audio cable connector box.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 36

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-The process of converting energy in one form (such as sound) into energy in another form (such as electricity).

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 37

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-A unidirectional microphone that has a narrower heart-shaped pickup pattern than a standard cardioid but is less directional than a hypercardioid microphone.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 38

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-Flexible metal tubing used as a microphone support attached to a desk or podium allowing easy repositioning of the microphone to fit the needs of different talent.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 39

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-The unit of measurement associated with frequency.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 40

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-Sensitive predominantly to sounds arriving from only one direction. The area of greatest sensitivity has the general shape of a heart.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 41

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-A wireless microphone.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 42

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-A device built into a microphone to reduce the intensity of plosive consonant sounds such as "B" and "P."

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 43

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-A comparison of the desired audio (music/voice) to the undesired noise (such as tape hiss in analog recording).

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 44

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-Balanced line connecting device; also known as "Cannon."

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 45

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-An electrical circuit that automatically adjusts the loudness (volume) of audio signals.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 46

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-A smooth-surfaced (usually foam rubber) microphone attachment that slips over the entrance to the microphone's transducer element to minimize the pickup of ambient noise caused by air passing over the external surface of the microphone.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 47

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-An aesthetically pleasing audio mixing technique in which the sound from one source fades out as a second source fades in.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 48

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-To reduce the amplitude of a sound or electrical signal.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 49

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-A rugged and widely used microphone employing a metal disk (diaphragm) attached to a moving coil within a magnetic field as the transduction element. Also known as a "moving coil" or "pressure" microphone.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 50

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-Extremely brief bursts of high-amplitude, high-frequency sound.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 51

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-A large, sausage-shaped device containing a shotgun mike that's used to deaden wind noise.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 52

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-The degree of opposition to alternating current flow exhibited by an electrical circuit.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 53

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-A built-in device that reduces the tendency of a microphone to excessively emphasize the low frequencies in sound originating in close proximity.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 54

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-Another word for a fader.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 55

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-A three-wire cable in which analog audio signals are conveyed over two insulated wires, shielded from outside interference by a bare wire and metallic foil.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 56

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-A metal enclosure surrounding a production studio with female XLR connectors into which microphone cables are plugged.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 57

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-A dish-shaped concave reflector with a microphone at its acoustic focal point facing inward, toward the dish.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 58

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-A term used to describe an audio device that processes only one audio channel.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 59

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-A type of microphone that accepts sound only from one direction along a very narrow axis.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 60

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-An audio circuit providing program audio to a small earplug worn by talent.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 61

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-The ability of a nonconductor to store energy because of voltages on conductive surfaces on either side of the nonconductor.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 62

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-A loud, screeching sound created when a microphone picks up its own output from a nearby speaker and re-conveys it through the system.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 63

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-A recorder/playback machine which uses two reels of 1/6-inch tape contained in a plastic container (cassette), thus combining features of the open-reel and cartridge tape recording systems.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 64

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-A microphone that uses a natural mineral (crystal) that has the peculiar ability to generate an electrical voltage when placed under pressure.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 65

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-Another term for an audio mixing console.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 66

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-A clip or bracket that allows mounting an auxiliary external microphone of the operator's choice on the camera.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 67

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-Although technically applicable to any audio tape recorder, the term usually refers to open-reel analog devices using tape from 1/4 to 2-inches in width.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 68

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-An analog recorder/playback machine which uses an "endless" loop of 1/4-inch audio tape wound around a single rotating hub in a plastic container, or "cartridge."

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 69

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-A form of patch panel using electrical switches rather than patch cords to connect audio sources to the audio mixing console.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 70

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-A co-incident microphone technique used for stereophonic recording. The technique uses two bidirectional microphones.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 71

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-Digital audio systems which use microprocessors to create process and/or store audio.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 72

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-A device with a long "arm" that positions the microphone near the talent, but outside the camera's view.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 73

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-A form of surround sound (see separate vocabulary entry) featuring six discrete audio channels.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 74

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-A microphone using a ceramic element with the same physical and electrical characteristics as a crystal in a crystal microphone.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 75

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-Another term for a condenser microphone.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 76

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-A very small microphone that attaches to the talent's clothing at chest level.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 77

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-A trademarked marketing term for Dolby Laboratories' AC-3 audio encoding technology.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 78

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-A microphone suspended immobile by its audio cable above the talent from the studio's light grid or any improvised overhead support.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 79

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-Any stereophonic recording technique in which the microphones are in close proximity to each other. Variations include the X-Y and M-S techniques.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin

Question 80

Matching:
Use the terms to complete the definitions sections ofthis chapter test. Placethe letter(s) of the termwith its corresponding definition.
-Also known as a PZM (TM) microphone. A specially designed microphone using a close-mounted reflective surface to achieve a hemispherical (180-degree) pickup pattern.

A) 5.1 Surround Sound
B) Accessory Shoe
C) Acoustical feedback
D) AGC
E) Ambient sound
F) Amplitude
G) ATR
H) Attenuate
I) Audio Cassette Recorder
J) Audio Mixing Console
K) Audio Routing Switcher
L) Automatic Muting circuit
M) Balanced line
N) Bidirectional microphone
O) Blumlein Pair
P) Board
Q) Boom
R) Boundary Microphone
S) Cable tray
T) Capacitance
U) Carbon Microphone
V) Cardioid mike
W) Cartridge Tape Recorder
X) Ceramic Microphone
Y) Clip Microphone
Z) Co-incident Microphone Technique
Aa) Compact Audio Disc (CD)
Bb) Computer-based Audio Systems
Cc) Condenser mike
Dd) Connector Boxee. Cross-fading
Ff) Crystal Microphone
Gg) Cue circuit
Hh) Desk Microphone
Ii) Digital Audio Tape (DAT) Recorder
Jj) Directivity
Kk) Dolby Digital
Ll) Dolby Labs AC-3
Mm) Dual Redundancy
Nn) Dub
Oo) Dynamic mike
Pp) Electret condenser mike
Qq) Electrodynamic Microphone
Rr) Electrostatic Microphone
Ss) Equalization
Tt) Fader
Uu) Fishpole Boom
Vv) Flat response
Ww) Frequency
Xx) Giraffe
Yy) Gooseneck
Zz) Hand Microphone
Aaa) Hanging Microphone
Bbb) Hard Drives
Ccc) Headset Microphone
Ddd) Hertz (Hz)
Eee) Hypercardioid mike
Fff) I.F.B.
Ggg) Impedance
Hhh) Internal Microphone
Iii) IPS
Jjj) Key
Kkk) Knife
Lll) Lavaliere mike
Mmm) Line level
Nnn) Low-end roll off filter
Ooo) Master Level (or Volume) Control
Ppp) Method of Transduction
Qqq) Microphone level
Rrr) Mid-side Technique
Sss) Mini Disc (MD)
Ttt) Monauraluuu. Monophonic
Vvv) Moving Coil Microphone
Www) Multiple Transducer System Microphone
Xxx) Normaled
Yyy) Omindirectional Polar Pattern
Zzz) Output Impedence
Aaaa. Parabolic mike
Bbbb. Patch Cord
Cccc. Patch Panel
Dddd. Perambulator boom
Eeee. Phantom power
Ffff. Phase: Another term for time
Gggg. PFL: Pre-fade Listen (or level)
Hhhh. PL: Private Line
Iiii. Polar Diagram
Jjjj. Pop filter
Kkkk. Potentiometer or Pot
Llll. Pressure-gradient Microphone
Mmmm. Pressure Microphone
Nnnn. Psychoacoustic
Oooo. Proximity effect
Pppp. PZM Microphone
Qqqq. Quadraphonic Sound
Rrrr. Reel-to-Reel ATR
Ssss. R.F. mike
Tttt. Ribbon mike
Uuuu. Riding Grain
Vvvv. Shock Mount
Wwww. Shotgun mike
Xxxx. Signal to Noise (S/N) Ratio
Yyyy. Snake
Zzzz. Solo
Ab) Sound
Cd) Specification (Spec) Sheet
Ef) Stand Mount Adaptor
Gh) Stereo Sound
Ij) Studio "Pop" Filter
Kl) Supercardioid mike
Mn) Surround Sound
Op) Sweetening
Qr) Synthesized audio
St) Three-to-one Ratio
Uv) Transduction
Wx) Transients
Yz) Turn Table
Abc) Unbalanced Line
Def) Velocity Microphone
Ghi) Videotape Recorder (VTR)
Jkl) VU Meter
Mno) Windscreen
Pqr) Wireless Microscope
Stu) XLR Connector
Vwx) X-Y Technique
Yza) Zeppelin