Deck 4: Painting
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Deck 4: Painting
1
Which of the following is pigment bound by egg yolk?
A) fresco
B) oil
C) tempera
D) watercolor
A) fresco
B) oil
C) tempera
D) watercolor
tempera
2
Which of the following media produces the greatest range, richness, and subtlety of color?
A) fresco
B) oil
C) tempera
D) watercolor
A) fresco
B) oil
C) tempera
D) watercolor
oil
3
Which of the following has NOT dominated painting in the West?
A) fresco
B) acrylic
C) ink
D) tempera
A) fresco
B) acrylic
C) ink
D) tempera
ink
4
Which of the following refers to the purity, vividness, or intensity of a color?
A) hue
B) saturation
C) value
D) texture
A) hue
B) saturation
C) value
D) texture
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5
The basic elements of painting are
A) line, color, texture, and composition
B) light, shape, volume, and space
C) perception, rhythm, and balance
D) an artist, a participator, and a critic
A) line, color, texture, and composition
B) light, shape, volume, and space
C) perception, rhythm, and balance
D) an artist, a participator, and a critic
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6
In abstract painting, sensa are
A) associated with specific objects or events
B) always representative of the painter's inner psyche
C) dissociated from specific objects or events
D) the logic of the composition
A) associated with specific objects or events
B) always representative of the painter's inner psyche
C) dissociated from specific objects or events
D) the logic of the composition
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7
In representational painting, sensa are
A) associated with specific objects or events
B) always representative of the painter's inner psyche
C) dissociated from specific objects or events
D) the logic of the composition
A) associated with specific objects or events
B) always representative of the painter's inner psyche
C) dissociated from specific objects or events
D) the logic of the composition
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8
Which of the following refers to the emphasis achieved by the scaling of sizes or shapes?
A) balance
B) proportion
C) gradation
D) unity
A) balance
B) proportion
C) gradation
D) unity
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9
The "all-at-onceness" of a painting refers to
A) the back story of the artist
B) the idea that the sensa allow the function of the painting to become clear
C) all of a painting being present at one time
D) none of the above
A) the back story of the artist
B) the idea that the sensa allow the function of the painting to become clear
C) all of a painting being present at one time
D) none of the above
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10
A painting by which of the following artists lent its name to the entire Impressionist movement?
A) Manet
B) Renoir
C) Cassatt
D) Monet
A) Manet
B) Renoir
C) Cassatt
D) Monet
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11
The gradual variations in shape, color value, and shadowing in Siqueiros's Echo of a Scream refer to
A) balance
B) proportion
C) gradation
D) unity
A) balance
B) proportion
C) gradation
D) unity
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12
A painting is abstract if
A) it uses primary colors and broad lines
B) its title has no bearing on the painting's subject matter
C) definite objects and events are part of the content
D) definite objects and events are not part of the content
A) it uses primary colors and broad lines
B) its title has no bearing on the painting's subject matter
C) definite objects and events are part of the content
D) definite objects and events are not part of the content
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13
Frankenthaler's The Bay is
A) abstract
B) representational
C) both
D) neither
A) abstract
B) representational
C) both
D) neither
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14
Rothko's Earth Greens is an example of
A) abstract
B) representational
C) chaos
D) straight lines
A) abstract
B) representational
C) chaos
D) straight lines
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15
O'Keeffe's Ghost Ranch Cliffs is an example of
A) abstract
B) representational
C) chaos
D) straight lines
A) abstract
B) representational
C) chaos
D) straight lines
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16
Using a painting of your choice, explain how it applies the principle of "all-at-onceness." Use precise detail and develop your answer.
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17
Explain what Cézanne does to clarify Mont St. Victoire. What do you learn about painting by comparing his depiction of the mountain with a photograph of Mont St. Victoire?
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