Deck 6: Music,mobility,and the Global Marketplace
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Deck 6: Music,mobility,and the Global Marketplace
1
Small musical units within big music cultures are called:
A)minimusics.
B)micromusics.
C)subcultures.
D)intercultures.
E)supercultures.
A)minimusics.
B)micromusics.
C)subcultures.
D)intercultures.
E)supercultures.
B
2
Because music often has a strong association with a particular locale,the travel and tourism industries use music to:
A)signify a destination in advertisements.
B)sell a tourist destination to potential visitors.
C)enhance a tourist's stay.
D)sell nonmusical products to tourists.
E)All of the above
A)signify a destination in advertisements.
B)sell a tourist destination to potential visitors.
C)enhance a tourist's stay.
D)sell nonmusical products to tourists.
E)All of the above
E
3
I Nyoman Windha's composition Kembang Pencak (Flowering Pencak)is a good example of the kreasi baru genre because:
A)it is a deliberate attempt to revive an older tradition of gamelan music.
B)it maintains traditional playing techniques,like crashing the cymbals together.
C)it uses a traditional five-part structure.
D)it incorporates new features,such as a section for unaccompanied male chorus.
E)it uses five-note melodies in pelog tuning.
A)it is a deliberate attempt to revive an older tradition of gamelan music.
B)it maintains traditional playing techniques,like crashing the cymbals together.
C)it uses a traditional five-part structure.
D)it incorporates new features,such as a section for unaccompanied male chorus.
E)it uses five-note melodies in pelog tuning.
D
4
A player often deliberately creates which characteristic sound of the Hawaiian steel guitar?
A)One or more low drones
B)Elaborate ornaments called gamaka
C)A straight tone with no vibrato
D)Slides up or down to a pitch
E)Compound ornaments called grips
A)One or more low drones
B)Elaborate ornaments called gamaka
C)A straight tone with no vibrato
D)Slides up or down to a pitch
E)Compound ornaments called grips
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5
High Little Moon uses which type of meter?
A)Duple
B)Triple
C)Quadruple
D)Sextuple
E)Additive
A)Duple
B)Triple
C)Quadruple
D)Sextuple
E)Additive
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6
Which of the following phenomena was NOT a result of tourism's influence on Balinese gamelan in the early twentieth century?
A)Balinese dancers wore coordinated costumes.
B)Compositions were lengthened.
C)Instruments were elaborately decorated.
D)The new kecak genre gained popularity.
E)Rehearsal schedules became more rigorous.
A)Balinese dancers wore coordinated costumes.
B)Compositions were lengthened.
C)Instruments were elaborately decorated.
D)The new kecak genre gained popularity.
E)Rehearsal schedules became more rigorous.
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7
Which of the following factors did NOT contribute to the ukulele's popularity in the twentieth century?
A)Its exposure on the American mainland through expositions and movies
B)The simplicity of its playing technique
C)Its invention by a member of the Hawaiian royal family
D)Its low cost
E)Its portability
A)Its exposure on the American mainland through expositions and movies
B)The simplicity of its playing technique
C)Its invention by a member of the Hawaiian royal family
D)Its low cost
E)Its portability
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8
Which of the following statements about the musical genre called kecak is true?
A)It was invented collaboratively by a Balinese musician and a Balinese choreographer.
B)It is a percussive vocal genre resembling the interlocking gamelan parts called kotekan.
C)It is performed by a male chorus seated in two lines.
D)It declined in popularity as Western tourists visited Bali.
E)It is based on a Buddhist parable that has been traced to the tenth century.
A)It was invented collaboratively by a Balinese musician and a Balinese choreographer.
B)It is a percussive vocal genre resembling the interlocking gamelan parts called kotekan.
C)It is performed by a male chorus seated in two lines.
D)It declined in popularity as Western tourists visited Bali.
E)It is based on a Buddhist parable that has been traced to the tenth century.
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9
Which of the following statements about gamelan gong kebyar is true?
A)It was the most important Balinese gamelan tradition in the nineteenth century.
B)It was replaced in twentieth-century Bali by the Javanese gamelan.
C)It is a revolutionary musical style that was created in the early twentieth century.
D)It is distinguished by its relatively subdued and sustained intensity.
E)It is noted for its continuity in musical structure or form.
A)It was the most important Balinese gamelan tradition in the nineteenth century.
B)It was replaced in twentieth-century Bali by the Javanese gamelan.
C)It is a revolutionary musical style that was created in the early twentieth century.
D)It is distinguished by its relatively subdued and sustained intensity.
E)It is noted for its continuity in musical structure or form.
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10
High Little Moon is an example of:
A)a long tradition of Chinese instrumental improvisation.
B)the use of a heterophonic texture commonly found in Chinese music.
C)the use of a pentatonic scale containing five pitches.
D)the transformation of the pipa's timbre with amplification and a Western bow.
E)All of the above
A)a long tradition of Chinese instrumental improvisation.
B)the use of a heterophonic texture commonly found in Chinese music.
C)the use of a pentatonic scale containing five pitches.
D)the transformation of the pipa's timbre with amplification and a Western bow.
E)All of the above
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11
A presentation of music that is intended to be viewed at a distance,such as a stadium rock concert,is best described as:
A)subcultural.
B)supercultural.
C)micromusical.
D)panoptic.
E)panoramic.
A)subcultural.
B)supercultural.
C)micromusical.
D)panoptic.
E)panoramic.
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12
Which of the following statements about a musical superculture is NOT true?
A)It is the dominant musical tradition in a region.
B)It is an overarching sphere of musical interaction.
C)It is shaped by the power of the state.
D)It is shaped by the global economy.
E)It is shaped by a national economy.
A)It is the dominant musical tradition in a region.
B)It is an overarching sphere of musical interaction.
C)It is shaped by the power of the state.
D)It is shaped by the global economy.
E)It is shaped by a national economy.
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13
Previous chapters of Soundscapes have situated various music traditions within their particular subcultures,which:
A)includes occupational networks.
B)includes personal and familial networks.
C)includes community networks.
D)is primarily responsible for creating and transmitting the music.
E)All of the above
A)includes occupational networks.
B)includes personal and familial networks.
C)includes community networks.
D)is primarily responsible for creating and transmitting the music.
E)All of the above
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14
The Moe family spent many years promoting Hawaiian music in:
A)Samoa.
B)Europe.
C)Hawaii.
D)Latin America.
E)the mainland United States.
A)Samoa.
B)Europe.
C)Hawaii.
D)Latin America.
E)the mainland United States.
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15
The worldwide spread of the Scottish bagpipe and its adaptation to local settings is an example of:
A)a micromusic.
B)musical turnaround.
C)intercultural interaction.
D)a panoptic view of music.
E)the panoramic display of music.
A)a micromusic.
B)musical turnaround.
C)intercultural interaction.
D)a panoptic view of music.
E)the panoramic display of music.
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16
In the nineteenth century,music was frequently part of interactive exhibitions of daily life in various cultures;these exhibitions are best described as:
A)subcultural.
B)supercultural.
C)micromusical.
D)panoptic.
E)panoramic.
A)subcultural.
B)supercultural.
C)micromusical.
D)panoptic.
E)panoramic.
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17
Which of the following statements about the rendition of Mido Mountain featured in the Listening Guide is true?
A)It is a new composition written collaboratively by Wu Man and Yo-Yo Ma.
B)It adapts a Chinese folk song to the Western major scale.
C)It is performed in English to appeal to Western audiences.
D)It combines Western,Chinese,and North Indian instruments.
E)It uses simple melodies,rhythms,and textures to appeal to different audiences.
A)It is a new composition written collaboratively by Wu Man and Yo-Yo Ma.
B)It adapts a Chinese folk song to the Western major scale.
C)It is performed in English to appeal to Western audiences.
D)It combines Western,Chinese,and North Indian instruments.
E)It uses simple melodies,rhythms,and textures to appeal to different audiences.
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18
Music can be considered to be:
A)the common property of a family,clan,or community.
B)something that an individual can own.
C)something that can be protected by copyright.
D)a commodity.
E)All of the above
A)the common property of a family,clan,or community.
B)something that an individual can own.
C)something that can be protected by copyright.
D)a commodity.
E)All of the above
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19
The song Samoan Moon includes all the following musical features that are strongly associated with Hawaii EXCEPT:
A)slides performed on the steel guitar.
B)pronounced vibrato on the steel guitar.
C)harmonics produced on the steel guitar.
D)strummed chords on the ukulele.
E)references to Hawaiian landmarks in the lyrics.
A)slides performed on the steel guitar.
B)pronounced vibrato on the steel guitar.
C)harmonics produced on the steel guitar.
D)strummed chords on the ukulele.
E)references to Hawaiian landmarks in the lyrics.
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20
Evan Ziporyn and I Nyoman Windha collaborated to create Kekembangan,a new composition for gamelan that:
A)quotes material from Windha's Kembang Pencak.
B)uses a saxophone quartet in place of an a cappella male chorus.
C)applies the traditional Balinese pelog tuning to saxophones.
D)includes a gamelan gong kebyar ensemble.
E)All of the above
A)quotes material from Windha's Kembang Pencak.
B)uses a saxophone quartet in place of an a cappella male chorus.
C)applies the traditional Balinese pelog tuning to saxophones.
D)includes a gamelan gong kebyar ensemble.
E)All of the above
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21
An ________ ________ choir is a choir that performs with no instrumental accompaniment.
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22
Musical performances were often part of the displays of Native Americans and other ethnic cultures at nineteenth-century fairs,festivals,and expositions.
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23
The ukulele was invented by making a smaller,simpler version of a lute from Madeira.
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24
Members of the Moe family were able to market Hawaiian music on a global scale because they spent much of their adult lives recording performers in Hawaii.
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25
Musical performances for tourists are often lengthened to ensure that the audience can understand them.
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26
The swaying Hawaiian ________ dance has gained many students globally through the establishment of schools in Mexico,Japan,and Holland,among other countries.
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27
Yo-Yo Ma's Silk Road Project ultimately led to the creation of a Silk Road Ensemble,a Grammy-nominated CD,new compositions,and educational efforts featuring musicians and artists from a variety of countries.
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28
Felix Mendelssohn was an ________ who managed several members of the Moe family of musicians.
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29
Beginning in the nineteenth century,________ exhibitions enabled observers to walk into and interact with reproductions of daily life in various cultures,including music.
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30
It is easier to apply notions of ownership to musical sound than to a literary text.
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31
Vibrato is the regular fluctuation of a sound,created by slightly varying the pitch.
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32
________ is a vocal technique in which a singer deliberately produces a break in the voice when switching from chest voice to head voice.
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33
The legal protection of intellectual property is called ________.
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34
The interlocking parts in gamelan gong kebyar are called ________.
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35
In the 1960s,the Balinese government established two arts schools that helped create a single,coherent style of gamelan music.
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36
In the musical genre kecak,a male chorus representing an army of monkeys performs interlocking vocal parts on the syllable "cak."
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37
Mido Mountain exemplifies the use of an ________,which is a short musical pattern that is repeated.
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38
The sphere of musical interaction that occurs when subcultures influence each other is called the ________.
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39
The addition of one or more notes in slight anticipation of a pitch is called:
A)vibrato.
B)tremolo.
C)glissando.
D)grace notes.
E)palm harmonics.
A)vibrato.
B)tremolo.
C)glissando.
D)grace notes.
E)palm harmonics.
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40
A descant is an ornamental melody that is sung or played above the main melody.
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41
Match each item to the correct description below.
a.kotekan
b.pipa
c.erhu
d.sheng
e.kecak
A percussive Balinese vocal genre sung by a male chorus
a.kotekan
b.pipa
c.erhu
d.sheng
e.kecak
A percussive Balinese vocal genre sung by a male chorus
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42
Match each item to the correct description below.
a.kotekan
b.pipa
c.erhu
d.sheng
e.kecak
A Chinese bowed lute
a.kotekan
b.pipa
c.erhu
d.sheng
e.kecak
A Chinese bowed lute
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43
Match each item to the correct description below.
a.kotekan
b.pipa
c.erhu
d.sheng
e.kecak
A Chinese mouth organ made of bamboo pipes
a.kotekan
b.pipa
c.erhu
d.sheng
e.kecak
A Chinese mouth organ made of bamboo pipes
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44
MATCHING
Match each item to the correct description below.
a.impresario
b.arpeggio
c.palm harmonics
d.tremolo
e.glissando
An organizer of musical concerts or a manager of musicians
Match each item to the correct description below.
a.impresario
b.arpeggio
c.palm harmonics
d.tremolo
e.glissando
An organizer of musical concerts or a manager of musicians
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45
Using the examples of gamelan music from this chapter,explain how intercultural transmission and cross-cultural collaboration between composers in different localities can produce new hybrid styles of music.
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46
MATCHING
Match each item to the correct description below.
a.impresario
b.arpeggio
c.palm harmonics
d.tremolo
e.glissando
A broken chord,in which the pitches are played in succession instead of simultaneously
Match each item to the correct description below.
a.impresario
b.arpeggio
c.palm harmonics
d.tremolo
e.glissando
A broken chord,in which the pitches are played in succession instead of simultaneously
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47
MATCHING
Match each item to the correct description below.
a.impresario
b.arpeggio
c.palm harmonics
d.tremolo
e.glissando
A slide up or down in pitch
Match each item to the correct description below.
a.impresario
b.arpeggio
c.palm harmonics
d.tremolo
e.glissando
A slide up or down in pitch
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48
In the rendition of Mido Mountain featured in the Listening Guide,the ending of the piece includes a gradual increase in volume from soft to loud,called a ________.
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49
Using the example of The Silk Road Project,explain how an international soundscape of significant economic impact can be created by a global community of participants and audiences from various subcultures,with the influence of the interculture and the superculture.
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50
Match each item to the correct description below.
a.kotekan
b.pipa
c.erhu
d.sheng
e.kecak
A Chinese four-stringed plucked lute
a.kotekan
b.pipa
c.erhu
d.sheng
e.kecak
A Chinese four-stringed plucked lute
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51
MATCHING
Match each item to the correct description below.
a.impresario
b.arpeggio
c.palm harmonics
d.tremolo
e.glissando
A rapid repetition of the same pitch,usually on a string instrument
Match each item to the correct description below.
a.impresario
b.arpeggio
c.palm harmonics
d.tremolo
e.glissando
A rapid repetition of the same pitch,usually on a string instrument
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52
MATCHING
Match each item to the correct description below.
a.impresario
b.arpeggio
c.palm harmonics
d.tremolo
e.glissando
Overtones produced on the steel guitar
Match each item to the correct description below.
a.impresario
b.arpeggio
c.palm harmonics
d.tremolo
e.glissando
Overtones produced on the steel guitar
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53
Match each item to the correct description below.
a.kotekan
b.pipa
c.erhu
d.sheng
e.kecak
Interlocking parts in gamelan gong kebyar music
a.kotekan
b.pipa
c.erhu
d.sheng
e.kecak
Interlocking parts in gamelan gong kebyar music
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54
How have travel and tourism affected the transmission of Hawaiian music?
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