Deck 13: Art of the High Renaissance and Reformation
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Deck 13: Art of the High Renaissance and Reformation
1
Painted models for works in another medium are called __________.
A)cartoons
B)tapestries
C)predellas
D)hemicycles
A)cartoons
B)tapestries
C)predellas
D)hemicycles
A
2
Palladio's Villa Rotonda was inspired by __________.
A)St.Peter's Basilica
B)the Roman Pantheon
C)the Sistine Chapel
D)the Château of Fontainebleau
A)St.Peter's Basilica
B)the Roman Pantheon
C)the Sistine Chapel
D)the Château of Fontainebleau
B
3
The artistic movement in which artificiality,grace,and elegance was valued over ordered balance and lifelike references is known as __________.
A)Mannerism
B)the High Renaissance
C)the Counter-Reformation
D)the Northern tradition
A)Mannerism
B)the High Renaissance
C)the Counter-Reformation
D)the Northern tradition
A
4
The technique in which the transition from highlight to shadow creates the illusion of three-dimensional form is called __________.
A)sfumato
B)chiaroscuro
C)trompe l'oeil
D)contrapposto
A)sfumato
B)chiaroscuro
C)trompe l'oeil
D)contrapposto
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5
The technique used to create a smoky haze is called __________.
A)chiaroscuro
B)contrapposto
C)sfumato
D)trompe l'oeil
A)chiaroscuro
B)contrapposto
C)sfumato
D)trompe l'oeil
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6
The atmospheric clarity and brilliant colors in Raphael's The Madonna of the Goldfinch demonstrate the influence of __________.
A)Titian
B)Leonardo da Vinci
C)Michelangelo
D)Perugino
A)Titian
B)Leonardo da Vinci
C)Michelangelo
D)Perugino
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7
Which of the following artists envisioned his sculpture as already existing within the marble,needing only his tools to "set it free"?
A)El Greco
B)Giorgione
C)Lucas Cranach the Elder
D)Michelangelo
A)El Greco
B)Giorgione
C)Lucas Cranach the Elder
D)Michelangelo
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8
Bronzino's Allegory with Venus and Cupid exemplifies the Mannerist style of painting because it depicts __________.
A)figures with exaggerated poses
B)figures set in rationally ordered space
C)a traditional mythological scene
D)naturalistic and Classicizing female nudes
A)figures with exaggerated poses
B)figures set in rationally ordered space
C)a traditional mythological scene
D)naturalistic and Classicizing female nudes
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9
During the High Renaissance,Venetian paintings were characterized by their __________.
A)irrational spatial environments
B)brilliant color and lighting effects
C)artificial poses and enigmatic gestures
D)exclusively religious iconography
A)irrational spatial environments
B)brilliant color and lighting effects
C)artificial poses and enigmatic gestures
D)exclusively religious iconography
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10
In The Last Supper,Tintoretto used strong colors and bright highlights to __________.
A)portray serene idealism
B)create a trompe l'oeil effect
C)convey intense spirituality
D)emulate the style of Michelangelo
A)portray serene idealism
B)create a trompe l'oeil effect
C)convey intense spirituality
D)emulate the style of Michelangelo
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11
Michelangelo organized the paintings on the ceiling of the Sistine Chapel within __________.
A)an illusionistic architectural structure
B)a central,pyramidal composition
C)stucco reliefs of garlands
D)blind windows and pilasters
A)an illusionistic architectural structure
B)a central,pyramidal composition
C)stucco reliefs of garlands
D)blind windows and pilasters
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12
Leonardo da Vinci's The Last Supper is characteristic of High Renaissance Italian art because it features __________.
A)linear perspective
B)contrapposto
C)exaggerated poses
D)luminous colors
A)linear perspective
B)contrapposto
C)exaggerated poses
D)luminous colors
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13
Veronese's Feast in the House of Levi was controversial because of its __________.
A)dramatic lighting
B)depictions of nude figures
C)Classical idealism
D)profane anecdotal details
A)dramatic lighting
B)depictions of nude figures
C)Classical idealism
D)profane anecdotal details
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14
In the sixteenth century,paintings of nude reclining women became acceptable __________.
A)if they depicted Old Testament heroines
B)under the guise of Classical mythology
C)due to the rising popularity of putti
D)due to more relaxed moral and social standards
A)if they depicted Old Testament heroines
B)under the guise of Classical mythology
C)due to the rising popularity of putti
D)due to more relaxed moral and social standards
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15
Which of the following was painted in the refectory of the monastery of Sta.Maria delle Grazie in Milan?
A)Raphael's School of Athens
B)Leonard da Vinci's The Last Supper
C)Michelangelo's Creation of Adam
D)Titian's "Venus" of Urbino
A)Raphael's School of Athens
B)Leonard da Vinci's The Last Supper
C)Michelangelo's Creation of Adam
D)Titian's "Venus" of Urbino
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16
In Raphael's School of Athens,the figures break Classical conventions in their __________.
A)serene idealism
B)foreshortened poses
C)stylized body forms
D)heroic nudity
A)serene idealism
B)foreshortened poses
C)stylized body forms
D)heroic nudity
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17
Giorgione's landscape paintings were inspired by __________.
A)the Counter-Reformation
B)the Mannerist style
C)biblical themes
D)ancient pastoral poetry
A)the Counter-Reformation
B)the Mannerist style
C)biblical themes
D)ancient pastoral poetry
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18
Which of the following features of St.Peter's basilica was designed by Michelangelo?
A)longitudinal plan
B)colonnaded plaza
C)three hemicycles
D)rectangular porticos
A)longitudinal plan
B)colonnaded plaza
C)three hemicycles
D)rectangular porticos
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19
Raphael quickly gained fame and patrons from his paintings of __________.
A)the Virgin and Child
B)the life of Jesus
C)pastoral scenes
D)foreign diplomats
A)the Virgin and Child
B)the life of Jesus
C)pastoral scenes
D)foreign diplomats
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20
In Titian's "Venus" of Urbino,the dog symbolizes __________.
A)heroism
B)seduction
C)fidelity
D)civic duty
A)heroism
B)seduction
C)fidelity
D)civic duty
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21
Which of the following aspects of Dürer's Adam and Eve represents Northern artistic conventions?
A)the proportions of the figures
B)the inclusion of animals
C)the descriptive detail
D)the idealized bodies
A)the proportions of the figures
B)the inclusion of animals
C)the descriptive detail
D)the idealized bodies
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22
A series of paintings on a single allegorical subject is called __________.
A)an altarpiece
B)a cycle
C)a predella
D)a cartoon
A)an altarpiece
B)a cycle
C)a predella
D)a cartoon
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23
Bruegel's Return of the Hunters represents the __________.
A)religious values of the Protestant reformers
B)consequences of living a sinful life
C)atmosphere of November and December
D)interest in Classical forms and narratives
A)religious values of the Protestant reformers
B)consequences of living a sinful life
C)atmosphere of November and December
D)interest in Classical forms and narratives
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24
Which of the following exemplifies the style of late Mannerist painting in Italy?
A)El Greco's Burial of Count Orgaz
B)Tintoretto The Last Supper
C)Hagenauer's and Grünewald's Isenheim Altarpiece
D)Lavina Fontana's Noli Me Tangere
A)El Greco's Burial of Count Orgaz
B)Tintoretto The Last Supper
C)Hagenauer's and Grünewald's Isenheim Altarpiece
D)Lavina Fontana's Noli Me Tangere
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25
Caterina van Hemessen is known for her __________.
A)sculpture
B)tapestries
C)engravings
D)portraiture
A)sculpture
B)tapestries
C)engravings
D)portraiture
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26
A grand country palace in France is called a __________.
A)villa
B)martyrium
C)predella
D)château
A)villa
B)martyrium
C)predella
D)château
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27
Which of the following artists employed the emotionalism of Byzantine art and loose brushwork to express the intense spirituality of religious revival in Spain?
A)Tintoretto
B)El Greco
C)Grünewald
D)Michelangelo
A)Tintoretto
B)El Greco
C)Grünewald
D)Michelangelo
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28
During the Reformation,religious art was often __________.
A)sold to foreign courts
B)commissioned by Protestants
C)destroyed by iconoclasm
D)painted on the walls of churches
A)sold to foreign courts
B)commissioned by Protestants
C)destroyed by iconoclasm
D)painted on the walls of churches
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29
In the painting for the Isenheim Altarpiece,Grünewald conveys a sense of emotional spirituality by __________.
A)depicting a grisly Crucifixion in a darkened landscape with expressive figures
B)using linear perspective to arrange the figures in rationally ordered space
C)merging Classical idealism with the descriptive detail of Northern art
D)combining traditional biblical scenes with fantastic and anecdotal imagery
A)depicting a grisly Crucifixion in a darkened landscape with expressive figures
B)using linear perspective to arrange the figures in rationally ordered space
C)merging Classical idealism with the descriptive detail of Northern art
D)combining traditional biblical scenes with fantastic and anecdotal imagery
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30
Dürer's Four Apostles is an example of __________.
A)Protestant imagery
B)a self-portrait
C)the Mannerist style
D)a cycle of paintings
A)Protestant imagery
B)a self-portrait
C)the Mannerist style
D)a cycle of paintings
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31
El Greco began his career as a __________.
A)Byzantine icon painter
B)portraitist in the Netherlands
C)court painter in England
D)goldsmith and sculptor
A)Byzantine icon painter
B)portraitist in the Netherlands
C)court painter in England
D)goldsmith and sculptor
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32
Sofonisba Anguissola's Self-Portrait can be described as Mannerist because __________.
A)the monograph forms a riddle
B)of the irrational sense of space
C)of its weird color palette
D)the figure is idealized
A)the monograph forms a riddle
B)of the irrational sense of space
C)of its weird color palette
D)the figure is idealized
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33
The first School of Fontainebleau established an Italianate tradition of Mannerist painting that spread to other centers in __________.
A)Italy and Spain
B)Spain and Venice
C)France and the Netherlands
D)Germany and Flanders
A)Italy and Spain
B)Spain and Venice
C)France and the Netherlands
D)Germany and Flanders
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34
Followers of the Reformation believed that the ultimate religious authority was __________.
A)the pope
B)Martin Luther
C)the Bible
D)the Catholic Church
A)the pope
B)Martin Luther
C)the Bible
D)the Catholic Church
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35
Which of the following artists served as a court painter to Henry VIII in order to escape the religious and political turmoil in Germany?
A)El Greco
B)Hieronymus Bosch
C)Albrecht Dürer
D)Hans Holbein the Younger
A)El Greco
B)Hieronymus Bosch
C)Albrecht Dürer
D)Hans Holbein the Younger
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