Deck 29: Mid-Century American Abstraction
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Deck 29: Mid-Century American Abstraction
1
A characteristic of Stella's early work was the use of
A) indistinct and wiggling lines to delineate amorphous shapes.
B) everyday objects to apply paint instead of brushes.
C) merging and overlaid colors.
D) canvases of different shapes.
A) indistinct and wiggling lines to delineate amorphous shapes.
B) everyday objects to apply paint instead of brushes.
C) merging and overlaid colors.
D) canvases of different shapes.
D
2
Most of Diebenkorn's later works contain what characteristic?
A) vibrant return to figurative imagery
B) a dominant horizontal
C) smoothly applied colors that show no sign of paint texture
D) a whirling array of merging biomorphic forms
A) vibrant return to figurative imagery
B) a dominant horizontal
C) smoothly applied colors that show no sign of paint texture
D) a whirling array of merging biomorphic forms
B
3
Who of the following made "assemblages" such as Black Wall (1959)?
A) David Smith
B) Isamu Noguchi
C) Franz Kline
D) Louise Nevelson
A) David Smith
B) Isamu Noguchi
C) Franz Kline
D) Louise Nevelson
Louise Nevelson
4
Who painted Tahkt-i-Sulayman I (1967) as part of the "Protractor Series"?
A) Stella
B) Kelly
C) Pollock
D) de Kooning
A) Stella
B) Kelly
C) Pollock
D) de Kooning
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5
Stella and Kelly were two prominent practitioners of what technique?
A) assemblages of found objects
B) drip technique
C) Hard-Edge painting
D) gesture painting
A) assemblages of found objects
B) drip technique
C) Hard-Edge painting
D) gesture painting
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6
Which element of the works of Gorky and Miró did Noguchi evoke in his Kouros?
A) figurative imagery
B) rectangles and squares
C) flat colors
D) biomorphic shapes
A) figurative imagery
B) rectangles and squares
C) flat colors
D) biomorphic shapes
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7
A significant difference between the works of Kelly and Mondrian is Kelly's
A) greater emphasis on white backgrounds.
B) abandonment of the black frames in which Mondrian encased colors.
C) embrace of figurative expression.
D) use of isolated blocks of colors rather than juxtaposed ones.
A) greater emphasis on white backgrounds.
B) abandonment of the black frames in which Mondrian encased colors.
C) embrace of figurative expression.
D) use of isolated blocks of colors rather than juxtaposed ones.
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8
Which artist used the staining process in works such as The Bay (1963) after a visit to Pollock's studio in 1952?
A) Frankenthaler
B) Rothko
C) Stella
D) Kelly
A) Frankenthaler
B) Rothko
C) Stella
D) Kelly
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9
The staining process used by many Color Field artists involved
A) pouring paint directly onto a canvas.
B) allowing dust to settle on wet paint to give it a textured quality.
C) dripping or splattering dots and streaks over a representational image.
D) using only non-synthetic paints in order to retain natural impurities.
A) pouring paint directly onto a canvas.
B) allowing dust to settle on wet paint to give it a textured quality.
C) dripping or splattering dots and streaks over a representational image.
D) using only non-synthetic paints in order to retain natural impurities.
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10
Which would be most likely to have been found in a Nevelson piece?
A) biomorphic forms
B) steel cylinders, cubes, and rectangles
C) carpentry tools
D) solid blocks of color
A) biomorphic forms
B) steel cylinders, cubes, and rectangles
C) carpentry tools
D) solid blocks of color
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11
Which artist's canvases of rectangles hovering in fields of color, such as Number 15 (1957) represent a transition of sorts to Color Field painting?
A) de Kooning
B) Rothko
C) Kline
D) Albers
A) de Kooning
B) Rothko
C) Kline
D) Albers
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12
What process did Pollock use from 1947 onward to produce his most celebrated pictures?
A) sand painting
B) bold, slashing brushstrokes
C) drip technique
D) color-field painting
A) sand painting
B) bold, slashing brushstrokes
C) drip technique
D) color-field painting
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13
An important distinction between the works of Pollock and Rothko is that Rothko's work
A) consisted primarily of nonfigurative imagery.
B) consisted primarily of figurative imagery.
C) eliminated references to the creative process.
D) allowed light to move exuberantly across the picture plane.
A) consisted primarily of nonfigurative imagery.
B) consisted primarily of figurative imagery.
C) eliminated references to the creative process.
D) allowed light to move exuberantly across the picture plane.
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14
Which artist used a wide housepainter's brush to create dynamic imagery in works such as Mahoning?
A) Pollock
B) Frankenthaler
C) de Kooning
D) Kline
A) Pollock
B) Frankenthaler
C) de Kooning
D) Kline
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15
Who painted Ocean Park No. 129 and other nonfigurative paintings evocative of landscapes?
A) Diebenkorn
B) Kelly
C) Pollock
D) Rothko
A) Diebenkorn
B) Kelly
C) Pollock
D) Rothko
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16
Which of the following artists is associated with West Coast abstraction?
A) Gorky
B) Frankenthaler
C) Albers
D) Diebenkorn
A) Gorky
B) Frankenthaler
C) Albers
D) Diebenkorn
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17
Mondrian's works, such as Trafalgar Square, show how he served as a bridge between Color Field painting and what earlier school?
A) Surrealism
B) Impressionism
C) Fauvism
D) Cubism
A) Surrealism
B) Impressionism
C) Fauvism
D) Cubism
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18
How did the early works of de Kooning most differ from those of Pollock and Kline?
A) the inclusion of some recognizable subject matter
B) the creation of a textured quality to the painting's surface
C) the use of thick, bold strokes
D) the adoption of a drip technique to create the paintings
A) the inclusion of some recognizable subject matter
B) the creation of a textured quality to the painting's surface
C) the use of thick, bold strokes
D) the adoption of a drip technique to create the paintings
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19
Gorky's most characteristic shapes are
A) squares and triangles.
B) regular geometric shapes.
C) biomorphs.
D) perfect circles.
A) squares and triangles.
B) regular geometric shapes.
C) biomorphs.
D) perfect circles.
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20
Who created large metal sculptures based on geometric forms in his Cubi series?
A) Nevelson
B) Smith
C) Noguchi
D) Diebenkorn
A) Nevelson
B) Smith
C) Noguchi
D) Diebenkorn
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21
Pollock insisted that he retained complete conscious control over the process of painting his works, and that the paintings "had no lives of their own."
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22
Gorky's The Artist and His Mother exhibits all the following characteristics EXCEPT
A) a use of geometric shapes inspired by Cubism.
B) an absence of representational forms, suggesting late-period Expressionism.
C) visible brushstrokes reminiscent of Fauvism.
D) flattened planes of color reminiscent of Fauvism.
A) a use of geometric shapes inspired by Cubism.
B) an absence of representational forms, suggesting late-period Expressionism.
C) visible brushstrokes reminiscent of Fauvism.
D) flattened planes of color reminiscent of Fauvism.
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23
Who was the most famous gesture painter of the New York school?
A) de Kooning
B) Pollock
C) Rothko
D) Kelly
A) de Kooning
B) Pollock
C) Rothko
D) Kelly
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24
Whose abstracted representations in works such as Garden in Sochi represented an important step toward Abstract Expressionism?
A) Rothko
B) Frankenthaler
C) Gorky
D) Kline
A) Rothko
B) Frankenthaler
C) Gorky
D) Kline
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25
Which art critic penned the term "action painting" to describe works where "the canvas was not a picture but an event"?
A) Greenberg
B) Barr, Jr.
C) Namuth
D) Rosenberg
A) Greenberg
B) Barr, Jr.
C) Namuth
D) Rosenberg
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26
Before moving toward nonrepresentational figuration, Diebenkorn's work consisted primarily of landscapes and depictions of isolated, anonymous figures.
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27
Hofmann and Albers were two influential art teachers who originally hailed from
A) Germany.
B) the Netherlands.
C) France.
D) Denmark.
A) Germany.
B) the Netherlands.
C) France.
D) Denmark.
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28
Almost all Abstract Expressionists had passed through a phase of what style, which inculcated in them an interest in myths and dreams?
A) Surrealism
B) Cubism
C) Impressionism
D) Mannerism
A) Surrealism
B) Cubism
C) Impressionism
D) Mannerism
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29
The use of synthetic media such acrylic is limited by the susceptibility of such paints to blend when layered, whether the paint is wet or dry.
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30
What city had become the center of the art world by 1940?
A) Berlin
B) London
C) Rome
D) New York
A) Berlin
B) London
C) Rome
D) New York
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31
Albers made a series of paintings in homage to which shape, which he regarded as being farthest removed from nature?
A) circle
B) triangle
C) square
D) pentagon
A) circle
B) triangle
C) square
D) pentagon
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32
The works of Matisse had a more recognizable influence on Color Field painters than the works of artists such as Picasso.
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33
By definition, a work of Abstract Expressionism must include no recognizable subject matter.
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34
Gorky refused to study nature closely because he was only interested in abstractions, not concrete forms.
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35
Which art critic traced the way in which, over time, artists' view of pictorial space had "lost its 'inside' and become all 'outside'"?
A) Greenberg
B) Rosenberg
C) Barr, Jr.
D) Namuth
A) Greenberg
B) Rosenberg
C) Barr, Jr.
D) Namuth
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36
The "New York school" of Abstract Expressionism included artists from all over the U.S. and Europe, not just artists from New York.
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37
In addition to sculpting, Noguchi has produced furniture, playgrounds, and numerous other things.
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38
Which Armenian artist played the most influential role in transforming European Abstract Surrealism into American Abstract Expressionism?
A) Albers
B) Frankenthaler
C) Gorky
D) Stella
A) Albers
B) Frankenthaler
C) Gorky
D) Stella
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39
Chromatic Abstraction is another term used to identify the Color Field painting style.
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40
Hans Hofmann rejected the Impressionist view that the color in a picture created light, insisting instead that light makes color visible.
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41
How did Navajo sand painters influence Pollock's art? How did their works differ from his?
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42
How "American" was American Abstract Expressionism, and how much was it the product of foreign influences?
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43
Discuss the development of Abstract Expressionism from Surrealism and Cubism. What features of the two styles did it retain, and what new elements did it add?
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44
Describe the respective techniques of three action painters. What qualities did their works and techniques share, and how did they differ?
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45
Hans Hofmann described a work as finished when "all parts involved communicate themselves, so that they don't need me." What did he mean by this? Can this statement be used to better understand abstract painting as a whole?
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46
Describe the nature of acrylic. What are its advantages and disadvantages?
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47
What are the main characteristics of Color Field painting? How did Rothko's work anticipate the style?
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