Deck 12: Precursors of the Renaissance
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Deck 12: Precursors of the Renaissance
1
"The mortal pestilence" described by Boccaccio refers to
A)the sinfulness of Florence.
B)the failure of the Bardi and Peruzzi banks.
C)the triumph of Death.
D)the Black Death.
A)the sinfulness of Florence.
B)the failure of the Bardi and Peruzzi banks.
C)the triumph of Death.
D)the Black Death.
D
2
Which is NOT true of Giotto's Last Judgment?
A)Christ is seated in a mandorla.
B)Enrico Scrovegni's portrait is included.
C)Christ faces the saved.
D)only the figures in hell are nude.
E)the angels above Christ are in military dress.
A)Christ is seated in a mandorla.
B)Enrico Scrovegni's portrait is included.
C)Christ faces the saved.
D)only the figures in hell are nude.
E)the angels above Christ are in military dress.
D
3
Which is NOT true of St.Francis of Assisi?
A)He wrote The Canticle of Brother Sun.
B)He came from a wealthy family.
C)He received the stigmata as punishment for his sins.
D)He established the Friars Minor.
A)He wrote The Canticle of Brother Sun.
B)He came from a wealthy family.
C)He received the stigmata as punishment for his sins.
D)He established the Friars Minor.
C
4
The length of Mary Magdalen's hair in Giotto's Crucifixion is an example of
A)a Renaissance coiffure.
B)her seductive nature.
C)an iconographic convention.
D)a typological symbol.
A)a Renaissance coiffure.
B)her seductive nature.
C)an iconographic convention.
D)a typological symbol.
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5
Which of the following was NOT part of the Classical revival?
A)anecdotes about artists
B)comparisons with antiquity
C)three-dimensional form
D)translating Latin texts
E)a rejection of Italian history
A)anecdotes about artists
B)comparisons with antiquity
C)three-dimensional form
D)translating Latin texts
E)a rejection of Italian history
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6
Giotto's Virtue of Justice
A)reflects emerging ideas about good and bad government.
B)is represented as blind.
C)shows Justice seated in a Renaissance building.
D)has no relationship to Classical antiquity.
A)reflects emerging ideas about good and bad government.
B)is represented as blind.
C)shows Justice seated in a Renaissance building.
D)has no relationship to Classical antiquity.
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7
The Roman soldiers in the foreground of Giotto's Crucifixion
A)are torturing Christ.
B)are arguing over possession of his cloak.
C)are repenting their sins.
D)are leaving the scene.
A)are torturing Christ.
B)are arguing over possession of his cloak.
C)are repenting their sins.
D)are leaving the scene.
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8
In the Arena Chapel,the Virtues and Vices
A)are in the top row of scenes.
B)are in between the narrative scenes.
C)are below the narrative scenes.
D)are on the ceiling.
A)are in the top row of scenes.
B)are in between the narrative scenes.
C)are below the narrative scenes.
D)are on the ceiling.
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9
In the Arena Chapel scene of the Annunciation
A)Gabriel tells Mary she will be the mother of Christ.
B)God tells Mary she will be the mother of Christ.
C)Mary tells Joseph she will be the mother of Christ.
D)Mary has a dream telling her she will be the mother of Christ.
A)Gabriel tells Mary she will be the mother of Christ.
B)God tells Mary she will be the mother of Christ.
C)Mary tells Joseph she will be the mother of Christ.
D)Mary has a dream telling her she will be the mother of Christ.
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10
What event in Padua fostered an interest in Classical thought and literature?
A)Giotto's frescoes in the Arena Chapel
B)a tempera panel found in the Scrovegni Chapel
C)the opening of a Roman theater
D)professional interest in Roman law
A)Giotto's frescoes in the Arena Chapel
B)a tempera panel found in the Scrovegni Chapel
C)the opening of a Roman theater
D)professional interest in Roman law
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11
Which of the following had the LEAST influence on Giotto?
A)International Style
B)Cimabue
C)Gothic French sculpture
D)art of ancient Rome
A)International Style
B)Cimabue
C)Gothic French sculpture
D)art of ancient Rome
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12
The monastic order that put an emphasis on nature and the individual was
A)Cistercian.
B)Benedictine.
C)Dominican.
D)Franciscan.
A)Cistercian.
B)Benedictine.
C)Dominican.
D)Franciscan.
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13
Which of the following was NOT a 14th-century humanist?
A)Boccaccio
B)Petrarch
C)Giotto
D)Dante
E)Cimabue
A)Boccaccio
B)Petrarch
C)Giotto
D)Dante
E)Cimabue
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14
Which is NOT a feature of the Divine Comedy?
A)It was written in Latin.
B)Virgil is Dante's guide through hell and pergatory.
C)It is divided into three parts.
D)It is a source for Italian history.
A)It was written in Latin.
B)Virgil is Dante's guide through hell and pergatory.
C)It is divided into three parts.
D)It is a source for Italian history.
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15
In contrast to Duccio's Maestà,Lorenzetti's Effects of Good Government
A)is secular.
B)is more Byzantine in style.
C)is more Christian in its iconography.
D)was commissioned by the Nine.
E)is a reflection of the influence of International Gothic.
A)is secular.
B)is more Byzantine in style.
C)is more Christian in its iconography.
D)was commissioned by the Nine.
E)is a reflection of the influence of International Gothic.
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16
The Arena Chapel in Padua
A)is part of a larger church.
B)is Gothic in style.
C)illustrates Dante's Divine Comedy.
D)represents three sets of lives.
A)is part of a larger church.
B)is Gothic in style.
C)illustrates Dante's Divine Comedy.
D)represents three sets of lives.
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17
Ambrogio Lorenzetti's Good Government was commissioned for the Palazzo Pubblico of
A)Siena.
B)Urbino.
C)Florence.
D)Rome.
A)Siena.
B)Urbino.
C)Florence.
D)Rome.
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18
Which is NOT true of Giotto's Crucifixion?
A)It refers to typology.
B)It takes place in Jerusalem.
C)It depicts the effects of gravity.
D)Christ's form is elongated.
E)It emphasizes the distinction between the Romans and Christ's followers.
A)It refers to typology.
B)It takes place in Jerusalem.
C)It depicts the effects of gravity.
D)Christ's form is elongated.
E)It emphasizes the distinction between the Romans and Christ's followers.
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19
The painter Cimabue was deeply influenced by
A)the court of Charlemagne.
B)Byzantine icons.
C)Giotto.
D)Claus Sluter.
A)the court of Charlemagne.
B)Byzantine icons.
C)Giotto.
D)Claus Sluter.
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20
Giotto was important because he
A)went back to nature as his guide, as had the Greeks and Romans.
B)used direct experience to judge truth.
C)believed that what we see is the basis of art.
D)All these answers are correct.
A)went back to nature as his guide, as had the Greeks and Romans.
B)used direct experience to judge truth.
C)believed that what we see is the basis of art.
D)All these answers are correct.
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21
Philip the Bold of Burgundy built the
A)Chartreuse de Champmol.
B)Hopital des Invalides.
C)Palazzo Pubblico of Siena.
D)Town Hall of Ghent.
A)Chartreuse de Champmol.
B)Hopital des Invalides.
C)Palazzo Pubblico of Siena.
D)Town Hall of Ghent.
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22
Philip the Bold's court was located at
A)Siena.
B)Berry.
C)Dijon.
D)Flanders.
A)Siena.
B)Berry.
C)Dijon.
D)Flanders.
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23
Which of these is NOT a correct match?
A)Limbourg brothers - Very Rich Hours
B)Dante - The Canticle of Brother Sun
C)Orcagna - Triumph of Death
D)Martini - Annunciation
A)Limbourg brothers - Very Rich Hours
B)Dante - The Canticle of Brother Sun
C)Orcagna - Triumph of Death
D)Martini - Annunciation
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24
Who is the sculptor of the Well of Moses?
A)Giotto
B)Claus Sluter
C)Tilman Riemenschneider
D)Cimabue
A)Giotto
B)Claus Sluter
C)Tilman Riemenschneider
D)Cimabue
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25
Which is NOT an example of royal patronage?
A)Simone Martini's Saint Louis Altarpiece
B)the TrésRiches Heures du Duc de Berry
C)the Well of Moses
D)the Maestà
A)Simone Martini's Saint Louis Altarpiece
B)the TrésRiches Heures du Duc de Berry
C)the Well of Moses
D)the Maestà
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26
The patron of the Trés Riches Heures was
A)Jean, Duc de Berry.
B)Giovanni Arnolfini.
C)Tommaso Portinari.
D)Philip the Bold.
A)Jean, Duc de Berry.
B)Giovanni Arnolfini.
C)Tommaso Portinari.
D)Philip the Bold.
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27
Books of Hours were made for
A)the clergy.
B)the peasants.
C)artists.
D)the aristocracy.
A)the clergy.
B)the peasants.
C)artists.
D)the aristocracy.
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28
Claus Sluter's work was like
A)Simone's in its lightness.
B)Giotto's in its massiveness.
C)Cimabue's in its Byzantine finish.
D)Michelangelo's in its Greek classicism.
A)Simone's in its lightness.
B)Giotto's in its massiveness.
C)Cimabue's in its Byzantine finish.
D)Michelangelo's in its Greek classicism.
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