Deck 27: The Romantic World View: the Self in Nature and the Nature of Self
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Deck 27: The Romantic World View: the Self in Nature and the Nature of Self
1
Which historic figure was considered the personification of the Romantic hero?
A) John Keats
B) Julius Caesar
C) Napoleon
D) Louis XVI
A) John Keats
B) Julius Caesar
C) Napoleon
D) Louis XVI
C
2
In J.M.W.Turner's paintings,human figures are usually
A) represented nude.
B) small in size.
C) large and placed in the foreground.
D) drawn in chalk over the paint.
A) represented nude.
B) small in size.
C) large and placed in the foreground.
D) drawn in chalk over the paint.
B
3
The Romantics revered Prometheus for
A) being a suffering but noble champion of human freedom.
B) being the Greek god of wisdom and creativity.
C) refusing to obey the laws of the Titans.
D) being able to be restored after suffering cruel treatment.
A) being a suffering but noble champion of human freedom.
B) being the Greek god of wisdom and creativity.
C) refusing to obey the laws of the Titans.
D) being able to be restored after suffering cruel treatment.
A
4
Francisco Goya became angered by Charles IV for
A) abandoning Charles III's liberal reforms.
B) banning his print series, the Caprichos.
C) brutally executing French soldiers.
D) refusing to side with Napoleon.
A) abandoning Charles III's liberal reforms.
B) banning his print series, the Caprichos.
C) brutally executing French soldiers.
D) refusing to side with Napoleon.
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5
Which poem by William Wordsworth is considered to be the fullest statement of the Romantic imagination?
A) "The Daffodils"
B) "The World Is Too Much with Us"
C) "The Rainbow"
D) "Tintern Abbey"
A) "The Daffodils"
B) "The World Is Too Much with Us"
C) "The Rainbow"
D) "Tintern Abbey"
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6
In Samuel Taylor Coleridge's "The Rime of the Ancient Mariner," the Mariner's killing of the albatross represents
A) Coleridge overcoming opium addiction.
B) an attack on nature.
C) salvation for his shipmates.
D) Christ's crucifixion.
A) Coleridge overcoming opium addiction.
B) an attack on nature.
C) salvation for his shipmates.
D) Christ's crucifixion.
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7
The Romantics worldview was most informed by
A) empirical observation.
B) divinely revealed truth.
C) objective reality.
D) subjective experience.
A) empirical observation.
B) divinely revealed truth.
C) objective reality.
D) subjective experience.
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8
The term "Romanticism" was originally coined by
A) William Wordsworth.
B) Friedrich von Schlegel.
C) Samuel Taylor Coleridge.
D) Immanuel Kant.
A) William Wordsworth.
B) Friedrich von Schlegel.
C) Samuel Taylor Coleridge.
D) Immanuel Kant.
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9
In Lyrical Ballads,William Wordsworth focused on people from "humble and rustic life," because he regarded them to be
A) more honest.
B) less educated.
C) closer to nature.
D) more like him.
A) more honest.
B) less educated.
C) closer to nature.
D) more like him.
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10
The Romantic artists primarily reacted against
A) Neoclassicism's order, control, and balance.
B) guidance from the educated elite.
C) the brutality of revolution.
D) the Deist movement away from God.
A) Neoclassicism's order, control, and balance.
B) guidance from the educated elite.
C) the brutality of revolution.
D) the Deist movement away from God.
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11
William Wordsworth's co-writer for Lyrical Ballads was
A) Samuel Taylor Coleridge.
B) Dorothy Wordsworth.
C) Ralph Waldo Emerson.
D) John Keats.
A) Samuel Taylor Coleridge.
B) Dorothy Wordsworth.
C) Ralph Waldo Emerson.
D) John Keats.
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12
The night appealed to the Romantics more than the day,because they felt it was less
A) knowable.
B) spiritual.
C) moral.
D) political.
A) knowable.
B) spiritual.
C) moral.
D) political.
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13
The Romantics were attracted to the sublime,foremost,because it
A) offered a new challenge that had not been explored.
B) offered an opportunity to explore a contrast against nature.
C) allowed them to explore that which is limitless and unbounded.
D) allowed them to explore that which is both religious and spiritual.
A) offered a new challenge that had not been explored.
B) offered an opportunity to explore a contrast against nature.
C) allowed them to explore that which is limitless and unbounded.
D) allowed them to explore that which is both religious and spiritual.
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14
In Johann Wolfgang von Goethe's Faust,the title character sells his soul to the devil out of
A) disappointment with love.
B) lust for vast riches.
C) profound boredom.
D) desire to benefit mankind
A) disappointment with love.
B) lust for vast riches.
C) profound boredom.
D) desire to benefit mankind
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15
What Percy Bysshe Shelley work is the poet's answer to the mistakes of the French Revolution?
A) Childe Harold's Pilgrimage
B) The Cenci
C) Prometheus Unbound
D) The Prisoner of Chillon
A) Childe Harold's Pilgrimage
B) The Cenci
C) Prometheus Unbound
D) The Prisoner of Chillon
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16
In many of his paintings,John Constable included a cathedral to
A) remind viewers of the Church's importance.
B) symbolize God's permanence in nature.
C) celebrate his profession as a minister.
D) make his landscapes more likely to sell.
A) remind viewers of the Church's importance.
B) symbolize God's permanence in nature.
C) celebrate his profession as a minister.
D) make his landscapes more likely to sell.
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17
In "Tintern Abbey," why does William Wordsworth believe that he looks at the world differently than he did five years earlier?
A) The losses he endured have made him more sensitive.
B) He now sees the unity among all things.
C) His memory becomes sharper as he matures.
D) He has a closer relationship with his sister.
A) The losses he endured have made him more sensitive.
B) He now sees the unity among all things.
C) His memory becomes sharper as he matures.
D) He has a closer relationship with his sister.
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18
In "Ode on a Grecian Urn" the vase fascinates John Keats,because of its
A) its superior craftsmanship.
B) the classic lines of its shape.
C) its complete focus on nature.
D) the eternal beauty of its art.
A) its superior craftsmanship.
B) the classic lines of its shape.
C) its complete focus on nature.
D) the eternal beauty of its art.
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19
In Mary Shelley's Frankenstein,the creature embarks on a quest for revenge against Dr.Frankenstein for
A) creating him from dead body parts.
B) abandoning him to fend for himself.
C) not giving him a soul.
D) leaving him in the Arctic Ocean.
A) creating him from dead body parts.
B) abandoning him to fend for himself.
C) not giving him a soul.
D) leaving him in the Arctic Ocean.
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20
In Johann Wolfgang von Goethe's The Sorrows of Young Werther,why does the hero commit suicide?
A) He was ostracized from the city society.
B) He made a pact with the devil.
C) He killed his pregnant mistress.
D) He fell in love with a married woman.
A) He was ostracized from the city society.
B) He made a pact with the devil.
C) He killed his pregnant mistress.
D) He fell in love with a married woman.
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21
List three characteristics of the Romantic hero,showing how Napoleon fit this character type.
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22
Citing at least two examples,show how and why the later English Romantics (Byron,Shelley,and Mary Shelley)utilized the Promethean idea in their works.
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23
Frédéric Chopin's most famous pieces-his ballades-focus on
A) the exploration of the mood or character of a person.
B) isolation, lack of self-sufficiency, and suicidal thoughts.
C) formal inventiveness within the framework of Classical clarity.
D) melodramatic romance, supernatural events, and stormy emotion.
A) the exploration of the mood or character of a person.
B) isolation, lack of self-sufficiency, and suicidal thoughts.
C) formal inventiveness within the framework of Classical clarity.
D) melodramatic romance, supernatural events, and stormy emotion.
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24
List,explain,and provide specific examples for three developments in music during the Romantic age.
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25
Compare the human figures in Constable's The Upper Falls of the Reichenbach to Friedrich's The Wanderer above the Mists,focusing on placement,size,and detail.
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26
Ludwig van Beethoven eventually viewed his deafness as positive,believing that it
A) gave him more time to compose.
B) distinguished him from his peers.
C) was necessary for creativity.
D) allowed him to ignore criticism.
A) gave him more time to compose.
B) distinguished him from his peers.
C) was necessary for creativity.
D) allowed him to ignore criticism.
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27
The lieder of Franz Schubert and Robert Schumann were inspired by
A) setting poetry to music.
B) the revival of folk songs.
C) fairy tales.
D) folk dance steps.
A) setting poetry to music.
B) the revival of folk songs.
C) fairy tales.
D) folk dance steps.
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28
Ludwig van Beethoven concluded his Ninth Symphony with a
A) long, sustained crescendo.
B) vocal chorus.
C) four-movement sonata.
D) waltz.
A) long, sustained crescendo.
B) vocal chorus.
C) four-movement sonata.
D) waltz.
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29
List and describe three beliefs of the Romantic artists.
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30
Identify and explain the main theme of Keats's "Ode on a Grecian Urn."
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31
Francisco Goya painted The Third of May,1808,with considerable graphic reality to
A) turn the Spanish against Napoleon.
B) show the horrors of war.
C) illustrate Romanticism's dark side.
D) instigate riots against Joseph Bonaparte.
A) turn the Spanish against Napoleon.
B) show the horrors of war.
C) illustrate Romanticism's dark side.
D) instigate riots against Joseph Bonaparte.
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32
Describe the setting of Wordsworth's "Tintern Abbey," explaining how that setting exemplifies Romantic ideas.
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33
Compare Goethe's Faust's reasons for forming a pact with the devil to Shelley's Dr.Frankenstein's reasons for creating the creature.Then discuss the two characters' outcomes.
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34
In Saturn Devouring One of His Children,the gruesome image seems to symbolize
A) Napoleon defeating Spain.
B) Charles IV's Inquisition.
C) Charles IV's ban on books.
D) Spain devouring itself.
A) Napoleon defeating Spain.
B) Charles IV's Inquisition.
C) Charles IV's ban on books.
D) Spain devouring itself.
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35
Identify and explain three techniques Goya uses in The Third of May,1808,to convey his message about the horrors of war.
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36
What term did Hector Berlioz give to the leading theme or melody in his symphonies?
A) scherzo
B) fortissimo
C) idée fixe
D) étude
A) scherzo
B) fortissimo
C) idée fixe
D) étude
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37
Ludwig van Beethoven's post-Heiligenstadt works often called "heroic" and considered to mark the first expression of a genuinely Romantic style,because they are
A) less reliant on Italian forms.
B) less focused on religious themes.
C) more inclusive in their integration of poetry.
D) more emotionally expressive.
A) less reliant on Italian forms.
B) less focused on religious themes.
C) more inclusive in their integration of poetry.
D) more emotionally expressive.
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38
In his series of portraits of the insane,Théodore Géricault might have aimed to capture the
A) creative spark of madness.
B) downtrodden and forgotten.
C) shape of an insane person's head.
D) Romantic anti-hero.
A) creative spark of madness.
B) downtrodden and forgotten.
C) shape of an insane person's head.
D) Romantic anti-hero.
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39
Explain the sublime's appeal to the Romantics,exemplifying your response with at least two works of visual art or literature.
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40
Citing at least two specific examples,explain how Beethoven's "heroic" music evokes subjective feeling.
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