Deck 17: The 17th and 18th Centuries

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Question
________ helped shape the Neoclassical style.

A) The Catholic Counter-Reformation
B) The invention of photography
C) The American Civil War
D) The excavations of ancient Pompeii and Herculaneum
E) None of these answers is correct.
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Question
Because many European monarchs of the 17th and 18th centuries ruled with near-dictatorial power, this period is often referred to as:

A) the Golden Mean.
B) the Royal Era.
C) the Gilded Age.
D) the Age of Kings.
E) the Rule of the Monarchs.
Question
The Palace of Versailles was home to:

A) Philip IV of Spain.
B) Maria Theresa of Austria.
C) Louis XIV of France.
D) Julius II of Rome.
E) Jean Paul Marat.
Question
In comparison to Baroque art, the style of Rococo:

A) is more playful and lighthearted.
B) is more suitable for public places.
C) tends to employ more intense colors.
D) All of these.
E) None of these answers is correct.
Question
What nationality was Peter Paul Rubens?

A) Spanish
B) Italian
C) French
D) English
E) Flemish
Question
Among the following artists, whose innovation was it to create group portraits in the setting of an activity, rather than posing the subjects formally?

A) Van Ruisdael
B) Poussin
C) Rembrandt
D) Vigée-Lebrun
E) Copley
Question
The following characteristics are all typical of Italian Baroque art EXCEPT:

A) ornamentation.
B) theatricality.
C) classic simplicity.
D) movement.
E) emotion.
Question
In Baroque architecture, wall surfaces often protrude into the viewer's space. In Baroque painting, this same effect is created through the use of:

A) collage.
B) three-dimensional canvases.
C) dramatic lighting.
D) ornamentation.
E) All of these answers are correct.
Question
Gianlorenzo Bernini was:

A) a sculptor.
B) an architect.
C) a dramatist.
D) a composer.
E) All of these answers are correct.
Question
Which artists intentionally used their work to shape the public's view of prominent figures?

A) Gentileschi and Caravaggio
B) Vigée-Lebrun and David
C) Van Ruisdael and Leyster
D) Borromini and Poussin
E) Fragonard and Watteau
Question
Which of the following was court painter to King Philip IV?

A) Gianlorenzo Bernini
B) Artemisia Gentileschi
C) Francesco Borromini
D) Jacques-Louis David
E) Diego Velázquez
Question
Paintings depicting scenes of everyday life are known as ________ paintings.

A) trompe l'oeil
B) vanitas
C) history
D) genre
E) still-life
Question
For some 200 years, many of the works of Judith Leyster were:

A) locked away in an attic and forgotten.
B) mistakenly identified as the work of Frans Hals.
C) virtually ignored while decorating the walls of a hospital.
D) painted over because they had been sold for their canvas alone after her death.
E) buried in the Leyster family crypt.
Question
St. Teresa in Ecstasy is an excellent example of:

A) Baroque sculpture.
B) Mannerist allegory.
C) Neoclassical portraiture.
D) Renaissance illumination.
E) Rococo painting.
Question
The following is true about Rembrandt EXCEPT:

A) he was born in the Dutch city of Leiden.
B) he was a master of multiple types of painting, including portraits, landscapes, and religious scenes.
C) he painted self-portraits throughout his career.
D) he achieved and maintained financial success throughout his life.
E) he was the son of a miller.
Question
A work of art that uses a tragic Roman tale to arouse feelings of patriotism, self-sacrifice, and civic virtues in its viewers is:

A) Sortie of Captain Banning Cocq's Company of the Civic Guard.
B) The Ashes of Phokion.
C) Las Meninas.
D) The Progress of Love.
E) The Oath of the Horatii.
Question
One of Queen Marie-Antoinette's favorite portrait painters was:

A) Jean Antoine Watteau.
B) Nicolas Poussin.
C) Judith Leyster.
D) Diego Velázquez.
E) Elisabeth Vigée-Lebrun.
Question
Unlike Baroque art from Catholic countries, Dutch Baroque art focused upon:

A) the community.
B) business life.
C) the family and home.
D) All of these.
E) None of these answers is correct.
Question
The Baroque painting Judith and Maidservant with the Head of Holofernes depicts a story from:

A) ancient Greek mythology.
B) The Tale of Genji.
C) Beowulf.
D) the Bible.
E) Dante's Inferno.
Question
Which work of art tells the story of a man who was murdered in his bath?

A) The Ashes of Phokion
B) The Proposition
C) Judith and Maidservant with the Head of Holofernes
D) The Death of Marat
E) The Pursuit
Question
Typical of Dutch landscape painting was the work of:

A) Jacob van Ruisdael.
B) Judith Leyster.
C) Frans Hals.
D) Rembrandt.
E) Nicolas Poussin.
Question
Consider Gentileschi's Judith and Maidservant with the Head of Holofernes and David's The Oath of the Horatii. These paintings represent idealized visions of heroic figures in two different cultures. Explain the political and social forces that influenced their form and content.
Question
Consider Bernini's St. Teresa in Ecstasy. Discuss the aspects of this work's form and content that exemplify the religious Baroque style supporting the Roman Catholic Church during the Counter-Reformation.
Question
Consider the painting The Pursuit from The Progress of Love, by Jean-Honoré Fragonard, and discuss why the patron rejected the series.
Question
Compare and contrast Baroque art in France, Spain, and Italy with Dutch Baroque, mentioning not only the formal visual aspects of works, but also differences in theme and content. Finally, explain the major reasons for the differences.
Question
Foremost among French painters of the 17th century was ___________, who painted _________.

A) Nicolas Poussin; The Ashes of Phokion
B) Judith Leyster;Carousing Couple
C) Elisabeth Vigée-Lebrun; Marie Antoinette and Her Children
D) Jacques Louis David; Death of Marat
E) Jean-Honoré Fragonard; The Pursuit
Question
Baroque art is often considered to be dramatic and emotional. With reference to specific works, explain how artists created these effects and then discuss the purposes for which artists sought to affect viewers emotionally during this period.
Question
Consider Velázquez's Las Meninas (The Maids of Honor) and Rembrandt's Sortie of Captain Cocq's Company of the Civic Guard (The Night Watch). The two paintings were made within 10 years of one another, but in countries with very different cultures. Explain the social/political forces that contribute to the works' differences.
Question
Explain the relationship between Neoclassical art and the revolutionary movements in the 18th century. Support your points with references to specific works of the period.
Question
One of the most influential buildings of the architect Francisco Borromini was:

A) St. Peters.
B) San Carlo alle Quattro Fontane.
C) Cornaro Chapel.
D) Palace of Versailles.
E) Amlienburg.
Question
Discuss the similarities and differences in Entombment, a painting by Italian artist Carvaggio, and Raising of the Cross, by the Flemish artist Peter Paul Rubens.
Question
Compare and contrast the Hall of Mirrors in Versailles with the Mirror Room of the Amalienburg, indicating how aspects of each represent the Baroque and Rococo styles, respectively.
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Deck 17: The 17th and 18th Centuries
1
________ helped shape the Neoclassical style.

A) The Catholic Counter-Reformation
B) The invention of photography
C) The American Civil War
D) The excavations of ancient Pompeii and Herculaneum
E) None of these answers is correct.
D
2
Because many European monarchs of the 17th and 18th centuries ruled with near-dictatorial power, this period is often referred to as:

A) the Golden Mean.
B) the Royal Era.
C) the Gilded Age.
D) the Age of Kings.
E) the Rule of the Monarchs.
D
3
The Palace of Versailles was home to:

A) Philip IV of Spain.
B) Maria Theresa of Austria.
C) Louis XIV of France.
D) Julius II of Rome.
E) Jean Paul Marat.
C
4
In comparison to Baroque art, the style of Rococo:

A) is more playful and lighthearted.
B) is more suitable for public places.
C) tends to employ more intense colors.
D) All of these.
E) None of these answers is correct.
Unlock Deck
Unlock for access to all 32 flashcards in this deck.
Unlock Deck
k this deck
5
What nationality was Peter Paul Rubens?

A) Spanish
B) Italian
C) French
D) English
E) Flemish
Unlock Deck
Unlock for access to all 32 flashcards in this deck.
Unlock Deck
k this deck
6
Among the following artists, whose innovation was it to create group portraits in the setting of an activity, rather than posing the subjects formally?

A) Van Ruisdael
B) Poussin
C) Rembrandt
D) Vigée-Lebrun
E) Copley
Unlock Deck
Unlock for access to all 32 flashcards in this deck.
Unlock Deck
k this deck
7
The following characteristics are all typical of Italian Baroque art EXCEPT:

A) ornamentation.
B) theatricality.
C) classic simplicity.
D) movement.
E) emotion.
Unlock Deck
Unlock for access to all 32 flashcards in this deck.
Unlock Deck
k this deck
8
In Baroque architecture, wall surfaces often protrude into the viewer's space. In Baroque painting, this same effect is created through the use of:

A) collage.
B) three-dimensional canvases.
C) dramatic lighting.
D) ornamentation.
E) All of these answers are correct.
Unlock Deck
Unlock for access to all 32 flashcards in this deck.
Unlock Deck
k this deck
9
Gianlorenzo Bernini was:

A) a sculptor.
B) an architect.
C) a dramatist.
D) a composer.
E) All of these answers are correct.
Unlock Deck
Unlock for access to all 32 flashcards in this deck.
Unlock Deck
k this deck
10
Which artists intentionally used their work to shape the public's view of prominent figures?

A) Gentileschi and Caravaggio
B) Vigée-Lebrun and David
C) Van Ruisdael and Leyster
D) Borromini and Poussin
E) Fragonard and Watteau
Unlock Deck
Unlock for access to all 32 flashcards in this deck.
Unlock Deck
k this deck
11
Which of the following was court painter to King Philip IV?

A) Gianlorenzo Bernini
B) Artemisia Gentileschi
C) Francesco Borromini
D) Jacques-Louis David
E) Diego Velázquez
Unlock Deck
Unlock for access to all 32 flashcards in this deck.
Unlock Deck
k this deck
12
Paintings depicting scenes of everyday life are known as ________ paintings.

A) trompe l'oeil
B) vanitas
C) history
D) genre
E) still-life
Unlock Deck
Unlock for access to all 32 flashcards in this deck.
Unlock Deck
k this deck
13
For some 200 years, many of the works of Judith Leyster were:

A) locked away in an attic and forgotten.
B) mistakenly identified as the work of Frans Hals.
C) virtually ignored while decorating the walls of a hospital.
D) painted over because they had been sold for their canvas alone after her death.
E) buried in the Leyster family crypt.
Unlock Deck
Unlock for access to all 32 flashcards in this deck.
Unlock Deck
k this deck
14
St. Teresa in Ecstasy is an excellent example of:

A) Baroque sculpture.
B) Mannerist allegory.
C) Neoclassical portraiture.
D) Renaissance illumination.
E) Rococo painting.
Unlock Deck
Unlock for access to all 32 flashcards in this deck.
Unlock Deck
k this deck
15
The following is true about Rembrandt EXCEPT:

A) he was born in the Dutch city of Leiden.
B) he was a master of multiple types of painting, including portraits, landscapes, and religious scenes.
C) he painted self-portraits throughout his career.
D) he achieved and maintained financial success throughout his life.
E) he was the son of a miller.
Unlock Deck
Unlock for access to all 32 flashcards in this deck.
Unlock Deck
k this deck
16
A work of art that uses a tragic Roman tale to arouse feelings of patriotism, self-sacrifice, and civic virtues in its viewers is:

A) Sortie of Captain Banning Cocq's Company of the Civic Guard.
B) The Ashes of Phokion.
C) Las Meninas.
D) The Progress of Love.
E) The Oath of the Horatii.
Unlock Deck
Unlock for access to all 32 flashcards in this deck.
Unlock Deck
k this deck
17
One of Queen Marie-Antoinette's favorite portrait painters was:

A) Jean Antoine Watteau.
B) Nicolas Poussin.
C) Judith Leyster.
D) Diego Velázquez.
E) Elisabeth Vigée-Lebrun.
Unlock Deck
Unlock for access to all 32 flashcards in this deck.
Unlock Deck
k this deck
18
Unlike Baroque art from Catholic countries, Dutch Baroque art focused upon:

A) the community.
B) business life.
C) the family and home.
D) All of these.
E) None of these answers is correct.
Unlock Deck
Unlock for access to all 32 flashcards in this deck.
Unlock Deck
k this deck
19
The Baroque painting Judith and Maidservant with the Head of Holofernes depicts a story from:

A) ancient Greek mythology.
B) The Tale of Genji.
C) Beowulf.
D) the Bible.
E) Dante's Inferno.
Unlock Deck
Unlock for access to all 32 flashcards in this deck.
Unlock Deck
k this deck
20
Which work of art tells the story of a man who was murdered in his bath?

A) The Ashes of Phokion
B) The Proposition
C) Judith and Maidservant with the Head of Holofernes
D) The Death of Marat
E) The Pursuit
Unlock Deck
Unlock for access to all 32 flashcards in this deck.
Unlock Deck
k this deck
21
Typical of Dutch landscape painting was the work of:

A) Jacob van Ruisdael.
B) Judith Leyster.
C) Frans Hals.
D) Rembrandt.
E) Nicolas Poussin.
Unlock Deck
Unlock for access to all 32 flashcards in this deck.
Unlock Deck
k this deck
22
Consider Gentileschi's Judith and Maidservant with the Head of Holofernes and David's The Oath of the Horatii. These paintings represent idealized visions of heroic figures in two different cultures. Explain the political and social forces that influenced their form and content.
Unlock Deck
Unlock for access to all 32 flashcards in this deck.
Unlock Deck
k this deck
23
Consider Bernini's St. Teresa in Ecstasy. Discuss the aspects of this work's form and content that exemplify the religious Baroque style supporting the Roman Catholic Church during the Counter-Reformation.
Unlock Deck
Unlock for access to all 32 flashcards in this deck.
Unlock Deck
k this deck
24
Consider the painting The Pursuit from The Progress of Love, by Jean-Honoré Fragonard, and discuss why the patron rejected the series.
Unlock Deck
Unlock for access to all 32 flashcards in this deck.
Unlock Deck
k this deck
25
Compare and contrast Baroque art in France, Spain, and Italy with Dutch Baroque, mentioning not only the formal visual aspects of works, but also differences in theme and content. Finally, explain the major reasons for the differences.
Unlock Deck
Unlock for access to all 32 flashcards in this deck.
Unlock Deck
k this deck
26
Foremost among French painters of the 17th century was ___________, who painted _________.

A) Nicolas Poussin; The Ashes of Phokion
B) Judith Leyster;Carousing Couple
C) Elisabeth Vigée-Lebrun; Marie Antoinette and Her Children
D) Jacques Louis David; Death of Marat
E) Jean-Honoré Fragonard; The Pursuit
Unlock Deck
Unlock for access to all 32 flashcards in this deck.
Unlock Deck
k this deck
27
Baroque art is often considered to be dramatic and emotional. With reference to specific works, explain how artists created these effects and then discuss the purposes for which artists sought to affect viewers emotionally during this period.
Unlock Deck
Unlock for access to all 32 flashcards in this deck.
Unlock Deck
k this deck
28
Consider Velázquez's Las Meninas (The Maids of Honor) and Rembrandt's Sortie of Captain Cocq's Company of the Civic Guard (The Night Watch). The two paintings were made within 10 years of one another, but in countries with very different cultures. Explain the social/political forces that contribute to the works' differences.
Unlock Deck
Unlock for access to all 32 flashcards in this deck.
Unlock Deck
k this deck
29
Explain the relationship between Neoclassical art and the revolutionary movements in the 18th century. Support your points with references to specific works of the period.
Unlock Deck
Unlock for access to all 32 flashcards in this deck.
Unlock Deck
k this deck
30
One of the most influential buildings of the architect Francisco Borromini was:

A) St. Peters.
B) San Carlo alle Quattro Fontane.
C) Cornaro Chapel.
D) Palace of Versailles.
E) Amlienburg.
Unlock Deck
Unlock for access to all 32 flashcards in this deck.
Unlock Deck
k this deck
31
Discuss the similarities and differences in Entombment, a painting by Italian artist Carvaggio, and Raising of the Cross, by the Flemish artist Peter Paul Rubens.
Unlock Deck
Unlock for access to all 32 flashcards in this deck.
Unlock Deck
k this deck
32
Compare and contrast the Hall of Mirrors in Versailles with the Mirror Room of the Amalienburg, indicating how aspects of each represent the Baroque and Rococo styles, respectively.
Unlock Deck
Unlock for access to all 32 flashcards in this deck.
Unlock Deck
k this deck
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Unlock Deck
Unlock for access to all 32 flashcards in this deck.