Deck 7: Painting

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Question
What is pigment in paint?

A) a powdered color
B) a medium
C) a solvent
D) a binder
E) a vehicle
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Question
The painting technique used in the first century in Egypt, Greece, and Rome that involves the use of wax is

A) fresco.
B) oil paint.
C) acrylic.
D) tempera.
E) encaustic.
Question
The 20th-century master of the fresco technique who created the work Mixtec Culture is

A) Raphael.
B) Diego Rivera.
C) Pablo Picasso.
D) Georges Braque.
E) Frida Kahlo.
Question
Two ancient painting media that are still in use today are

A) acrylics and oils.
B) encaustic and fresco.
C) gouache and oils.
D) collage and acrylics.
E) gouache and fresco.
Question
Watercolor's primary characteristic is its

A) permanency.
B) opacity.
C) ease of revision.
D) transparency.
E) textural qualities.
Question
________ is watercolor that has been made opaque by adding inert white pigment to it.

A) Encaustic
B) Impasto
C) Fresco
D) Gouache
E) None of these answers is correct.
Question
In oil painting, linseed oil acts as

A) a pigment.
B) a ground.
C) a border.
D) a support.
E) a binder.
Question
The first acclaimed artist to understand and exploit oil painting was

A) Jan van Eyck.
B) Leonardo da Vinci.
C) Michelangelo.
D) Oskar Kokoschka.
E) Georgia O'Keeffe.
Question
In fresco painting, a drawing called a ________ is transferred to the prepared surface prior to applying the pigment.

A) cartoon
B) mosaic
C) collage
D) gouache
E) sketch
Question
Which of the following is an example of a nonaqueous medium?

A) fresco
B) oil paint
C) acrylic
D) watercolor
E) None of these answers is correct.
Question
In buon fresco, or true fresco, pigment is mixed with water and applied to

A) dry plaster.
B) stretched canvas.
C) hot beeswax.
D) wet plaster.
E) raw silk.
Question
Select three of the painting media discussed in this chapter and briefly describe and explain the qualities and characteristics of each, and the techniques used to apply each. Then discuss a work created in each of the three media you have chosen.
Question
By the 1950s, this new synthetic paint would challenge oils as the principal painting medium. What is it?

A) gouache
B) acrylic
C) encaustic
D) tempera
E) collage
Question
Pope Julius II employed which two Italian Renaissance artists to paint frescoes for him?

A) Rivera and Kahlo
B) Michelangelo and Raphael
C) Van Gogh and Gauguin
D) Vermeer and Van Eyck
E) Donatello and Titian
Question
Technically, tempera is paint in which the vehicle is in

A) a pigment.
B) an impasto.
C) a ground.
D) an emulsion.
E) a glaze.
Question
A nonaqueous paint is one that

A) is less expensive than most.
B) produces the most brilliant colors.
C) dissolves in water.
D) dissolves in something other than water.
E) is very fast-drying.
Question
Traditional Chinese artists used _________ and they are the oldest painting medium in continuous use.

A) watercolor
B) encaustic paint
C) gouche
D) acrylic
E) ink sticks
Question
After building a canvas and before painting it, a painter generally applies a coat of

A) fresco.
B) linseed oil.
C) primer.
D) a nonaqueous medium.
E) None of these answers is correct.
Question
One of the advantages of oil painting is that it dries very slowly. This allows for

A) a subtle blending of colors.
B) the painting to be reworked indefinitely.
C) the application of layers of paint on top of one another.
D) an almost infinite range of consistencies.
E) All these answers are correct.
Question
Picasso and Braque, working side-by-side, glued bits of paper and other objects onto canvas to create

A) mosaics.
B) tapestries.
C) collages.
D) egg tempera.
E) None of these answers is correct.
Question
Consider Van Eyck's Man in a Red Turban and Sonsini's Fernando, Manuel, and David. These two paintings present two very different styles of oil painting. Analyze the works and the stylistic differences between them.
Question
Discuss the medium employed in Saint Anthony Abbot Tempted by a Heap of Gold while giving consideration to the historical period and the practice of using this medium. Give examples of the technique the artist used in this painting and how the technique informed the subject matter.
Question
Consider Lam's The Jungle and Sargent's Mountain Stream. These works represent views of nature. Explain how each artist uses the characteristics of his selected medium to express or represent his subject, and his view of nature.
Question
Choose a painting medium and explain its characteristics. Select an artist who is known for working primarily in one medium and discuss how this medium seems to meet the needs of the artist's subjects and messages.
Question
Consider the work of two of the following artists: Sonsini, Sargent, and Mutu. Explain how the content of works by the artists you have selected is expressed or emphasized by the media and techniques used.
Question
Briefly outline the history of the fresco medium from ancient times through the 20th century. Select one particular fresco work and explain how, where, and when it was created, who the artist was, and in what thematic categories the work fits.
Question
Discuss the classification of collage as a painting medium. Do you agree or disagree with this classification? If you disagree, explain how you would categorize the collage works of Picasso and Braque.
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Deck 7: Painting
1
What is pigment in paint?

A) a powdered color
B) a medium
C) a solvent
D) a binder
E) a vehicle
A
2
The painting technique used in the first century in Egypt, Greece, and Rome that involves the use of wax is

A) fresco.
B) oil paint.
C) acrylic.
D) tempera.
E) encaustic.
E
3
The 20th-century master of the fresco technique who created the work Mixtec Culture is

A) Raphael.
B) Diego Rivera.
C) Pablo Picasso.
D) Georges Braque.
E) Frida Kahlo.
B
4
Two ancient painting media that are still in use today are

A) acrylics and oils.
B) encaustic and fresco.
C) gouache and oils.
D) collage and acrylics.
E) gouache and fresco.
Unlock Deck
Unlock for access to all 27 flashcards in this deck.
Unlock Deck
k this deck
5
Watercolor's primary characteristic is its

A) permanency.
B) opacity.
C) ease of revision.
D) transparency.
E) textural qualities.
Unlock Deck
Unlock for access to all 27 flashcards in this deck.
Unlock Deck
k this deck
6
________ is watercolor that has been made opaque by adding inert white pigment to it.

A) Encaustic
B) Impasto
C) Fresco
D) Gouache
E) None of these answers is correct.
Unlock Deck
Unlock for access to all 27 flashcards in this deck.
Unlock Deck
k this deck
7
In oil painting, linseed oil acts as

A) a pigment.
B) a ground.
C) a border.
D) a support.
E) a binder.
Unlock Deck
Unlock for access to all 27 flashcards in this deck.
Unlock Deck
k this deck
8
The first acclaimed artist to understand and exploit oil painting was

A) Jan van Eyck.
B) Leonardo da Vinci.
C) Michelangelo.
D) Oskar Kokoschka.
E) Georgia O'Keeffe.
Unlock Deck
Unlock for access to all 27 flashcards in this deck.
Unlock Deck
k this deck
9
In fresco painting, a drawing called a ________ is transferred to the prepared surface prior to applying the pigment.

A) cartoon
B) mosaic
C) collage
D) gouache
E) sketch
Unlock Deck
Unlock for access to all 27 flashcards in this deck.
Unlock Deck
k this deck
10
Which of the following is an example of a nonaqueous medium?

A) fresco
B) oil paint
C) acrylic
D) watercolor
E) None of these answers is correct.
Unlock Deck
Unlock for access to all 27 flashcards in this deck.
Unlock Deck
k this deck
11
In buon fresco, or true fresco, pigment is mixed with water and applied to

A) dry plaster.
B) stretched canvas.
C) hot beeswax.
D) wet plaster.
E) raw silk.
Unlock Deck
Unlock for access to all 27 flashcards in this deck.
Unlock Deck
k this deck
12
Select three of the painting media discussed in this chapter and briefly describe and explain the qualities and characteristics of each, and the techniques used to apply each. Then discuss a work created in each of the three media you have chosen.
Unlock Deck
Unlock for access to all 27 flashcards in this deck.
Unlock Deck
k this deck
13
By the 1950s, this new synthetic paint would challenge oils as the principal painting medium. What is it?

A) gouache
B) acrylic
C) encaustic
D) tempera
E) collage
Unlock Deck
Unlock for access to all 27 flashcards in this deck.
Unlock Deck
k this deck
14
Pope Julius II employed which two Italian Renaissance artists to paint frescoes for him?

A) Rivera and Kahlo
B) Michelangelo and Raphael
C) Van Gogh and Gauguin
D) Vermeer and Van Eyck
E) Donatello and Titian
Unlock Deck
Unlock for access to all 27 flashcards in this deck.
Unlock Deck
k this deck
15
Technically, tempera is paint in which the vehicle is in

A) a pigment.
B) an impasto.
C) a ground.
D) an emulsion.
E) a glaze.
Unlock Deck
Unlock for access to all 27 flashcards in this deck.
Unlock Deck
k this deck
16
A nonaqueous paint is one that

A) is less expensive than most.
B) produces the most brilliant colors.
C) dissolves in water.
D) dissolves in something other than water.
E) is very fast-drying.
Unlock Deck
Unlock for access to all 27 flashcards in this deck.
Unlock Deck
k this deck
17
Traditional Chinese artists used _________ and they are the oldest painting medium in continuous use.

A) watercolor
B) encaustic paint
C) gouche
D) acrylic
E) ink sticks
Unlock Deck
Unlock for access to all 27 flashcards in this deck.
Unlock Deck
k this deck
18
After building a canvas and before painting it, a painter generally applies a coat of

A) fresco.
B) linseed oil.
C) primer.
D) a nonaqueous medium.
E) None of these answers is correct.
Unlock Deck
Unlock for access to all 27 flashcards in this deck.
Unlock Deck
k this deck
19
One of the advantages of oil painting is that it dries very slowly. This allows for

A) a subtle blending of colors.
B) the painting to be reworked indefinitely.
C) the application of layers of paint on top of one another.
D) an almost infinite range of consistencies.
E) All these answers are correct.
Unlock Deck
Unlock for access to all 27 flashcards in this deck.
Unlock Deck
k this deck
20
Picasso and Braque, working side-by-side, glued bits of paper and other objects onto canvas to create

A) mosaics.
B) tapestries.
C) collages.
D) egg tempera.
E) None of these answers is correct.
Unlock Deck
Unlock for access to all 27 flashcards in this deck.
Unlock Deck
k this deck
21
Consider Van Eyck's Man in a Red Turban and Sonsini's Fernando, Manuel, and David. These two paintings present two very different styles of oil painting. Analyze the works and the stylistic differences between them.
Unlock Deck
Unlock for access to all 27 flashcards in this deck.
Unlock Deck
k this deck
22
Discuss the medium employed in Saint Anthony Abbot Tempted by a Heap of Gold while giving consideration to the historical period and the practice of using this medium. Give examples of the technique the artist used in this painting and how the technique informed the subject matter.
Unlock Deck
Unlock for access to all 27 flashcards in this deck.
Unlock Deck
k this deck
23
Consider Lam's The Jungle and Sargent's Mountain Stream. These works represent views of nature. Explain how each artist uses the characteristics of his selected medium to express or represent his subject, and his view of nature.
Unlock Deck
Unlock for access to all 27 flashcards in this deck.
Unlock Deck
k this deck
24
Choose a painting medium and explain its characteristics. Select an artist who is known for working primarily in one medium and discuss how this medium seems to meet the needs of the artist's subjects and messages.
Unlock Deck
Unlock for access to all 27 flashcards in this deck.
Unlock Deck
k this deck
25
Consider the work of two of the following artists: Sonsini, Sargent, and Mutu. Explain how the content of works by the artists you have selected is expressed or emphasized by the media and techniques used.
Unlock Deck
Unlock for access to all 27 flashcards in this deck.
Unlock Deck
k this deck
26
Briefly outline the history of the fresco medium from ancient times through the 20th century. Select one particular fresco work and explain how, where, and when it was created, who the artist was, and in what thematic categories the work fits.
Unlock Deck
Unlock for access to all 27 flashcards in this deck.
Unlock Deck
k this deck
27
Discuss the classification of collage as a painting medium. Do you agree or disagree with this classification? If you disagree, explain how you would categorize the collage works of Picasso and Braque.
Unlock Deck
Unlock for access to all 27 flashcards in this deck.
Unlock Deck
k this deck
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Unlock Deck
Unlock for access to all 27 flashcards in this deck.