Deck 3: The Roman Empire
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Deck 3: The Roman Empire
1
In contrast to Greek architectural sculpture, the Etruscans placed sculptures on the _____ of temples.
A) pediments
B) friezes
C) roofs
D) podiums
A) pediments
B) friezes
C) roofs
D) podiums
roofs
2
The high podium and single flight of stairs of the Roman Temple of Portunus reflects the influence of the _____.
A) Greeks
B) Samnites
C) Etruscans
D) Minoans
A) Greeks
B) Samnites
C) Etruscans
D) Minoans
Etruscans
3
Which of the following works of art illustrates how Romanized the Etruscans became in the first century BCE?
A) Apulu Veii
B) Aule Metele
C) Mural painting, Tomb of the Leopards
D) Sarcophagus with reclining couple
A) Apulu Veii
B) Aule Metele
C) Mural painting, Tomb of the Leopards
D) Sarcophagus with reclining couple
Aule Metele
4
The main gathering area of a Pompeiian house is the _____.
A) impluvium
B) triclinium
C) cubiculum
D) atrium
A) impluvium
B) triclinium
C) cubiculum
D) atrium
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5
The two centuries of peace that began under the reign of Augustus is generally called the_____.
A) tetrarchy
B) soldier emperors
C) Pax Romana
D) senate
A) tetrarchy
B) soldier emperors
C) Pax Romana
D) senate
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6
The Etruscans used _____ columns on their temples.
A) Ionic
B) Minoan
C) Tuscan
D) Corinthian
A) Ionic
B) Minoan
C) Tuscan
D) Corinthian
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7
The _____ at Pompeii functioned as its law court.
A) amphitheater
B) basilica
C) velarium
D) orchestra
A) amphitheater
B) basilica
C) velarium
D) orchestra
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8
The Apollo of Veii and sarcophagus with a reclining couple differ from Greek statuary in their _____.
A) frozen pose
B) naturalistic depiction of the anatomy
C) Egyptian influence
D) ability to speak to the viewer
A) frozen pose
B) naturalistic depiction of the anatomy
C) Egyptian influence
D) ability to speak to the viewer
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9
The year 211 BCE was a turning point for both Rome and Roman art because _____.
A) Rome conquered Greece
B) Marcellus brought the artistic patrimony of Syracuse to Rome
C) Last Attalid king willed Pergamon to Rome
D) Veii fell to the Romans
A) Rome conquered Greece
B) Marcellus brought the artistic patrimony of Syracuse to Rome
C) Last Attalid king willed Pergamon to Rome
D) Veii fell to the Romans
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10
The painting in the Tomb of the Leopards celebrates _____.
A) the joy of life
B) the triumph of good over evil
C) victory in battle
D) the sorrow of death
A) the joy of life
B) the triumph of good over evil
C) victory in battle
D) the sorrow of death
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11
The heart of a Roman city is the _____.
A) forum
B) atrium
C) basilica
D) theater
A) forum
B) atrium
C) basilica
D) theater
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12
The stucco tools and everyday objects decorating the Etruscan Tomb of the Reliefs connected the tomb to _____.
A) their temples
B) the slaves who built it
C) their leaders
D) their homes
A) their temples
B) the slaves who built it
C) their leaders
D) their homes
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13
The First Style of Pompeiian wall painting imitated _____.
A) marble paneling
B) landscapes
C) imperial palaces
D) Minaoan frescoes
A) marble paneling
B) landscapes
C) imperial palaces
D) Minaoan frescoes
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14
The typical Etruscan tomb form at the Banditaccia necropolis was the _____.
A) tumulus
B) temple plan
C) shaft grave
D) pseudo-peripteral
A) tumulus
B) temple plan
C) shaft grave
D) pseudo-peripteral
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15
Because they were designed to shut off the street's noise and dust, Pompeiian houses are described as _____.
A) meandering
B) complex in plan
C) inward looking
D) multistoried
A) meandering
B) complex in plan
C) inward looking
D) multistoried
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16
The wealthy or patrician class commissioned _____ to celebrate their elevated status in society.
A) weapons
B) mural paintings
C) temples
D) ancestral portraits
A) weapons
B) mural paintings
C) temples
D) ancestral portraits
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17
Rome was reportedly founded by _____ in 753 BCE.
A) Romulus
B) Tarquinius Superbus
C) Apollodorus of Damascus
D) Nero
A) Romulus
B) Tarquinius Superbus
C) Apollodorus of Damascus
D) Nero
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18
Depicted on the Column of Antoninus Pius, the _____, or emperor's ascent into heaven to accompany the gods, became a central theme of imperial ideology.
A) decumanus
B) apotheosis
C) imperator
D) imperial entry
A) decumanus
B) apotheosis
C) imperator
D) imperial entry
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19
Rather than a somber theme, _____ are featured at the Tomb of the Leopards.
A) mythological scenes
B) banqueting couples
C) Greek deities
D) Imperial processions
A) mythological scenes
B) banqueting couples
C) Greek deities
D) Imperial processions
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20
The presence of delicate linear fantasies on monochromatic backgrounds characterizes the _____ of Pompeiian wall painting.
A) masonry style
B) Third Style
C) Second Style
D) linear perspective style
A) masonry style
B) Third Style
C) Second Style
D) linear perspective style
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21
Echoing developments in portraits of Marcus Aurelius, the portrait bust of Caracalla is remarkable in its ability to reveal his _____.
A) generosity
B) aspirations to be a god
C) personality
D) old age
A) generosity
B) aspirations to be a god
C) personality
D) old age
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22
In contrast to the Greek practice of building a theater along the slope of a hill, _____ supported the rising seating of a Roman amphitheater.
A) a cavea
B) barrel vaults
C) the frigidarium
D) the arena
A) a cavea
B) barrel vaults
C) the frigidarium
D) the arena
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23
Describe the manner of portraying members of the patrician class during the Republic.
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24
What are the differences between Etruscan tumuli and Mycenaean tholoi, such as the Treasury of Atreus?
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25
During his reign Constantine transferred the empire's seat of power from Rome to _____.
A) Ravenna
B) Constantinople
C) Alexandria
D) Persia
A) Ravenna
B) Constantinople
C) Alexandria
D) Persia
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26
Augustus consciously revived the _____ style in art and architecture to present his reign as a Golden Age.
A) classical
B) Orientalizing
C) geometric
D) late antique
A) classical
B) Orientalizing
C) geometric
D) late antique
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27
In 293, Diocletian shared power with his rivals, creating a form of government called the _____.
A) dictatorship
B) senate
C) consul
D) tetrarchy
A) dictatorship
B) senate
C) consul
D) tetrarchy
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28
The presence of children in the procession of the imperial family on the Ara Pacis Augustae (Altar of Augustan Peace) reflects Augustus's concern about _____.
A) Roman egalitarianism
B) military aggression
C) the decline in the birthrate among nobility
D) patrician ethics
A) Roman egalitarianism
B) military aggression
C) the decline in the birthrate among nobility
D) patrician ethics
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29
_____ was Trajan's official architect and designer of his forum and markets.
A) Apollodorus of Damascus
B) Trajan Decius
C) Diocletian
D) Gaeta
A) Apollodorus of Damascus
B) Trajan Decius
C) Diocletian
D) Gaeta
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30
Why do scholars debate whether veristic portraits are primarily records of a specific person's likeness?
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31
What function did coffering perform?
A) It helped expand interior space.
B) It lightened the weight of a dome or arch.
C) It supplied an accurate means of measuring interior space.
D) It allowed the Romans to construct extensive road systems.
A) It helped expand interior space.
B) It lightened the weight of a dome or arch.
C) It supplied an accurate means of measuring interior space.
D) It allowed the Romans to construct extensive road systems.
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32
Describe the relationship between the importance the Romans attached to their ancestors and veristic portraits?
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33
The sadness and anxiety conveyed in the portrait of Trajan Decius reflects the unstable times of the so-called _____.
A) soldier emperors
B) Republic
C) Flavian dynasty
D) intermediate period
A) soldier emperors
B) Republic
C) Flavian dynasty
D) intermediate period
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34
Constantine and Licinius issued the _____, which ended the persecutions of Christians.
A) meditations
B) tetrarchy
C) Edict of Milan
D) consular diptych
A) meditations
B) tetrarchy
C) Edict of Milan
D) consular diptych
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35
The emperor _____ established the Flavian line after Nero's suicide and subsequent civil war.
A) Antoninus Pius
B) Vespasian
C) Constantine
D) Apollodorus of Damascus
A) Antoninus Pius
B) Vespasian
C) Constantine
D) Apollodorus of Damascus
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36
Describe the differences between a Greek theater and the Roman amphitheater at Pompeii.
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37
Trajan's forum glorified his victories in two wars against the _____.
A) Greeks
B) Samnites
C) Severans
D) Dacians
A) Greeks
B) Samnites
C) Severans
D) Dacians
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38
The Greek model for the portrait of Augustus as imperator was the _____.
A) equestrian statue of Marcus Aurelius
B) Hermes and the infant Dionysos
C) portrait of Pericles
D) Doryphoros
A) equestrian statue of Marcus Aurelius
B) Hermes and the infant Dionysos
C) portrait of Pericles
D) Doryphoros
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39
What advantages did creating structures from concrete offer the Romans?
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40
The triumphal arch called the Arch of Titus was the first instance of the portrayal of _____ interacting with humans.
A) lions
B) centaurs
C) divine beings
D) ancestors
A) lions
B) centaurs
C) divine beings
D) ancestors
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41
How did he achieve an image of overwhelming authority?
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42
Describe linear perspective and atmospheric perspective, and identify examples of Pompeiian wall painting where these techniques were used.
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43
Despite appearing powerful, what message does the emperor's face convey?
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44
How does the reliefs on the Column of Trajan accurately record the general character of Trajan's campaigns against the Dacians?
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45
How was the creation of the Colosseum a shrewd political move for the emperor Vespasian?
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46
What common method of decoration did the Romans establish on the exterior of this building?
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47
What features reveal a dissatisfaction with the norms of classical art?
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48
What type of vault was employed here, and what advantages did it offer?
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49
What are the compositional principles of the Late Antique style?
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50
How does this sculpture depart from Archaic Greek statues in style and location?
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51
What message did the manner of representing the figures convey to the viewer?
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52
What is damnatio memoriae, and how did it affect art?
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53
Describe the techniques used by the sculptors to achieve a high degree of illusionism in this relief?
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54
Which political messages were transmitted through this sculpture?
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55
Although the Etruscans were strongly influenced by the Greeks, scholars recognize their unique contributions. Using examples, identify the uniquely Etruscan features of their art and architecture.
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56
Although likely modeled on the Ionic frieze from the Parthenon, how does this differ?
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57
How is the emperor Constantine a mirror of the transition from the classical to the medieval world?
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58
Why did Constantine reuse relief sculptures from earlier emperors' monuments?
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59
Describe Etruscan burial practices and the art associated with them. To what extent did their funerary monuments and practices differ from the Greeks?
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60
What techniques did the Romans employ to build the Pantheon's dome?
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61
Attribute the images on the screen to a culture and give an approximate date. Give the reasons for your attributions, using complete sentences and referring to specific works discussed in class.
Suggested images, not in the text:
Suggested images, not in the text:
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62
How did the political situation in third century CE Rome differ from circumstances in the first century CE, and what effect did that difference have on art? Be sure to cite specific monuments to illustrate your discussion.
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63
Styles in Pompeiian mural painting changed over time. Please describe the classifications that scholars have developed and the dominant stylistic characteristics of each.
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64
Identify some of the most structurally innovative buildings produced by the Romans.
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65
Roman art is described as being eclectic or borrowing from several cultures. Which cultures exerted a strong influence on the Romans? Citing examples, please identify aspects of their art or architecture that the Romans borrowed.
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66
Roman art underwent a dramatic stylistic shift during the Late Empire. Through selected examples describe the different compositional and stylistic changes. Why was this style embraced?
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67
Portraiture was an important category of art during the Roman Republic and imperial era. Using specific examples, identify some of the pivotal examples of portraiture with respect to style, political messages, or ability to reflect the time period.
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68
Roman emperors were aware of the power of visual art to communicate ideas about their reign and ideology. Citing examples, explain how artists used specific artworks or monuments to mold public opinion.
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69
The discovery of Pompeii provides us with extensive knowledge of the everyday life of the Romans. Describe the layout of the city and the significant building types and architectural features. Please include both civic and domestic objects.
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