Question 1

This artist, who created the work Cataract 3, used the natural movement of the human eye to create illusions of motion.

Accepted Answer

A)  Jenny Holzer 
B)  Bridget Riley 
C)  Nancy Holt Stroboscopic Motion 
D)  Alexander Calder 
E)  Dorothea Lange 
A)  Jenny Holzer 
B)  Bridget Riley 
C)  Nancy Holt Stroboscopic Motion 
D)  Alexander Calder 
E)  Dorothea Lange

Question 2

This type of sculpture can move and change its visual form.

Accepted Answer

A)  relief 
B)  in the round 
C)  kinetic 
D)  geometric 
E)  contemporary 
A)  relief 
B)  in the round 
C)  kinetic 
D)  geometric 
E)  contemporary

Question 3

If Alexander Calder's Untitled mobile was powered by a small motor, rather than air currents, it would not be an example of actual motion.

Accepted Answer

A) True 
 B)False

Question 4

Double Indemnity, a 1944 movie by Billy Wilder, is an example of this genre of mid-twentieth-century cinema.

Accepted Answer

A)  zoetrope 
B)  cinema rouge 
C)  animation 
D)  film noir 
E)  sunshine movies 
A)  zoetrope 
B)  cinema rouge 
C)  animation 
D)  film noir 
E)  sunshine movies

Question 5

In his film Double Indemnity, Billy Wilder created dramatic effect by using this filmmaking strategy.

Accepted Answer

A)  intense lighting 
B)  colorful costumes 
C)  unusual camera angles 
D)  surreal backgrounds 
E)  ambiguous fog effects 
A)  intense lighting 
B)  colorful costumes 
C)  unusual camera angles 
D)  surreal backgrounds 
E)  ambiguous fog effects

Exam 6: Motion and Time

This artist, who created the work Cataract 3, used the natural movement of the human eye to create illusions of motion.

This type of sculpture can move and change its visual form.

If Alexander Calder's Untitled mobile was powered by a small motor, rather than air currents, it would not be an example of actual motion.

Double Indemnity, a 1944 movie by Billy Wilder, is an example of this genre of mid-twentieth-century cinema.

In his film Double Indemnity, Billy Wilder created dramatic effect by using this filmmaking strategy.

Fundamentals

Line, Shape, and the Principle of Contrast

Form, Volume, Mass, and Texture

Implied Depth: Value and Space

Color

Unity, Variety, and Balance

scale and Proportion

Focal Point and Emphasis

Pattern and Rhythm

Engaging With Form and Content

Drawing

Painting

Print-making

Sculpture

Architecture

The Tradition of Craft

Visual Communication Design

Photography

Filmvideo and Digital Art

Alternative Media and Processes

The Prehistoric and Ancient Mediterranean

Art of the Middle Ages

Art of India, China, Japan, Korea, and Southeast Asia

Art of the Americas

Art of Africa and the Pacific Islands

Art of Renaissance and Baroque Europe 1400-1750

Art of Europe and America 1700-1865: Rococo to Romanticism

The Modern Aesthetic: Realism to Expressionism

Art and Community

Spirituality and Art

Art and the Cycle of Life

Art and Science

Art, Illusion, and Transformation

Art of Political Leaders and Rulers

Art, War, and Revolution

Art of Social Conscience

The Body in Art

Identity, Race, and Gender in Art

Filters