Question 1

In classic portrait lighting, the key light acts to illuminate:

Accepted Answer

A) A person's entire face at a power less than the main light. 
B) The backdrop behind the model. 
C) The face so it is rendered as a three-dimensional form. 
D) The hands of the model. 
A) A person's entire face at a power less than the main light. 
B) The backdrop behind the model. 
C) The face so it is rendered as a three-dimensional form. 
D) The hands of the model. C

Question 2

In a 3:1 lighting ratio:

Accepted Answer

A) 2 units of light come from the key light, and 1 unit of light comes from the fill light. 
B) 3 units of light come from the key light, and 1 unit of light comes from the fill light. 
C) 2 units of light come from the fill light, and 1 unit of light comes from the key light. 
D) 3 units of light come from the fill light, and 1 unit of light comes from the key light. 
A) 2 units of light come from the key light, and 1 unit of light comes from the fill light. 
B) 3 units of light come from the key light, and 1 unit of light comes from the fill light. 
C) 2 units of light come from the fill light, and 1 unit of light comes from the key light. 
D) 3 units of light come from the fill light, and 1 unit of light comes from the key light. A

Question 3

In classic portrait lighting, the fill light acts to illuminate:

Accepted Answer

A) A person's entire face at a power less than the main light. 
B) The backdrop behind the model. 
C) The face so it is rendered as a three-dimensional form. 
D) The hands of the model. 
A) A person's entire face at a power less than the main light. 
B) The backdrop behind the model. 
C) The face so it is rendered as a three-dimensional form. 
D) The hands of the model. A

Question 4

If you are using a polarizing filter at full polarized strength at noon on a sunny day, you can expect everything except:

Accepted Answer

A) Your in-camera light meter will suggest the same exposure as for an exposure without the polarizing filter on your camera. 
B) Your in-camera light meter will suggest an exposure representing 2 stops more light than an exposure without the polarizing filter on your camera. 
C) The blue sky will be rendered darker than without the polarizing filter. 
D) Reflections off of water and shiny objects will be diminished. 
A) Your in-camera light meter will suggest the same exposure as for an exposure without the polarizing filter on your camera. 
B) Your in-camera light meter will suggest an exposure representing 2 stops more light than an exposure without the polarizing filter on your camera. 
C) The blue sky will be rendered darker than without the polarizing filter. 
D) Reflections off of water and shiny objects will be diminished.

Question 5

What is the goal of the background light?

Accepted Answer

A) Illuminate the entire background so it is as bright as the model's clothing. 
B) Illuminate the model's face. 
C) Illuminate the model's hair. 
D) Separate the model from the background. 
A) Illuminate the entire background so it is as bright as the model's clothing. 
B) Illuminate the model's face. 
C) Illuminate the model's hair. 
D) Separate the model from the background.

Question 6

Tonal values are always:

Accepted Answer

A) Red, green, and blue colors. 
B) Cyan, magenta, yellow, and black colors. 
C) Grayscale, black, and white. 
D) None of the above. 
A) Red, green, and blue colors. 
B) Cyan, magenta, yellow, and black colors. 
C) Grayscale, black, and white. 
D) None of the above.

Question 7

What part of the camera is equivalent to the human eye's iris?

Accepted Answer

A) Aperture 
B) Diaphragm 
C) Photoreceptors 
D) Sensor 
A) Aperture 
B) Diaphragm 
C) Photoreceptors 
D) Sensor

Question 8

If it is possible, position both the key light and the hair light on the:

Accepted Answer

A) Opposite side of the part in the model's hair. 
B) Same side as the part in the model's hair. 
C) Same side as the background light. 
D) Same side as the fill light. 
A) Opposite side of the part in the model's hair. 
B) Same side as the part in the model's hair. 
C) Same side as the background light. 
D) Same side as the fill light.

Question 9

Visual perception involves everything except:

Accepted Answer

A) Collection of light and color information by the eye. 
B) Sending the visual information. 
C) The brand of camera used. 
D) Your prior knowledge and experiences. 
A) Collection of light and color information by the eye. 
B) Sending the visual information. 
C) The brand of camera used. 
D) Your prior knowledge and experiences.

Question 10

True or false: A blue color temperature is cooler than a yellow color temperature:

Accepted Answer

A) True 
 B)False

Question 11

If you are photographing dark objects, you may need:

Accepted Answer

A) A slightly longer-than-expected exposure than suggested by an ambient light meter. 
B) A slightly shorter-than-expected exposure than suggested by an ambient light meter. 
C) Exactly the same exposure as suggested by an ambient light meter. 
D) No changes are needed.Just use your in-camera light meter, meter off of the dark objects, and make your exposure. 
A) A slightly longer-than-expected exposure than suggested by an ambient light meter. 
B) A slightly shorter-than-expected exposure than suggested by an ambient light meter. 
C) Exactly the same exposure as suggested by an ambient light meter. 
D) No changes are needed.Just use your in-camera light meter, meter off of the dark objects, and make your exposure.

Question 12

The term "short lighting" refers to placing the:

Accepted Answer

A) Key light on the side opposite the model's ear that is facing the camera. 
B) Key light on the same side of the model's ear that is facing the camera. 
C) Fill light on the side opposite the model's ear that is facing the camera. 
D) Fill light on the same side of the model's ear that is facing the camera. 
A) Key light on the side opposite the model's ear that is facing the camera. 
B) Key light on the same side of the model's ear that is facing the camera. 
C) Fill light on the side opposite the model's ear that is facing the camera. 
D) Fill light on the same side of the model's ear that is facing the camera.

Question 13

To bring out the texture of a three-dimensional object, use:

Accepted Answer

A) Front light 
B) Side light 
C) Backlight 
D) Fill light 
A) Front light 
B) Side light 
C) Backlight 
D) Fill light

Question 14

What part of the camera is equivalent to the human eye's pupil?

Accepted Answer

A) Aperture 
B) Diaphragm 
C) Photoreceptors 
D) Sensor 
A) Aperture 
B) Diaphragm 
C) Photoreceptors 
D) Sensor

Question 15

The photoreceptors called rods are responsible for:

Accepted Answer

A) Collecting and interpreting information in terms of red, green, and blue colors. 
B) Collecting and interpreting information in terms of cyan, magenta, yellow, and black colors. 
C) Sending visual information to the brain. 
D) Collecting and interpreting information in terms of black, white, and shades of gray. 
A) Collecting and interpreting information in terms of red, green, and blue colors. 
B) Collecting and interpreting information in terms of cyan, magenta, yellow, and black colors. 
C) Sending visual information to the brain. 
D) Collecting and interpreting information in terms of black, white, and shades of gray.

Question 16

If your model has no preference as to which side of his/her face is photographed, position your model so his/her:

Accepted Answer

A) Smaller eye is closest to the camera. 
B) Larger eye is closest to the camera. 
C) Smaller hand is closest to the camera. 
D) Larger hand is closest to the camera. 
A) Smaller eye is closest to the camera. 
B) Larger eye is closest to the camera. 
C) Smaller hand is closest to the camera. 
D) Larger hand is closest to the camera.

Question 17

Diffuse reflections are typical when light is:

Accepted Answer

A) Reflected through a liquid medium. 
B) Reflected from a smooth-textured surface. 
C) Reflected from a rough-textured surface. 
D) Absorbed and not reflected at all. 
A) Reflected through a liquid medium. 
B) Reflected from a smooth-textured surface. 
C) Reflected from a rough-textured surface. 
D) Absorbed and not reflected at all.

Question 18

True or false: High-contrast images always contain equal amounts of black and white in the image.

Accepted Answer

A) True 
 B)False

Question 19

Color temperature is measured in:

Accepted Answer

A) Degrees Kelvin. 
B) Degrees Fahrenheit. 
C) Degrees Centigrade. 
D) Degrees Aperture. 
A) Degrees Kelvin. 
B) Degrees Fahrenheit. 
C) Degrees Centigrade. 
D) Degrees Aperture.

Question 20

"Fast falloff" refers to:

Accepted Answer

A) How quickly highlight turns to shadow on a three-dimensional object. 
B) How fast light dissipates as it travels. 
C) Moving from a fast shutter speed to a slow shutter speed. 
D) Moving from a slow shutter speed to a fast shutter speed. 
A) How quickly highlight turns to shadow on a three-dimensional object. 
B) How fast light dissipates as it travels. 
C) Moving from a fast shutter speed to a slow shutter speed. 
D) Moving from a slow shutter speed to a fast shutter speed.

In classic portrait lighting, the key light acts to illuminate:

In a 3:1 lighting ratio:

In classic portrait lighting, the fill light acts to illuminate:

If you are using a polarizing filter at full polarized strength at noon on a sunny day, you can expect everything except:

What is the goal of the background light?

Tonal values are always:

What part of the camera is equivalent to the human eye's iris?

If it is possible, position both the key light and the hair light on the:

Visual perception involves everything except:

True or false: A blue color temperature is cooler than a yellow color temperature:

If you are photographing dark objects, you may need:

The term "short lighting" refers to placing the:

To bring out the texture of a three-dimensional object, use:

What part of the camera is equivalent to the human eye's pupil?

The photoreceptors called rods are responsible for:

If your model has no preference as to which side of his/her face is photographed, position your model so his/her:

Diffuse reflections are typical when light is:

True or false: High-contrast images always contain equal amounts of black and white in the image.

Color temperature is measured in:

"Fast falloff" refers to:

What Is a Photograph

Getting to Know Cameras

What Is a Good Photographic Exposure

Film and Film Processing

Traditional Darkroom Printing

Finishing, Mounting, and Storing of Prints

The Digital Darkroom

Image Development in Photoshop

Final Touches and Creative Options

Working With Light

Composition

Critiquing Photographs

Copyright Law

Filters

Exam 10: Digital Color Management and Printing

In classic portrait lighting, the key light acts to illuminate:

In a 3:1 lighting ratio:

In classic portrait lighting, the fill light acts to illuminate:

If you are using a polarizing filter at full polarized strength at noon on a sunny day, you can expect everything except:

What is the goal of the background light?

Tonal values are always:

What part of the camera is equivalent to the human eye's iris?

If it is possible, position both the key light and the hair light on the:

Visual perception involves everything except:

True or false: A blue color temperature is cooler than a yellow color temperature:

If you are photographing dark objects, you may need:

The term "short lighting" refers to placing the:

To bring out the texture of a three-dimensional object, use:

What part of the camera is equivalent to the human eye's pupil?

The photoreceptors called rods are responsible for:

If your model has no preference as to which side of his/her face is photographed, position your model so his/her:

Diffuse reflections are typical when light is:

True or false: High-contrast images always contain equal amounts of black and white in the image.

Color temperature is measured in:

"Fast falloff" refers to:

What Is a Photograph

Getting to Know Cameras

What Is a Good Photographic Exposure

Film and Film Processing

Traditional Darkroom Printing

Finishing, Mounting, and Storing of Prints

The Digital Darkroom

Image Development in Photoshop

Final Touches and Creative Options

Working With Light

Composition

Critiquing Photographs

Copyright Law

Filters