Exam 2: Ancient Mesopotamia and Persia
Exam 1: Art in the Stone Age50 Questions
Exam 2: Ancient Mesopotamia and Persia50 Questions
Exam 3: Egypt From Narmer to Cleopatra50 Questions
Exam 4: The Prehistoric Aegean50 Questions
Exam 5: Ancient Greece50 Questions
Exam 6: The Etruscans50 Questions
Exam 7: The Roman Empire50 Questions
Exam 8: Late Antiquity50 Questions
Exam 9: Byzantium50 Questions
Exam 10: The Islamic World50 Questions
Exam 11: Early Medieval Europe50 Questions
Exam 12: Romanesque Europe50 Questions
Exam 13: Gothic Europe North of the Alps50 Questions
Exam 14: Late Medieval Italy50 Questions
Exam 15: South and Southeast Asia Before 120050 Questions
Exam 16: China and Korea to 127950 Questions
Exam 17: Japan Before 133350 Questions
Exam 18: Native American Cultures Before 130049 Questions
Exam 19: Africa Before 180050 Questions
Exam 20: Late Medieval and Early Renaissance Northern Europe50 Questions
Exam 21: The Renaissance in Quattrocento Italy50 Questions
Exam 22: Renaissance and Mannerism in Cinquecento Italy50 Questions
Exam 23: High Renaissance and Mannerism in Northern Europe and Spain50 Questions
Exam 24: The Baroque in Italy and Spain50 Questions
Exam 25: The Baroque in Northern Europe50 Questions
Exam 26: Rococo to Neoclassicism: the 18th Century in Europe and America50 Questions
Exam 27: Romanticism, Realism, Photography: Europe and America, 1800 to 187050 Questions
Exam 28: Impressionism, Post-Impressionism, Symbolism: Europe and America, 1870 to 190050 Questions
Exam 29: Modernism in Europe, 1900 to 194550 Questions
Exam 30: Modernism in the United States and Mexico, 1900 to 194550 Questions
Exam 31: Modernism and Postmodernism in Europe and America, 1945 to 198050 Questions
Exam 32: Contemporary Art Worldwide50 Questions
Exam 33: South and Southeast Asia, 1200 to 198050 Questions
Exam 34: China and Korea, 1279 to 198050 Questions
Exam 35: Japan, 1333 to 198050 Questions
Exam 36: Native American Cultures, 1300 to 198050 Questions
Exam 37: Oceania Before 198050 Questions
Exam 38: Africa, 1800 to 198050 Questions
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What term connotes the royal audience hall shown here?

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C
On the Warka Vase, shown here, what is the purpose of the hierarchy of scale?

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B
The Ishtar Gate, with its glazed tile decorations, was built at which city?
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How do Persian palatial reliefs differ from Assyrian reliefs?
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What was the purpose of these statuettes from the Square Temple at Eshnunna?

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What architectural design feature at Persepolis seems uniquely Persian?
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What do art historians believe is the purpose of the eye shape of Sumerian votive sculptures?
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What aspect of this statue makes an allusion to fertility?

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Who is the subject of the narrative reliefs in the Assyrian palace at Nimrud?
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Because the statue was meant to be both a frontal view and a profile view, how many legs does the lamassu figure have?
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The rods and ring connoting the ruler's capacity to build social order and render judgments are highlighted on which monument?
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What monument embodies Nebuchadnezzar II's goal of beautifying his city?
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The Gate of All Lands, the monumental gateway to the citadel of Persepolis, is a reference to what reality?
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The Sasanian leader Shapur I set up a number of reliefs at Bishapur that showed him accomplishing what feat?
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