Exam 21: Constantine, Emperor and Christian Patron
Exam 1: Italy Before the Rise of Rome30 Questions
Exam 2: From Village to World Capital30 Questions
Exam 3: Republican Town Planning and Pompeii30 Questions
Exam 4: Republican Domestic Architecture and Mural Painting30 Questions
Exam 5: From Marcellus to Caesar30 Questions
Exam 6: The Augustan Principate30 Questions
Exam 7: Preparing for the Afterlife During the Early Empire30 Questions
Exam 8: The Pax Augusta in the West30 Questions
Exam 9: The Julio-Claudian Dynasty30 Questions
Exam 10: Civil War, the Flavians, and Nerva30 Questions
Exam 11: Pompeii and Herculaneum in the First Century30 Questions
Exam 12: Trajan, Optimus Princeps30 Questions
Exam 13: Hadrian, the Philhellene30 Questions
Exam 14: The Antonines30 Questions
Exam 15: Ostia, Port and Mirror of Rome30 Questions
Exam 16: Burying the Dead During the High Empire30 Questions
Exam 17: The Severan Dynasty30 Questions
Exam 18: Lepcis Magna and the Eastern Provinces30 Questions
Exam 19: The Soldier Emperors29 Questions
Exam 20: The Tetrarchy30 Questions
Exam 21: Constantine, Emperor and Christian Patron30 Questions
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Explain how early Christian art both borrowed from and departed from Graeco-Roman art.
(Essay)
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Discuss how early Christian catacombs were constructed and give examples of some of the decorative motifs used in them.
(Essay)
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In the dedicatory inscription on the Arch of Constantine, the unnamed "tyrant" and "divinity" are references to what two figures?
(Multiple Choice)
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Constantine is considered to be the first great patron of Christian art and architecture.
(True/False)
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What was significant about the choice of location for Old Saint Peter's?
(Multiple Choice)
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Explain the design and visual presentation of the emperor in the Aula Palatina at Trier.
(Essay)
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Although completed and dedicated by Constantine, the Basilica Nova in Rome was actually begun by Maxentius.
(True/False)
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Explain why Christians adopted the basilica form for their churches instead of the Graeco-Roman temple form.
(Essay)
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