Exam 19: Eighteenth- and Nineteenth-Century Art in the West
Exam 1: Art Matters30 Questions
Exam 2: What Is Art30 Questions
Exam 3: The Visual Elements of Art30 Questions
Exam 4: The Principles of Design30 Questions
Exam 5: Drawing30 Questions
Exam 6: Painting30 Questions
Exam 7: Printmaking30 Questions
Exam 8: Photography, Film, and Video30 Questions
Exam 9: Graphic Design30 Questions
Exam 10: Sculpture30 Questions
Exam 11: Traditional Craft Media30 Questions
Exam 12: Architecture30 Questions
Exam 13: The Art of Prehistory and Ancient Civilizations in Europe and the Mediterranean30 Questions
Exam 14: Early Jewish and Christian, Byzantine, and Medieval Art30 Questions
Exam 15: Renaissance and Baroque Art30 Questions
Exam 16: The Art of Africa and Islam30 Questions
Exam 17: The Art of the Pacific and the Americas30 Questions
Exam 18: The Art of Asia30 Questions
Exam 19: Eighteenth- and Nineteenth-Century Art in the West30 Questions
Exam 20: Modern Art in the Twentieth-Century Western World30 Questions
Exam 21: Art Since 198030 Questions
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By wanting art to be part of everyday life, Art Nouveau was influenced by:
(Multiple Choice)
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Some Post-Impressionist artists, like Vincent van Gogh in The Starry Night (figure 19.32), built on Impressionism by adding expression and symbolism through:

(Multiple Choice)
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One way the Impressionists tried to capture everyday scenes and the effects of changing light and atmosphere was to work outside, an approach called working ________ .
(Short Answer)
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Neoclassicism used Classical subject matters, Classical styles, and academic convention to pursue what goal?
(Multiple Choice)
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Impressionist painters did NOT want to depict what we actually see.
(True/False)
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Paul Cézanne controlled his brushstrokes and color application. This formal structure is typical of the period known as __________ .
(Short Answer)
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Jacques-Louis David's The Oath of the Horatii (figure 19.10) is a model of structured Enlightenment thought due to what aspects?

(Multiple Choice)
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