Question 1

Which would be concerned with a theme of Vanitas?

Accepted Answer

A)  genre 
B)  landscape 
C)  portraiture 
D)  still life 
A)  genre 
B)  landscape 
C)  portraiture 
D)  still life

Question 2

Rembrandt was a versatile artist who worked both in painting and:

Accepted Answer

A)  Printmaking 
B)  Sculpture 
C)  Architecture 
D)  Textiles 
A)  Printmaking 
B)  Sculpture 
C)  Architecture 
D)  Textiles

Question 3

What artist etched more than 20 self-portraits, including Self-Portrait with Cap, Open Mouthed?

Accepted Answer

A)  Rembrandt 
B)  Vermeer 
C)  Dürer 
D)  Hals 
A)  Rembrandt 
B)  Vermeer 
C)  Dürer 
D)  Hals

Question 4

Discuss the Baroque elements and influences in Rembrandt's Hundred Guilder Print. How would you relate this work to paintings by Caravaggio?

Accepted Answer

The Hundred Guilder Print by Rembrandt i

Question 5

For both Flanders and Holland, discuss how each area was ruled and what were the available and predominant sources of artistic patronage. How did political and social conditions have an impact on the arts in these two areas?

Accepted Answer

Flanders and Holland were both important

Question 6

All of the following are common specializations associated with the Dutch Baroque painters EXCEPT:

Accepted Answer

A)  landscape 
B)  group portrait 
C)  still life 
D)  palace art and court life 
A)  landscape 
B)  group portrait 
C)  still life 
D)  palace art and court life

Question 7

What does a comparison of Rembrandt's The Night Watch and Vermeer's Woman Holding a Balance tell us about Dutch society in the 17th century?

Accepted Answer

A comparison of Rembrandt's The Night Wa

Question 8

Which of the following is true about Rembrandt's Bathsheba with King David's Letter?

Accepted Answer

A)  It demonstrates the psychological depth of the artist's work 
B)  It faithfully recreates the subject from 2 Samuel 11:2-27 
C)  The patron was a wealthy Dutch businessman 
D)  Rembrandt idealizes the appearance of Bathsheba 
A)  It demonstrates the psychological depth of the artist's work 
B)  It faithfully recreates the subject from 2 Samuel 11:2-27 
C)  The patron was a wealthy Dutch businessman 
D)  Rembrandt idealizes the appearance of Bathsheba

Question 9

Rubens was distinguished among seventeenth century Flemish artists by his habit of completing all of his paintings by himself.

Accepted Answer

A) True 
 B)False

Which would be concerned with a theme of Vanitas?

Rembrandt was a versatile artist who worked both in painting and:

What artist etched more than 20 self-portraits, including Self-Portrait with Cap, Open Mouthed?

Discuss the Baroque elements and influences in Rembrandt's Hundred Guilder Print. How would you relate this work to paintings by Caravaggio?

For both Flanders and Holland, discuss how each area was ruled and what were the available and predominant sources of artistic patronage. How did political and social conditions have an impact on the arts in these two areas?

All of the following are common specializations associated with the Dutch Baroque painters EXCEPT:

What does a comparison of Rembrandt's The Night Watch and Vermeer's Woman Holding a Balance tell us about Dutch society in the 17th century?

Which of the following is true about Rembrandt's Bathsheba with King David's Letter?

Rubens was distinguished among seventeenth century Flemish artists by his habit of completing all of his paintings by himself.

Prehistoric Art

Ancient Near Eastern Art

Egyptian Art

Aegean Art

Greek Art

Etruscan Art

Roman Art

Jewish, Early Christian, and Byzantine Art

Islamic Art

Early Medieval Art

Romanesque Art

Gothic Art

Art in Thirteenth- and Fourteenth-Century Italy

Artistic Innovations in Fifteenth-Century Northern Europe

The Early Renaissance in Fifteenth-Century Italy

The High Renaissance in Italy, 1495-1520

The Late Renaissance and Mannerism in Sixteenth-Century Italy

Renaissance and Reformation Throughout Sixteenth-Century Europe

The Baroque in Italy and Spain

The Baroque in France and England

The Rococo

Art in the Age of the Enlightenment, 1750-1789

Art in the Age of the Romanticism, 1789-1848

The Age of Positivism

Progress and Its Discontents: Post-Impressionism, Symbolism, and Art Nouveau, 1880-1905

Toward Abstraction: the Modernist Revolution, 1905-1914

Art Between the Wars

Postwar to Postmodern, 1945-1980

The Postmodern Era: Art Since 1980

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Exam 20: The Baroque in the Netherlands

Which would be concerned with a theme of Vanitas?

Rembrandt was a versatile artist who worked both in painting and:

What artist etched more than 20 self-portraits, including Self-Portrait with Cap, Open Mouthed?

Discuss the Baroque elements and influences in Rembrandt's Hundred Guilder Print. How would you relate this work to paintings by Caravaggio?

For both Flanders and Holland, discuss how each area was ruled and what were the available and predominant sources of artistic patronage. How did political and social conditions have an impact on the arts in these two areas?

All of the following are common specializations associated with the Dutch Baroque painters EXCEPT:

What does a comparison of Rembrandt's The Night Watch and Vermeer's Woman Holding a Balance tell us about Dutch society in the 17th century?

Which of the following is true about Rembrandt's Bathsheba with King David's Letter?

Rubens was distinguished among seventeenth century Flemish artists by his habit of completing all of his paintings by himself.

Prehistoric Art

Ancient Near Eastern Art

Egyptian Art

Aegean Art

Greek Art

Etruscan Art

Roman Art

Jewish, Early Christian, and Byzantine Art

Islamic Art

Early Medieval Art

Romanesque Art

Gothic Art

Art in Thirteenth- and Fourteenth-Century Italy

Artistic Innovations in Fifteenth-Century Northern Europe

The Early Renaissance in Fifteenth-Century Italy

The High Renaissance in Italy, 1495-1520

The Late Renaissance and Mannerism in Sixteenth-Century Italy

Renaissance and Reformation Throughout Sixteenth-Century Europe

The Baroque in Italy and Spain

The Baroque in France and England

The Rococo

Art in the Age of the Enlightenment, 1750-1789

Art in the Age of the Romanticism, 1789-1848

The Age of Positivism

Progress and Its Discontents: Post-Impressionism, Symbolism, and Art Nouveau, 1880-1905

Toward Abstraction: the Modernist Revolution, 1905-1914

Art Between the Wars

Postwar to Postmodern, 1945-1980

The Postmodern Era: Art Since 1980

Filters