Exam 4: Depth and Movement in the Frame

A convention of motion pictures, this is when there is a shallow depth of field and the focus plane is shifted, which, for example, might shift attention from a subject in the foreground to one in the background.

In a reflexive documentary, the director is an invisible hand guiding the narrative.

The animating of text and other graphics is called

When two subjects are at different distances from the camera, but both far away,

Wide angle lenses

Rudolf Arnheim thought that movement was not an accurate term to describe still images.

The best way to create the effect of a camera moving closer to a subject is to zoom in with the lens.

When a camera pans and tilts, the mount or operator

Blocking the talent is when actors are kept off-set while the crew perfects the lighting.

When producing animation, once key frames are plotted out, the in-between frames are filled in with a process called

Traditional 3D glasses use

Direct cinema is a lot like Europe's cinema verité.

Directed tension is a term that describes

When the director plans the movement of subjects relative to the camera, it is called

The illusion of depth is

Traditional video technology in the United States operates at

When an actor puts on a suit and acts out a scene that will be used in an animated movie, we call that

No matter how you position objects, it won't change the flatness of the image.

Handheld camera work, when done well, can

With two-dimensional media, a maker must create an illusion of depth.