Exam 9: Digital Scopes
Exam 1: Introduction10 Questions
Exam 2: Creating a Video Image10 Questions
Exam 3: Video Scanning9 Questions
Exam 4: Synchronizing Signals10 Questions
Exam 5: The Transmitted Signal10 Questions
Exam 6: Color Video10 Questions
Exam 7: Monitoring the Image10 Questions
Exam 8: Signal Monitoring10 Questions
Exam 9: Digital Scopes10 Questions
Exam 10: The Encoded Signal10 Questions
Exam 11: Digital Theory10 Questions
Exam 12: Television Standards10 Questions
Exam 13: High Definition Video10 Questions
Exam 14: Compression10 Questions
Exam 15: Mpeg Compression10 Questions
Exam 16: Audio for Video10 Questions
Exam 17: Metadata and Timecode9 Questions
Exam 18: Video Workflows and Computer Networking10 Questions
Exam 19: Managing Video Files10 Questions
Exam 20: Recording and Storage Formats10 Questions
Exam 21: Streaming Media10 Questions
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The digital waveform monitor display that shows individual color channels one
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The display, often used in image editing programs,
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C
On a digital vectorscope, one useful marker is the line from the center of the scope that extends to the upper left, between the yellow and red vectors. This
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B
The display is used to show whether or not colors are within the legal gamut or range.
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Generally adjustments made to produce the best possible, technically correct image are considered Color Grading.
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Many video content creators don't need stand alone scope displays because they are built into the software applications on their computers.
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When making adjustments using scopes remember that adjustments made to the white levels can also influence the dark parts of the image.
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Unlike the older analog waveform monitors marked in IRE units, the scale on
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One disadvantage of software-based scopes is that they cannot show the color they are representing in their display.
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