Question 1

What is a natural-sounding mic position for an acoustic bass?

Accepted Answer

A)  One mic a few inches under the bridge, and another near the plucking fingers. 
B)  Near an f-hole. 
C)  There is none; use a pickup instead. 
D)  Near the player's ear. 
A)  One mic a few inches under the bridge, and another near the plucking fingers. 
B)  Near an f-hole. 
C)  There is none; use a pickup instead. 
D)  Near the player's ear.

Question 2

A popular studio technique for miking the lead vocal is _________________.

Accepted Answer

A)  Use a handheld mic to simulate a live performance. 
B)  Use a lavalier mic so the singer can move around 
C)  Use an SDC 4 inches away with a foam windscreen. 
D)  use an LCD 8 inches away with a pop filter. 
A)  Use a handheld mic to simulate a live performance. 
B)  Use a lavalier mic so the singer can move around 
C)  Use an SDC 4 inches away with a foam windscreen. 
D)  use an LCD 8 inches away with a pop filter.

What is a natural-sounding mic position for an acoustic bass?

A popular studio technique for miking the lead vocal is _________________.

The Recording Process

Sound and Psychoacoustics

Studio Acoustics; Signal Characteristics of Audio Devices

Equipping Your Studio

Monitoring

Microphones

Mic Technique Basics

Equalisation

Effects and Signal Processors

Mixers

Digital Audio

Computer Recording

Daw Operation

Judging Sound Quality

Midi and Loops

Session Procedures

Mastering and Cd Burning

On-Location Recording of Popular Music

On-Location Recording of Classical Music

Web Audio, Streaming and Online Collaboration

Appendix A: DB or Not DB

Appendix B: Optimizing Your Computer for Multitrack Recording

Appendix C: Impedance

Appendix D: Phantom Power; Legacy Recording Devices, AUDIO GLOSARRY

Filters

Exam 8: Microphone Techniques

What is a natural-sounding mic position for an acoustic bass?

A popular studio technique for miking the lead vocal is _________________.

The Recording Process

Sound and Psychoacoustics

Studio Acoustics; Signal Characteristics of Audio Devices

Equipping Your Studio

Monitoring

Microphones

Mic Technique Basics

Equalisation

Effects and Signal Processors

Mixers

Digital Audio

Computer Recording

Daw Operation

Judging Sound Quality

Midi and Loops

Session Procedures

Mastering and Cd Burning

On-Location Recording of Popular Music

On-Location Recording of Classical Music

Web Audio, Streaming and Online Collaboration

Appendix A: DB or Not DB

Appendix B: Optimizing Your Computer for Multitrack Recording

Appendix C: Impedance

Appendix D: Phantom Power; Legacy Recording Devices, AUDIO GLOSARRY

Filters