Exam 24: Appendix C: Impedance
Exam 1: The Recording Process9 Questions
Exam 2: Sound and Psychoacoustics13 Questions
Exam 3: Studio Acoustics; Signal Characteristics of Audio Devices7 Questions
Exam 4: Equipping Your Studio20 Questions
Exam 5: Monitoring9 Questions
Exam 6: Microphones17 Questions
Exam 7: Mic Technique Basics15 Questions
Exam 8: Microphone Techniques22 Questions
Exam 9: Equalisation8 Questions
Exam 10: Effects and Signal Processors17 Questions
Exam 11: Mixers21 Questions
Exam 12: Digital Audio24 Questions
Exam 13: Computer Recording24 Questions
Exam 14: Daw Operation17 Questions
Exam 15: Judging Sound Quality15 Questions
Exam 16: Midi and Loops19 Questions
Exam 17: Session Procedures8 Questions
Exam 18: Mastering and Cd Burning12 Questions
Exam 19: On-Location Recording of Popular Music18 Questions
Exam 20: On-Location Recording of Classical Music12 Questions
Exam 21: Web Audio, Streaming and Online Collaboration15 Questions
Exam 22: Appendix A: DB or Not DB6 Questions
Exam 23: Appendix B: Optimizing Your Computer for Multitrack Recording11 Questions
Exam 24: Appendix C: Impedance11 Questions
Exam 25: Appendix D: Phantom Power; Legacy Recording Devices, AUDIO GLOSARRY7 Questions
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If you wire two 8-ohm speakers in parallel to an amplifier output, the amplifier "sees" ________.
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A bridging load impedance is _______________.
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D
To match a high-impedance electrical guitar to a low-impedance mic input, use _____________.
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B
Connecting a high-Z source to a low-Z load results in ______________.
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What happens if you connect two or more signal sources to one input?
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To connect a phantom-powered mic with an XLR connector to a mixer with a phone-jack input, use __________.
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