Exam 1: The Beginnings of Architecture
Exam 1: The Beginnings of Architecture26 Questions
Exam 2: The Greek World28 Questions
Exam 3: The Architecture of Ancient India and Southeast Asia28 Questions
Exam 4: The Traditional Architecture of China and Japan28 Questions
Exam 5: The Roman World26 Questions
Exam 6: Early Christian and Byzantine Architecture26 Questions
Exam 7: Islamic Architecture27 Questions
Exam 8: Early Medieval and Romanesque Architecture30 Questions
Exam 9: Gothic Architecture29 Questions
Exam 10: Indigenous Architecture in the Americas and Africa29 Questions
Exam 11: Renaissance Architecture39 Questions
Exam 12: Baroque Architecture29 Questions
Exam 13: Neo-Classicism, Romanticism, and the Rococo31 Questions
Exam 14: Eclecticism, Industrialization, and Newness38 Questions
Exam 15: The Twentieth Century and Modernism32 Questions
Exam 16: Modernism in the Mid- and Late Twentieth Century and Beyond31 Questions
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The White Temple of Uruk was called so because its exterior was:
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C
All of the following civilizations operated in Mesopotamia EXCEPT the:
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B
The orientation of the passageway at Newgrange seems to have been based on:
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B
Which of the following is true about the funerary complex of Queen Hatshepsut?
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Compare and contrast the planning and construction of Stonehenge and the Newgrange passage grave in County Meath, Ireland.
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Which of the following statements is true of the Acropolis in Tepe Gawra, Sumer (Iraq)?
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The principal building material for Mesopotamian ziggurats was:
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The Djoser pyramid was unique in the Old Kingdom in that it was:
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In the context of the architecture in ancient Egypt, monumental masonry entrance gates or ________ lined processional routes to represent the eastern mountains of Egypt through which the divine early-morning sunlight emanated.
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The ancient Egyptians saw life as a journey, somewhat like a trip down the Nile. As a metaphor for this journey, they created sequential architectural experiences. Discuss the sequences found in a pyramid complex or the Temple of Queen Hatshepsut or the Great Temple of Amun.
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At Persepolis, the Persians borrowed from Egyptian artistic traditions by using:
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