Exam 2: Art of the Ancient Near East
Exam 1: Prehistoric Art in Europ97 Questions
Exam 2: Art of the Ancient Near East84 Questions
Exam 3: Art of Ancient Egypt108 Questions
Exam 4: Art of the Ancient Aegean75 Questions
Exam 5: Art of Ancient Greece131 Questions
Exam 6: Etruscan and Roman Art113 Questions
Exam 7: Jewish and Early Christian Art58 Questions
Exam 8: Byzantine Art60 Questions
Exam 9: Islamic Art87 Questions
Exam 10: Art of South and Southeast Asia Before 120078 Questions
Exam 11: Chinese and Korean Art Before 127979 Questions
Exam 12: Japanese Art Before 133354 Questions
Exam 13: Art of the Americas Before 130066 Questions
Exam 14: Early African Art59 Questions
Exam 15: Early Medieval Art in Europe64 Questions
Exam 16: Romanesque Art89 Questions
Exam 17: Gothic Art of the Twelfth and Thirteenth Centuries76 Questions
Exam 18: Fourteenth-century Art in Europe81 Questions
Exam 19: Fifteenth-century Art in Northern Europe92 Questions
Exam 20: Renaissance Art in Fifteenth-century Italy86 Questions
Exam 21: Sixteenth-century Art in Italy91 Questions
Exam 22: Sixteenth-century Art in Northern Europe and the Iberian Peninsula88 Questions
Exam 23: Seventeenth-century Art in Europe89 Questions
Exam 24: Art of South and Southeast Asia After 120088 Questions
Exam 25: Chinese and Korean Art After 127989 Questions
Exam 26: Japanese Art After 133387 Questions
Exam 27: Art of the Americas After 130086 Questions
Exam 28: Art of Pacific Cultures86 Questions
Exam 29: Art of Africa in the Modern Era86 Questions
Exam 30: Eighteenth- and Early-nineteenth Century Art in Europe and North America93 Questions
Exam 31: Mid-to Late Nineteenth-century Art in Europe and the United States85 Questions
Exam 32: Modern Art in Europe and the Americas, 1900-195096 Questions
Exam 33: The International Scene Since 195086 Questions
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What is the subject of the register scenes of The Great Lyre with Bull's Head?
(Short Answer)
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The image of Gudea, the ruler of Lagash, is well known to students of Near Eastern art because of the twenty surviving ____________________that he commissioned.
(Multiple Choice)
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Along with shell and wood the materials ________ and ______ were used to sculpt the elaborate bull head on a lyre found at a royal tomb in Ur.
(Multiple Choice)
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Sumerian votive figures possess __________that reflect Mesopotamian devotional beliefs.
(Multiple Choice)
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Most of the buildings in Kalhu were built from __________ and covered with limestone and alabaster.
(Multiple Choice)
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The Greeks called __________ the "land between the rivers."
(Multiple Choice)
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What are some of the conventions of the Sumerian votive figure?
(Short Answer)
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To keep business records, the Sumerians pressed a __________ into clay tablets to produce cuneiform writing.
(Multiple Choice)
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Relief sculptures like Darius and Xerxes Receiving Tribute at Persepolis would have originally been _____________and included details in gold leaf.
(Multiple Choice)
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Which of the following materials was NOT used in the Great Lyre with Bull's Head ?
(Multiple Choice)
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Naram-Sin is represented ____________, equating male vigor with power and heroism.
(Multiple Choice)
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Inlaid images on the sound box of the Great Lyre with Bull's Head creates an intriguing relationship to _________.
(Multiple Choice)
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Choose three objects discussed in Chapter 2 to explain how Mesopotamian art reflects the region's history and cultural beliefs.
(Essay)
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A Near East devotional practice was to set up __________ in a shrine before an image of a god.
(Multiple Choice)
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The ____________, which Darius built at Persepolis, was large enough to hold several thousand people.
(Multiple Choice)
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How was the imperial complex at Persepolis laid out and how did it develop?
(Essay)
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Their tolerance of ___________ won the Persians the loyalty of their subjects.
(Multiple Choice)
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