Question 1

The evidence is clear that movies were invented by

Accepted Answer

A) Thomas Edison. 
B) Georges Méliès. 
C) many people . 
D) unknown. 
A) Thomas Edison. 
B) Georges Méliès. 
C) many people . 
D) unknown.

Question 2

In what ways did or did not the Lumière brothers of France create narratives in their "30-second" movies?

Accepted Answer

The Lumière brothers, Auguste and Louis,

Question 3

All of the following is true Edwin Porter's The Great Train Robbery except

Accepted Answer

A) it uses pans. 
B) it has hand tinted color. 
C) it uses a matte shot. 
D) none of the above. 
A) it uses pans. 
B) it has hand tinted color. 
C) it uses a matte shot. 
D) none of the above.

Question 4

The primary strength of Edwin Porter's The Great Train Robbery is that Porter

Accepted Answer

A) told the story visually. 
B) told the story in 14 scenes. 
C) used realist painted back drops. 
D) mixed violence and romance. 
A) told the story visually. 
B) told the story in 14 scenes. 
C) used realist painted back drops. 
D) mixed violence and romance.

Question 5

What were the two problems Norman Raff and others had to solve to project films "on a wall" successfully?

Accepted Answer

Norman Raff, along with his business par

Question 6

Matching
-Edwin S.Porter ___

Accepted Answer

A) a machine that passed a continuous loop of film of a series of rollers and in front of a prefocused lens 
B) uses images on cardboard which are mounted consecutively on a wheel: a flip-card device 
C) shot and edited him movies as he did because it seemed the best way to tell a story 
D) kept movies alive and evolving,but enslaved and cheapened them: movies were then called "chasers" 
E) developed a machine that worked visually with Edison's phonograph
F)used fade outs,dissolves,double exposures,etc.in his tableaux fantastiques
G)solved the problem of film breaking by leaving slack in the film at the top and bottom of the film gate
H)a surreal production from the Edison studio using hand-held shots and double exposures,etc.
I)Armat's and Raff's prototype for the modern movie projector
J)desired a painting to be a living thing 
A) a machine that passed a continuous loop of film of a series of rollers and in front of a prefocused lens 
B) uses images on cardboard which are mounted consecutively on a wheel: a flip-card device 
C) shot and edited him movies as he did because it seemed the best way to tell a story 
D) kept movies alive and evolving,but enslaved and cheapened them: movies were then called "chasers" 
E) developed a machine that worked visually with Edison's phonograph
F)used fade outs,dissolves,double exposures,etc.in his tableaux fantastiques
G)solved the problem of film breaking by leaving slack in the film at the top and bottom of the film gate
H)a surreal production from the Edison studio using hand-held shots and double exposures,etc.
I)Armat's and Raff's prototype for the modern movie projector
J)desired a painting to be a living thing

Question 7

Initially,commercially available films only lasted about 30 seconds because the fierce jerking movement of the feed mechanism tended to break filmstrips when they were more than fifty to one hundred feet.___

Accepted Answer

A) True 
 B)False

Question 8

What were some of the ways that Edwin Porter contributed to the development of film "grammar" ?

Accepted Answer

Edwin S. Porter, an early American film

Question 9

The Vitascope,in all essential respects,proved to be the prototype for the modern movie projector.___

Accepted Answer

A) True 
 B)False

Question 10

In "The Kiss" (1896),what two things startled audiences?

Accepted Answer

A) The closeness of the subjects and the lasciviousness of the kiss 
B) The film technique and the beauty of the subjects 
C) The fact that the woman's eyes are open,and she appears to be talking 
D) none of the above 
A) The closeness of the subjects and the lasciviousness of the kiss 
B) The film technique and the beauty of the subjects 
C) The fact that the woman's eyes are open,and she appears to be talking 
D) none of the above

Question 11

Why is George Méliès considered the father of special effects?

Accepted Answer

George Méliès is often referred to as th

Question 12

What did films need in addition to "white magic"?

Accepted Answer

A) More money 
B) Better casts 
C) Storytelling 
D) Bigger audiences 
A) More money 
B) Better casts 
C) Storytelling 
D) Bigger audiences

Question 13

Many of George Méliès' special effect techniques were the result of careful study and design,not fortunate accidents.___

Accepted Answer

A) True 
 B)False

Question 14

In what ways did vaudeville/ music halls support the development of movies?

Accepted Answer

Vaudeville and music halls played a sign

Question 15

Matching
-Da Vinci ___

Accepted Answer

A) a machine that passed a continuous loop of film of a series of rollers and in front of a prefocused lens 
B) uses images on cardboard which are mounted consecutively on a wheel: a flip-card device 
C) shot and edited him movies as he did because it seemed the best way to tell a story 
D) kept movies alive and evolving,but enslaved and cheapened them: movies were then called "chasers" 
E) developed a machine that worked visually with Edison's phonograph
F)used fade outs,dissolves,double exposures,etc.in his tableaux fantastiques
G)solved the problem of film breaking by leaving slack in the film at the top and bottom of the film gate
H)a surreal production from the Edison studio using hand-held shots and double exposures,etc.
I)Armat's and Raff's prototype for the modern movie projector
J)desired a painting to be a living thing 
A) a machine that passed a continuous loop of film of a series of rollers and in front of a prefocused lens 
B) uses images on cardboard which are mounted consecutively on a wheel: a flip-card device 
C) shot and edited him movies as he did because it seemed the best way to tell a story 
D) kept movies alive and evolving,but enslaved and cheapened them: movies were then called "chasers" 
E) developed a machine that worked visually with Edison's phonograph
F)used fade outs,dissolves,double exposures,etc.in his tableaux fantastiques
G)solved the problem of film breaking by leaving slack in the film at the top and bottom of the film gate
H)a surreal production from the Edison studio using hand-held shots and double exposures,etc.
I)Armat's and Raff's prototype for the modern movie projector
J)desired a painting to be a living thing

Question 16

Which of the following is true about the Lumière brothers?

Accepted Answer

A) They made brief movies of realistic events like three old men playing cards 
B) They used light,hand-cranked projectors 
C) They made the best equipment of the day 
D) all of the above 
A) They made brief movies of realistic events like three old men playing cards 
B) They used light,hand-cranked projectors 
C) They made the best equipment of the day 
D) all of the above

Question 17

Edwin Porter's The Great Train Robbery (1903)took more steps in the developing grammar of film.___

Accepted Answer

A) True 
 B)False

Question 18

Around 1910,films were becoming more dramatically complicated,and films like Méliès' fantasies seemed increasingly passé.___

Accepted Answer

A) True 
 B)False

Question 19

Why would George Méliès feel right at home today at Pixar,Disney,or Dreamworks?

Accepted Answer

George Méliès, a pioneering French filmm

Question 20

Edison decided to make a projection machine called a "kinetoscope" which

Accepted Answer

A) allowed only one person at a time to watch a brief loop of film. 
B) he copyrighted for an additional $15. 
C) William Dickson actually invented. 
D) became his primary engineering focus over such things as the electric storage battery and talking doll. 
A) allowed only one person at a time to watch a brief loop of film. 
B) he copyrighted for an additional $15. 
C) William Dickson actually invented. 
D) became his primary engineering focus over such things as the electric storage battery and talking doll.

Exam 1: Beginnings

The evidence is clear that movies were invented by

In what ways did or did not the Lumière brothers of France create narratives in their "30-second" movies?

All of the following is true Edwin Porter's The Great Train Robbery except

The primary strength of Edwin Porter's The Great Train Robbery is that Porter

What were the two problems Norman Raff and others had to solve to project films "on a wall" successfully?

Matching -Edwin S.Porter ___

Initially,commercially available films only lasted about 30 seconds because the fierce jerking movement of the feed mechanism tended to break filmstrips when they were more than fifty to one hundred feet.___

What were some of the ways that Edwin Porter contributed to the development of film "grammar" ?

The Vitascope,in all essential respects,proved to be the prototype for the modern movie projector.___

In "The Kiss" (1896),what two things startled audiences?

Why is George Méliès considered the father of special effects?

What did films need in addition to "white magic"?

Many of George Méliès' special effect techniques were the result of careful study and design,not fortunate accidents.___

In what ways did vaudeville/ music halls support the development of movies?

Matching -Da Vinci ___

Which of the following is true about the Lumière brothers?

Edwin Porter's The Great Train Robbery (1903)took more steps in the developing grammar of film.___

Around 1910,films were becoming more dramatically complicated,and films like Méliès' fantasies seemed increasingly passé.___

Why would George Méliès feel right at home today at Pixar,Disney,or Dreamworks?

Edison decided to make a projection machine called a "kinetoscope" which

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American Cinema in the 1920s

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The Hollywood Studio System: 1925-1955

American Cinema in the 1930s

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American Cinema in the 1950s

International Cinema in the 1950s

American Cinema in the 1960s

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American Cinema in the 1970s

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American Cinema in the 1980s

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American Cinema in the 1990s

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