Exam 2: What Is Art
Exam 1: Living With Art31 Questions
Exam 2: What Is Art35 Questions
Exam 3: Themes of Art36 Questions
Exam 4: The Visual Elements31 Questions
Exam 5: Principles of Design40 Questions
Exam 6: Drawing26 Questions
Exam 7: Painting26 Questions
Exam 8: Prints25 Questions
Exam 9: Camera and Computer Arts33 Questions
Exam 10: Graphic Design27 Questions
Exam 11: Sculpture and Installation32 Questions
Exam 12: Arts of Ritual and Daily Life28 Questions
Exam 13: Architecture30 Questions
Exam 14: Ancient Mediterranean Worlds35 Questions
Exam 15: Christianity and the Formation of Europe31 Questions
Exam 16: The Renaissance29 Questions
Exam 17: The 17th and 18th Centuries32 Questions
Exam 18: Arts of Islam and of Africa32 Questions
Exam 19: Arts of East Asia - India, China, and Japan29 Questions
Exam 20: Arts of the Pacific and of the Americas31 Questions
Exam 21: The Modern World, 1800-194533 Questions
Exam 22: From Modern to Postmodern34 Questions
Exam 23: Opening up to the World19 Questions
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If a work of art is faithful to our visual experience, its style is:
(Multiple Choice)
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The field of philosophy called aesthetics asks the question:
(Multiple Choice)
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Representational art with an approach to naturalism covers:
(Multiple Choice)
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Fisherman's Cottage on the Cliffs at Varengeville was painted by:
(Multiple Choice)
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Compare and contrast Matisse's two paintings Piano Lesson and Music Lesson, addressing the abstract qualities of each, the presentation of the content, and how the objects presented in the paintings inform directly or indirectly the content of the paintings.
(Essay)
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To discover why the sculptor of the Amida Nyorai depicted the subject with elongated earlobes, specific hand gestures, and a bun atop his head requires the use of:
(Multiple Choice)
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After much study of the Arnolfini Double Portrait, experts agree that:
(Multiple Choice)
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Consider Jan van Eyck's painting Arnolfini Double Portrait. Discuss three symbols within it that reveal the possible iconography of the work. Then explain an alternate interpretation of the work relating to the meaning of the same objects.
(Essay)
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Discuss how the artist Louise Bourgeois rejected traditional art education and explored alternative paths to create a career that spanned decades. Include her personal influences and public attention, and how she came to terms with life through her art.
(Essay)
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During the Renaissance in Western Europe, ________ came to be regarded as the more elevated of the arts.
(Multiple Choice)
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Identify and explain three reasons that an artist would elect to present content through abstract or nonrepresentational form, referring to a different work or artist as an example for each of the reasons you have identified.
(Essay)
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Cite and describe four works representing each of these categories: representational, abstract, trompe l'oeil, and nonrepresentational. For each of the works you select explain what the artist communicated through the form of his or her artwork.
(Essay)
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Consider the following works, included in this chapter of the text, and discuss each artist's style and treatment of the subject: Utamaro's Hairdressing, from Twelve Types of Women's Handicraft, and Degas's Nude Woman Having Her Hair Combed.
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