Exam 13: Materialism: the Industrial Era and the Urban Scene
Exam 1: Origins: the First Civilizations26 Questions
Exam 2: Classicism: the Greek Legacy25 Questions
Exam 3: Empire: the Power and Glory of Rome24 Questions
Exam 4: Revelation: the Flowering of World Religions26 Questions
Exam 5: Synthesis: the Rise of the West25 Questions
Exam 6: Christendom: Europe in the Age of Faith26 Questions
Exam 7: Rebirth: the Age of the Renaissance25 Questions
Exam 8: Reform: the Northern Renaissance and the Reformation28 Questions
Exam 9: Encounter: European Outreach and Expansion26 Questions
Exam 10: Baroque: Piety and Extravagance26 Questions
Exam 11: Enlightenment: Science and the New Learning28 Questions
Exam 12: Romanticism: Nature, Passion, and the Sublime28 Questions
Exam 13: Materialism: the Industrial Era and the Urban Scene26 Questions
Exam 14: Modernism: the Assault on Tradition27 Questions
Exam 15: Globalism: Information, Communication, and the Digital Revolution25 Questions
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The turn from Romanticism to literary Realism is evident in the novels of
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The movement known as Impressionism took its title from a painting by
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Which of the following items was NOT an innovation of the nineteenth century?
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Which landmarks would you consider most representative of late nineteenth-century Western culture, the so-called, "Age of Materialism"?
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The artist who became infatuated with unspoiled nature, especially as it existed in Tahiti (where he relocated after abandoning his job and family), was
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How did advancing technology affect the arts of the late nineteenth century?
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The names Matthew Brady and Eadweard Muybridge are associated with
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The most important new medium in mid-nineteenth-century architecture was
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The artist who wished to "redo nature after Poussin," and whose later work anticipated twentieth-century abstract art, was
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The Naturalistic novels of Zola were grounded in his belief that human beings were
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Late nineteenth-century colonialism had as its primary motivating force the need
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What were the principal subjects and themes of nineteenth-century Realists? Were these shared by both writers and visual artists? How did these subjects and themes differ from those favored by the Impressionists and Postimpressionists?
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Japanese prints had the greatest influence on late-nineteenth-century European
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Which of the following authors was credited with inventing the modern novel with his Madame Bovary?
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A major factor in bringing non-Western cultures to the attention of Europeans was
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In the Communist Manifesto, Marx and Engels prophesized that a revolution would make the ________ the new ruling class.
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For their subject matter, the Impressionist painters drew largely on
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