Deck 10: Creative Strategy and the Creative Process
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Deck 10: Creative Strategy and the Creative Process
1
Fact-based thinkers tend to be linear thinkers and prefer to have facts and figures-hard data-they can analyze and control.
True
Explanation: People whose preferred style of thinking is fact-based tend to fragment concepts into components and to analyze situations to discover the one best solution. Although fact-based people can be creative, they tend to be linear thinkers and prefer to have facts and figures-hard data-they can analyze and control.
Explanation: People whose preferred style of thinking is fact-based tend to fragment concepts into components and to analyze situations to discover the one best solution. Although fact-based people can be creative, they tend to be linear thinkers and prefer to have facts and figures-hard data-they can analyze and control.
2
One method to alleviate creative blocking is to allow the problem to incubate in the subconscious mind.
True
Explanation: When the brain is overloaded with information about a problem, creatives sometimes find it is best to just walk away from it for a while, do something else, and let the unconscious mind mull it over. It rests the brain, lets the problem incubate in the subconscious, and enables better ideas to percolate to the top.
Explanation: When the brain is overloaded with information about a problem, creatives sometimes find it is best to just walk away from it for a while, do something else, and let the unconscious mind mull it over. It rests the brain, lets the problem incubate in the subconscious, and enables better ideas to percolate to the top.
3
The creative brief serves as the creative team's guide for writing and producing the campaign.
True
Explanation: The creative brief is the creative team's guide for writing and producing the campaign.
Explanation: The creative brief is the creative team's guide for writing and producing the campaign.
4
Value-based thinkers find it more difficult to embrace change, conflict, and paradox than fact-based thinkers.
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5
A common technique used by campaigns to inform a consumer is to use word plays and verbal or visual metaphors.
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6
The goal of brainstorming is to eliminate "wrong" ideas.
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7
According to the creative brief used by Leo Burnett, brand character statements are short-term emotional descriptions of the advertising strategy.
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8
Creative fatigue occurs when people in the agency start "thinking like the client," especially if the client is a fact-based thinker.
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9
The difference between a big idea and a strategy is that a big idea describes the direction the IMC message should take while a strategy gives it life.
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10
The Warrior, an imaginary role adopted by creatives, evaluates the results of experimentation and decides which approach is most practical.
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11
The color black is the coldest color with most appeal and is effective for selling frozen foods.
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12
Most ads succeed in creating an impact on the audience because they are either informational or transformational.
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13
In a creative team, the art director develops the verbal message, the copy (words) spoken by the imaginary persona.
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14
The Explorer, an imaginary role adopted by creatives, experiments and plays with a variety of approaches, looking for an original idea.
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15
Creative blocking may occur when people in the agency implement value-based thinking.
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16
People who think in a value-based manner tend to fragment concepts into components and to analyze situations to discover the one best solution.
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17
The commonalities of great ads can be grouped into two dimensions: the ability to break through consumer perceptual barriers and the ability to create "top-of-mind" awareness.
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18
The creative pyramid is a model that can help creative teams convert the advertising strategy and the big idea into the actual physical ad or commercial.
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19
Attention is the first objective of any ad and the fundamental building block in the creative pyramid.
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20
According to the creative brief used by Leo Burnett, a support statement is a brief statement of either the advertising's tone or the long-term character of the brand.
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21
For clients, recognizing a big idea and evaluating it is easier than coming up with one.
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22
A(n) _____ refers to a simple written statement of the most important issues to consider in the development of a campaign: the who, why, what, where, and when.
A)creative brief
B)copy point
C)action plan
D)mission statement
E)narrative message
A)creative brief
B)copy point
C)action plan
D)mission statement
E)narrative message
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23
Which of the following is an example of a negatively originated consumer motive?
A)Sensory gratification
B)Social approval
C)Problem removal
D)Intellectual stimulation
E)Intellectual mastery
A)Sensory gratification
B)Social approval
C)Problem removal
D)Intellectual stimulation
E)Intellectual mastery
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24
The _____ refers to the creative team's guide for writing and producing a campaign.
A)copy platform
B)storyboard
C)copy point
D)message plan
E)rationale
A)copy platform
B)storyboard
C)copy point
D)message plan
E)rationale
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25
In print ads, the headline is often the strongest focal point conceptually as well as visually.
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26
Which of the following is a dimension of a great advertisement?
A)Sensory appeal
B)Audience impact
C)Gross impressions
D)Informational motive
E)Possible exposures
A)Sensory appeal
B)Audience impact
C)Gross impressions
D)Informational motive
E)Possible exposures
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27
A(n) _____ ad uses positive reinforcement to offer a reward and targets consumers with positively originated motives.
A)transactional
B)manipulative
C)informational
D)transformational
E)functional
A)transactional
B)manipulative
C)informational
D)transformational
E)functional
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28
Who is ultimately responsible for the form the final advertising message takes?
A)The art director
B)The creative director
C)The media planner
D)The graphic engineer
E)The copywriter
A)The art director
B)The creative director
C)The media planner
D)The graphic engineer
E)The copywriter
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29
In advertising, creatives refer to:
A)the people (copywriter, ad director, and creative director) who work in the creative department.
B)the elements of the advertising mix that are used in developing a creative strategy.
C)the group of copywriters working in the creative department.
D)the stages in the integration of the visual and nonvisual elements of a creative product.
E)the elements that are chosen in the final version of a creative product.
A)the people (copywriter, ad director, and creative director) who work in the creative department.
B)the elements of the advertising mix that are used in developing a creative strategy.
C)the group of copywriters working in the creative department.
D)the stages in the integration of the visual and nonvisual elements of a creative product.
E)the elements that are chosen in the final version of a creative product.
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30
In the Judge's role, creatives evaluate the value of the big ideas and decide whether to implement, modify, or discard them.
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31
Marketers use _____ appeals that are directed at the consumer's practical, functional need for the product or service.
A)scarcity
B)brand
C)emotional
D)rational
E)snob
A)scarcity
B)brand
C)emotional
D)rational
E)snob
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32
Ads based on negatively originated motives resonate with the audience by being highly _____. They offer relief from some problem.
A)informational
B)transactional
C)emotional
D)transformational
E)rational
A)informational
B)transactional
C)emotional
D)transformational
E)rational
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33
Which of the following members of a creative team is responsible for developing the copy spoken by an imaginary persona?
A)The layout artist
B)The creative director
C)The copywriter
D)The graphics artist
E)The art director
A)The layout artist
B)The creative director
C)The copywriter
D)The graphics artist
E)The art director
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34
In radio, copywriters use sound effects or catchy dialogue.
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35
Which of the following appeals will a marketer use to target a consumer's self-actualization needs?
A)Efficiency in operation or use
B)Dependability in quality
C)Cleanliness
D)Rest or sleep
E)Economy in purchase
A)Efficiency in operation or use
B)Dependability in quality
C)Cleanliness
D)Rest or sleep
E)Economy in purchase
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36
The _____, a member of the creative team, is responsible for the nonverbal aspect of the message, the design, which determines the visual look and intuitive feel.
A)creative director
B)art director
C)publicity expert
D)accounts executive
E)copywriter
A)creative director
B)art director
C)publicity expert
D)accounts executive
E)copywriter
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37
In advertising, the _____ is determined by what a company wants to say and how it wants to say it.
A)product concept
B)message strategy
C)marketing mix
D)market segmentation
E)target audience
A)product concept
B)message strategy
C)marketing mix
D)market segmentation
E)target audience
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38
In the Warrior's role, creatives win territory for big new ideas in a world resistant to change and carry the concept into action.
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39
Which of the following appeals will a marketer use to target a consumer's safety needs?
A)Economy in purchase
B)Simplicity
C)Durability
D)Personal comfort
E)Appetite
A)Economy in purchase
B)Simplicity
C)Durability
D)Personal comfort
E)Appetite
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40
_____ appeals target the consumer's psychological, social, or symbolic needs.
A)Scarcity
B)Humor
C)Emotional
D)Rational
E)Plain
A)Scarcity
B)Humor
C)Emotional
D)Rational
E)Plain
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41
The _____ component of a message strategy includes budgets, scheduling limitations, and mandatories.
A)nonverbal
B)informational
C)verbal
D)technical
E)transformational
A)nonverbal
B)informational
C)verbal
D)technical
E)transformational
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42
Which of the following colors conveys sophistication and high-end merchandise, and is used to stimulate the purchase of expensive products?
A)Brown
B)Black
C)Green
D)Blue
E)Red
A)Brown
B)Black
C)Green
D)Blue
E)Red
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43
According to the creative brief used by Leo Burnett, which of the following refers to a brand character statement?
A)It refers to a specific, concise description of what the brand is supposed to accomplish.
B)It refers to a brief description of the evidence that backs up the brand promise.
C)It refers to short-term emotional descriptions of the brand's advertising strategy.
D)It refers to a long-term description of the enduring values of a brand.
A)It refers to a specific, concise description of what the brand is supposed to accomplish.
B)It refers to a brief description of the evidence that backs up the brand promise.
C)It refers to short-term emotional descriptions of the brand's advertising strategy.
D)It refers to a long-term description of the enduring values of a brand.
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44
According to Roger von Oech, the role of the _____ in the creative process involves searching for new information and paying attention to unusual patterns.
A)Director
B)Warrior
C)Artist
D)Explorer
E)Judge
A)Director
B)Warrior
C)Artist
D)Explorer
E)Judge
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45
Which of the following is a function of the verbal component of a message strategy?
A)It contains guidelines for what the messages should say.
B)It describes the overall nature of the campaign's graphics.
C)It describes the relationship of the graphics to the media in which the message will appear.
D)It mentions the preferred execution approach and mechanical outcome.
E)It includes budget and scheduling limitations.
A)It contains guidelines for what the messages should say.
B)It describes the overall nature of the campaign's graphics.
C)It describes the relationship of the graphics to the media in which the message will appear.
D)It mentions the preferred execution approach and mechanical outcome.
E)It includes budget and scheduling limitations.
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46
A(n) _____ refers to a simple description and explanation of a campaign's overall creative approach-what the campaign says, how it says it, and why.
A)copy point
B)action plan
C)creative brief
D)mission statement
E)rationale
A)copy point
B)action plan
C)creative brief
D)mission statement
E)rationale
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47
Which of the following is true of the nonverbal component of a message strategy?
A)It contains guidelines for what the messages should say.
B)It describes the relationship of the graphics to the media in which the message will appear.
C)It sets down the preferred execution approach and mechanical outcome.
D)It mentions the considerations that affect the choice of words.
E)It defines the relationship of the copy approach to the medium (or media) that will carry the message.
A)It contains guidelines for what the messages should say.
B)It describes the relationship of the graphics to the media in which the message will appear.
C)It sets down the preferred execution approach and mechanical outcome.
D)It mentions the considerations that affect the choice of words.
E)It defines the relationship of the copy approach to the medium (or media) that will carry the message.
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48
Which of the following statements about the psychological impact of color is true?
A)Black conveys sophistication.
B)Yellow is considered to be the "most edible color."
C)Deep violet is associated with energy and heat.
D)Brown is considered a feminine color.
E)Red is considered to be the hottest color with the highest "action quotient."
A)Black conveys sophistication.
B)Yellow is considered to be the "most edible color."
C)Deep violet is associated with energy and heat.
D)Brown is considered a feminine color.
E)Red is considered to be the hottest color with the highest "action quotient."
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49
_____ thinkers tend to fragment concepts into components and to analyze situations to discover the one best solution.
A)Convergent
B)Divergent
C)Fact-based
D)Emotional
E)Value-based
A)Convergent
B)Divergent
C)Fact-based
D)Emotional
E)Value-based
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50
In the creative brief used by Leo Burnett, a(n) _____ refers to a brief description of the evidence that backs up the product promise.
A)support statement
B)objective statement
C)tone statement
D)brand character statement
E)mission statement
A)support statement
B)objective statement
C)tone statement
D)brand character statement
E)mission statement
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51
According to Roger von Oech, the role of the _____ in the creative process involves evaluating the results of experimentation and deciding which approach is most practical.
A)Warrior
B)Explorer
C)Artist
D)Judge
E)Director
A)Warrior
B)Explorer
C)Artist
D)Judge
E)Director
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52
Which of the following helps the creative team sell a campaign concept to account managers and helps the managers explain and defend the creative work to the client?
A)Action plan
B)Copy point
C)Work plan
D)Copy platform
E)Message strategy
A)Action plan
B)Copy point
C)Work plan
D)Copy platform
E)Message strategy
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53
In the creative brief used by Leo Burnett, _____ refer to short-term emotional descriptions of the advertising strategy.
A)mission statements
B)tone statements
C)objective statements
D)support statements
E)brand character statements
A)mission statements
B)tone statements
C)objective statements
D)support statements
E)brand character statements
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54
Which of the following colors is considered a symbol of health and freshness and is popularly used for environmentally friendly products?
A)Brown
B)Blue
C)Green
D)Orange
E)Yellow
A)Brown
B)Blue
C)Green
D)Orange
E)Yellow
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55
In IMC, the ______ refer(s) to the step-by-step procedure used to discover original ideas and reorganize existing concepts in new ways.
A)product concept
B)creative process
C)copy platform
D)advertising pyramid
E)work plan
A)product concept
B)creative process
C)copy platform
D)advertising pyramid
E)work plan
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56
In terms of the technical component of a message strategy, _____ refer(s) to specific requirements such as addresses, logos, and slogans.
A)mandatories
B)rationale
C)work plans
D)copy platforms
E)copy points
A)mandatories
B)rationale
C)work plans
D)copy platforms
E)copy points
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57
According to Roger von Oech, the role of the _____ in the creative process involves experimenting and playing with a variety of approaches, looking for an original idea.
A)Originator
B)Explorer
C)Warrior
D)Judge
E)Artist
A)Originator
B)Explorer
C)Warrior
D)Judge
E)Artist
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58
_____ thinkers make decisions based on intuition and ethical judgments. They are better able to embrace change, conflict, and paradox.
A)Conditioned
B)Functional
C)Fact-based
D)Rational
E)Value-based
A)Conditioned
B)Functional
C)Fact-based
D)Rational
E)Value-based
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59
In the creative brief used by Leo Burnett, a(n) _____ refers to a specific, concise description of what the campaign is supposed to accomplish or what problem it is supposed to solve.
A)support statement
B)tone statement
C)brand character statement
D)objective statement
E)mission statement
A)support statement
B)tone statement
C)brand character statement
D)objective statement
E)mission statement
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60
In terms of IMC, _____ involves combining two or more previously unconnected objects or ideas into something new.
A)stimulus
B)persuasion
C)attitude
D)motivation
E)creativity
A)stimulus
B)persuasion
C)attitude
D)motivation
E)creativity
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61
Which of the following refers to art direction?
A)It is the integration of the efforts of the copywriter and the artist.
B)It involves execution of the step-by-step process outlined in the creative brief.
C)It refers to an entire presentation, including verbal and aural elements.
D)It is the process of managing the visual presentation of a message.
E)It is a technique for transforming concepts into verbal and nonverbal ad components.
A)It is the integration of the efforts of the copywriter and the artist.
B)It involves execution of the step-by-step process outlined in the creative brief.
C)It refers to an entire presentation, including verbal and aural elements.
D)It is the process of managing the visual presentation of a message.
E)It is a technique for transforming concepts into verbal and nonverbal ad components.
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62
According to the creative pyramid, the first objective of any IMC campaign is to:
A)stimulate the prospective customer's interest.
B)attract the prospective customer's attention.
C)make the prospective customer aware of the product category.
D)make the prospective customer aware of the brand name.
E)create a communications medium for the prospective customer.
A)stimulate the prospective customer's interest.
B)attract the prospective customer's attention.
C)make the prospective customer aware of the product category.
D)make the prospective customer aware of the brand name.
E)create a communications medium for the prospective customer.
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63
The term ____ refers to the entire advertising presentation-visual, verbal, and aural.
A)creative brief
B)creativity
C)art
D)mandatories
E)copy
A)creative brief
B)creativity
C)art
D)mandatories
E)copy
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64
_____ refers to a process in which two or more people get together to generate new ideas.
A)Lateral thinking
B)Mind mapping
C)Brainstorming
D)Speed thinking
E)Concept mapping
A)Lateral thinking
B)Mind mapping
C)Brainstorming
D)Speed thinking
E)Concept mapping
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65
_____ may occur when people in an agency start "thinking like the client," especially if the client is a fact-based thinker.
A)Mind mapping
B)Creative blocking
C)Brainstorming
D)Speed thinking
E)Free association
A)Mind mapping
B)Creative blocking
C)Brainstorming
D)Speed thinking
E)Free association
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66
_____ can occur when an agency has served an account for a long time and all the fresh ideas have been worked and reworked.
A)Creative overload
B)Creative fatigue
C)Overextension
D)Groupthink
E)Perceptive interference
A)Creative overload
B)Creative fatigue
C)Overextension
D)Groupthink
E)Perceptive interference
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67
In terms of the Artist's role, a _____ refers to a bold, creative initiative that builds on a strategy, joins the product benefit with consumer desire in a fresh, involving way, brings the subject to life, and makes the audience stop, look, and listen.
A)creative strategy document
B)copy platform
C)work plan
D)big idea
E)skunkworks project
A)creative strategy document
B)copy platform
C)work plan
D)big idea
E)skunkworks project
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68
Which of the following is a way in which copywriters credibly demonstrate that the sponsor understands the prospect?
A)They use the word "you" frequently.
B)They write a long ad copy.
C)They use unusual layouts and vibrant colors.
D)They write three-word headlines.
E)They use independent test results to substantiate product claims.
A)They use the word "you" frequently.
B)They write a long ad copy.
C)They use unusual layouts and vibrant colors.
D)They write three-word headlines.
E)They use independent test results to substantiate product claims.
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69
The purpose of the final step of the creative pyramid, ____, is to motivate people to do something-send in a coupon, visit a Web site, visit the store-or at least to agree with the advertiser.
A)conviction
B)desire
C)action
D)credibility
E)interest
A)conviction
B)desire
C)action
D)credibility
E)interest
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70
In terms of the Artist's role, creating a mental picture of a message is known as _____.
A)brainstorming
B)characterization
C)visualization
D)abstraction
E)lateral thinking
A)brainstorming
B)characterization
C)visualization
D)abstraction
E)lateral thinking
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71
Which of the following is true of creatives in the Explorer role?
A)They search for a key verbal or visual concept and implement it.
B)They experiment and play with a variety of approaches, looking for an original idea.
C)They evaluate the results of experimentation and decide which approach is most practical.
D)They overcome excuses, idea killers, setbacks, and obstacles to bring a creative concept to realization.
E)They review the creative brief and the marketing and advertising plan
A)They search for a key verbal or visual concept and implement it.
B)They experiment and play with a variety of approaches, looking for an original idea.
C)They evaluate the results of experimentation and decide which approach is most practical.
D)They overcome excuses, idea killers, setbacks, and obstacles to bring a creative concept to realization.
E)They review the creative brief and the marketing and advertising plan
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72
Creatives in the _____ must accomplish two major tasks: searching for the big idea and then implementing it.
A)Judge's role
B)Artist's role
C)Creator's role
D)Warrior's role
E)Explorer's role
A)Judge's role
B)Artist's role
C)Creator's role
D)Warrior's role
E)Explorer's role
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Unlock for access to all 100 flashcards in this deck.
Unlock Deck
k this deck
73
The second step in the creative pyramid, _____, carries the prospective customer-now paying attention-to the heart of the message.
A)conviction
B)credibility
C)interest
D)action
E)desire
A)conviction
B)credibility
C)interest
D)action
E)desire
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Unlock for access to all 100 flashcards in this deck.
Unlock Deck
k this deck
74
In the _____ step of the creative pyramid, the copywriter encourages prospects to picture themselves enjoying the benefits of the product or service.
A)credibility
B)conviction
C)attention
D)desire
E)interest
A)credibility
B)conviction
C)attention
D)desire
E)interest
Unlock Deck
Unlock for access to all 100 flashcards in this deck.
Unlock Deck
k this deck
75
According to Roger von Oech, the role of the _____ in the creative process involves overcoming excuses, idea killers, setbacks, and obstacles to bring a creative concept to realization.
A)Warrior
B)Explorer
C)Artist
D)Detractor
E)Judge
A)Warrior
B)Explorer
C)Artist
D)Detractor
E)Judge
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Unlock for access to all 100 flashcards in this deck.
Unlock Deck
k this deck
76
_____ refers to recording any inspiration that comes to mind and is the goal of brainstorming.
A)Free association
B)Speed thinking
C)Mind mapping
D)Lateral thinking
E)Internal monologue
A)Free association
B)Speed thinking
C)Mind mapping
D)Lateral thinking
E)Internal monologue
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Unlock for access to all 100 flashcards in this deck.
Unlock Deck
k this deck
77
The third step in the creative pyramid is to establish _____ for claims about the product or service.
A)credibility
B)desire
C)conviction
D)interest
E)attention
A)credibility
B)desire
C)conviction
D)interest
E)attention
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Unlock for access to all 100 flashcards in this deck.
Unlock Deck
k this deck
78
The _____ is a model that can help convert the advertising strategy and the big idea into the actual physical ad or commercial.
A)creative brief
B)mixed-media approach
C)work plan
D)product concept
E)creative pyramid
A)creative brief
B)mixed-media approach
C)work plan
D)product concept
E)creative pyramid
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Unlock for access to all 100 flashcards in this deck.
Unlock Deck
k this deck
79
The final block of the creative pyramid, _____, reaches the smallest audience but those with the most to gain from the product's utility.
A)desire
B)interest
C)credibility
D)conviction
E)action
A)desire
B)interest
C)credibility
D)conviction
E)action
Unlock Deck
Unlock for access to all 100 flashcards in this deck.
Unlock Deck
k this deck
80
Which of the following is true of attention, the first step of the creative pyramid?
A)It involves carrying the prospective customer to the heart of the message.
B)It involves establishing credibility for claims about the product or service.
C)It involves encouraging prospects to picture themselves enjoying the benefits of the product or service.
D)It involves breaking through consumers' physiological screens.
E)It involves making it easy for people to act, sometimes through either a toll-free phone number or an attractive Web site.
A)It involves carrying the prospective customer to the heart of the message.
B)It involves establishing credibility for claims about the product or service.
C)It involves encouraging prospects to picture themselves enjoying the benefits of the product or service.
D)It involves breaking through consumers' physiological screens.
E)It involves making it easy for people to act, sometimes through either a toll-free phone number or an attractive Web site.
Unlock Deck
Unlock for access to all 100 flashcards in this deck.
Unlock Deck
k this deck