Méret Oppenheim Was Part of an Art Movement That Rejected

Multiple Choice

Méret Oppenheim was part of an art movement that rejected rational, conscious thought. Her fur-lined teacup and saucer, Object, conjures an unexpected and illogical sensation for the viewer by using ________ texture.

A) subversive
B) expected
C) familiar
BOX: The Guggenheim Museum, Bilbao
D) smooth
E) silky