Exam 4: Harmony, Texture, Tonality, and Mode
Exam 1: Rhythm, Meter, and Tempo32 Questions
Exam 2: Pitch,Dynamics,and Tone Color51 Questions
Exam 3: Scales and Melody26 Questions
Exam 4: Harmony, Texture, Tonality, and Mode36 Questions
Exam 5: Musical Form and Musical Style23 Questions
Exam 6: The Middle Ages118 Questions
Exam 7: The Renaissance114 Questions
Exam 8: The Early Baroque Period115 Questions
Exam 9: Prelude: The Late Baroque Period59 Questions
Exam 10: Baroque Instrumental Music76 Questions
Exam 11: Baroque Vocal Music79 Questions
Exam 12: Prelude: Music and the Enlightenment64 Questions
Exam 13: The Symphony73 Questions
Exam 14: Other Classical Genres80 Questions
Exam 15: Beethoven51 Questions
Exam 16: Prelude: Music after Beethoven: Romanticism69 Questions
Exam 17: The Early Romantics104 Questions
Exam 18: Romantic Opera92 Questions
Exam 19: The Late Romantics83 Questions
Exam 20: Prelude: Music and Modernism35 Questions
Exam 21: Early Modernism97 Questions
Exam 22: Modernism between the Wars75 Questions
Exam 23: The Late Twentieth Century83 Questions
Exam 24: Music in America: Jazz and Beyond138 Questions
Exam 25: Musical Notation30 Questions
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Define modality in terms of do and la,and explain the main difference between the major mode and the minor mode.Refer to the diatonic scale in your answer.
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The texture of a single melody played without accompaniment is:
(Multiple Choice)
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A chord that creates a sense of rest or stability can be described as:
(Multiple Choice)
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Define texture.Include a discussion of the three basic types of texture in Western music.
(Essay)
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Define harmony and give some examples of how music can be harmonized.
(Essay)
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The texture that combines two or more individual melody lines simultaneously is:
(Multiple Choice)
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A chord that sounds discordant,unstable,or in need of resolution is called:
(Multiple Choice)
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Define counterpoint.Compare and contrast the terms counterpoint and polyphony,and describe how they are related.
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Music that is centered on a fundamental "home" pitch is described as:
(Multiple Choice)
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Groupings of simultaneous pitches that work well in combination are:
(Multiple Choice)
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Define consonance and dissonance.Describe their relationship to each other.Why is music more interesting when both are present?
(Essay)
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Which mode is formed with the diatonic scale oriented around A (la)?
(Multiple Choice)
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The number of major and minor scales that can be built on the notes of the chromatic scale is:
(Multiple Choice)
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Which scale degree should a listener use to determine the mode of a selection?
(Multiple Choice)
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In contrasting the major and minor modes,how many scale degrees are different? Because of this difference,which scale sounds brighter? Which sounds more subdued? Explain.
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