Exam 2: Form, Volume, Mass, and Texture
Exam 1: Line, Shape, and the Principle of Contrast44 Questions
Exam 2: Form, Volume, Mass, and Texture38 Questions
Exam 3: Implied Depth: Value and Space44 Questions
Exam 4: Color41 Questions
Exam 5: Time and Motion34 Questions
Exam 6: Unity Variety and Balance35 Questions
Exam 7: Scale and Proportion29 Questions
Exam 8: Emphasis and Focal Point25 Questions
Exam 9: Pattern and Rhythm27 Questions
Exam 10: Content and Analysis27 Questions
Exam 11: Drawing55 Questions
Exam 12: Painting53 Questions
Exam 13: Printmaking52 Questions
Exam 14: Sculpture53 Questions
Exam 15: Architecture66 Questions
Exam 16: The Tradition of Craft51 Questions
Exam 17: Visual Communication Design44 Questions
Exam 18: Photography56 Questions
Exam 19: Film, Video, and Digital Art44 Questions
Exam 20: Alternative Media and Processes29 Questions
Exam 21: The Prehistoric and Ancient Mediterranean72 Questions
Exam 22: Art of the Middle Ages48 Questions
Exam 23: Art of India, China, Japan, and Southeast Asia60 Questions
Exam 24: Art of the Americas53 Questions
Exam 25: Art of Africa and the Pacific Islands47 Questions
Exam 26: Art of Renaissance and Baroque Europe: 1400 to 175064 Questions
Exam 27: Art of Europe and America, 1700 to 1865: Rococo to Realism42 Questions
Exam 28: The Modern Aesthetic: Manet in 1863 to the American Scene in the 1930s109 Questions
Exam 29: Late Modern and Contemporary Art: from Abstract Expressionism in the 1940s to the Present Day62 Questions
Exam 30: Art and Community37 Questions
Exam 31: Spirituality and Art44 Questions
Exam 32: Art and the Cycle of Life45 Questions
Exam 33: Art and Science38 Questions
Exam 34: Art and Illusion41 Questions
Exam 35: Art of Political Leaders and Rulers22 Questions
Exam 36: Art, War, and Revolution31 Questions
Exam 37: Art of Social Conscience28 Questions
Exam 38: The Body in Art42 Questions
Exam Identity, Race, and Gender in Art28 Questions
Exam 40: Gateway Features for Gateways to Art63 Questions
Exam 41: Introduction41 Questions
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Forms that tend to be irregular,and similar to naturally occurring objects,are known as ________ forms.
Free
(Multiple Choice)
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Correct Answer:
D
The ________ texture of Anish Kapoor's sculpture Cloud Gate is appealing for viewers to touch.
Free
(Multiple Choice)
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Correct Answer:
A
The spiraling open volume of Vladimir Tatlin's Monument to the Third International was intended to give the design a feeling of ________.
Free
(Multiple Choice)
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Correct Answer:
E
Sculptors Ralph Helmick and Stuart Schechter experimented with open volume when they created this hanging sculpture,installed in the Evanston Public Library in Illinois.
(Multiple Choice)
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These four visual elements of art-form,volume,mass,and texture-are present in ________ works of art.
(Multiple Choice)
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This type of relief,which takes its name from the French word for low,does not imply great depth.
(Multiple Choice)
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Méret Oppenheim was part of an art movement that rejected rational,conscious thought.Her fur-lined teacup and saucer,Object,conjures an unexpected and illogical sensation for the viewer by using ________ texture.
(Multiple Choice)
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In the Roettgen Pietà from fourteenth-century Germany,the shrunken,twisted body of Jesus and the oversized,anguished head of Mary are accentuated for expressive effect.This distortion of the human body,________ form that we can all understand,makes the viewer feel uneasy and impresses on us the suffering of mother and son.
(Multiple Choice)
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In her work Object,a fur-lined teacup and saucer,the Swiss artist Méret Oppenheim employed subversive texture to contradict conscious logical experience.She belonged to the ________ art movement,which drew on ideas and images from dreams and the unconscious mind.
(Multiple Choice)
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An upright stone that has an incised relief on its surface,such as the Maya sculpture (1.2.7),is known as ________.
(Multiple Choice)
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The organic form and abstract quality of Lino Tagliapietra's sculpture,Batman,allow it to express the idea of ________.
(Multiple Choice)
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The artist David Smith created sculptures of geometric forms.In his work Cubi XIX,Smith used the following geometric shapes:
(Multiple Choice)
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Vladimir Tatlin's Monument to the Third International was intended as a heroic symbol commemorating the Bolshevik Revolution in Russia.If it had been built,it would have been much smaller than the Eiffel Tower.
(True/False)
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The element of art that defines the amount of space occupied by an object is ________.
(Multiple Choice)
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This term refers to the substance contained in an object,but it does not necessarily imply weight.
(Multiple Choice)
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A two-dimensional object is called a shape,and a three-dimensional object is known as a ________.
(Multiple Choice)
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________ volume is a space that is enclosed by materials that are not entirely solid.
(Multiple Choice)
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By using ________ texture to contradict previous tactile experience,artists can invite viewers to reconsider the world around them.
(Multiple Choice)
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Because a form exists in "real" space,we can experience it not only visually,but also through our sense of ________.
(Multiple Choice)
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To imply greater depth,the sculptor who created the relief carvings on the outside of the Ara Pacis Augustae carved the figures in the ________ more deeply than those that are in the background,in order to make them stand out more.
(Multiple Choice)
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