Exam 7: Scale and Proportion
Exam 1: Line, Shape, and the Principle of Contrast44 Questions
Exam 2: Form, Volume, Mass, and Texture38 Questions
Exam 3: Implied Depth: Value and Space44 Questions
Exam 4: Color41 Questions
Exam 5: Time and Motion34 Questions
Exam 6: Unity Variety and Balance35 Questions
Exam 7: Scale and Proportion29 Questions
Exam 8: Emphasis and Focal Point25 Questions
Exam 9: Pattern and Rhythm27 Questions
Exam 10: Content and Analysis27 Questions
Exam 11: Drawing55 Questions
Exam 12: Painting53 Questions
Exam 13: Printmaking52 Questions
Exam 14: Sculpture53 Questions
Exam 15: Architecture66 Questions
Exam 16: The Tradition of Craft51 Questions
Exam 17: Visual Communication Design44 Questions
Exam 18: Photography56 Questions
Exam 19: Film, Video, and Digital Art44 Questions
Exam 20: Alternative Media and Processes29 Questions
Exam 21: The Prehistoric and Ancient Mediterranean72 Questions
Exam 22: Art of the Middle Ages48 Questions
Exam 23: Art of India, China, Japan, and Southeast Asia60 Questions
Exam 24: Art of the Americas53 Questions
Exam 25: Art of Africa and the Pacific Islands47 Questions
Exam 26: Art of Renaissance and Baroque Europe: 1400 to 175064 Questions
Exam 27: Art of Europe and America, 1700 to 1865: Rococo to Realism42 Questions
Exam 28: The Modern Aesthetic: Manet in 1863 to the American Scene in the 1930s109 Questions
Exam 29: Late Modern and Contemporary Art: from Abstract Expressionism in the 1940s to the Present Day62 Questions
Exam 30: Art and Community37 Questions
Exam 31: Spirituality and Art44 Questions
Exam 32: Art and the Cycle of Life45 Questions
Exam 33: Art and Science38 Questions
Exam 34: Art and Illusion41 Questions
Exam 35: Art of Political Leaders and Rulers22 Questions
Exam 36: Art, War, and Revolution31 Questions
Exam 37: Art of Social Conscience28 Questions
Exam 38: The Body in Art42 Questions
Exam Identity, Race, and Gender in Art28 Questions
Exam 40: Gateway Features for Gateways to Art63 Questions
Exam 41: Introduction41 Questions
Select questions type
In The School of Athens,Raphael focused our attention on two Greek philosophers positioned in the center of the work.They are ________ and ________.
Free
(Multiple Choice)
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Correct Answer:
C
This type of scale is common in the relief sculpture of ancient Egypt,where it was used to indicate social importance.
Free
(Multiple Choice)
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Correct Answer:
E
This proportional system uses a ratio of 1:1.618.
Free
(Multiple Choice)
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Correct Answer:
E
Compare ancient Greek ideal human proportions with the art of the Yoruba.In your opinion,which culture uses proportions that are most descriptive of the human figure? Why?
(Essay)
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In ancient Egypt,this part of the human body was used as a standard of measurement.Six of these equaled a cubit.
(Multiple Choice)
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In two-dimensional art,this is the area in which an artist creates their work.
(Multiple Choice)
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The kind of scale used for objects that appear larger than they are in real life is called ________ scale.
(Multiple Choice)
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The size relationships between parts of an object,or its ________,affects how a viewer will interpret it.
(Multiple Choice)
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Rectangles based on the Golden Section can be nested inside each other to create an elegant ________.
(Multiple Choice)
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An artist might use a small scale for a portrait of a lover because it implies ________.
(Multiple Choice)
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In his work The School of Athens,this Renaissance artist created figures using the ideal human proportions developed by the ancient Greeks.
(Multiple Choice)
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It does not matter if a sculptor is creating a human statue on a monumental scale,or a figure much smaller than lifesize: if the sculptor applies the ratio of the Golden Section,the sculpture will have naturalistic proportions.
(True/False)
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An artist would probably use distorted scale if he or she wanted to create a lifelike scene that the viewer could relate to.
(True/False)
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When an artist uses scale to indicate the relative importance of elements in a composition,he or she is employing this kind of scale.
(Multiple Choice)
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In traditional African art of the Yoruba tribe,human imagery follows the ideal proportions identified by the ancient Egyptians in palm and hand measurements.
(True/False)
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Photographers cannot be responsible for principles of scale or proportion in their photographs.
(True/False)
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The ancient Greek sculptor who created the bronze known as Poseidon (or Zeus)used this part of the body as a standard unit for proportional measurement in the work.
(Multiple Choice)
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The composition of this photographer's work Fading Away appears to conform to a proportional ratio called the Golden Section.
(Multiple Choice)
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Discuss ways in which photography can mislead viewers about scale or proportion.Find an example where the photographer has made an object seem either bigger or smaller than it would be in real life.What might the photographer's reasons have been for doing this?
(Essay)
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This group of artists sometimes used distorted scale to create dreamlike images that subvert our conscious experiences.
(Multiple Choice)
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