Exam 7: City Imagery
Exam 1: Introduction to Experiencing Cities51 Questions
Exam 2: The Emergence of Cities37 Questions
Exam 3: The Industrial Revolution and the Rise of Urban Sociology39 Questions
Exam 4: Chicago School: Urbanism and Urban Ecology40 Questions
Exam 5: Urban Planning43 Questions
Exam 6: Urban Political Economy, the New Urban Sociology, and the Power of Place56 Questions
Exam 7: City Imagery47 Questions
Exam 8: The Skyscraper As Icon40 Questions
Exam 9: Experiencing Strangers and the Quest for Public Order63 Questions
Exam 10: Seeing Disorder and the Ecology of Fear60 Questions
Exam 11: Urban Communities and Social Policies84 Questions
Exam 12: Families, Gender, and Singles in the City63 Questions
Exam 13: The Consumer City: Shopping and Sports81 Questions
Exam 14: American and Global Suburbanization Patterns67 Questions
Exam 15: Social Capital and the Resilience of Cities59 Questions
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Hutter suggests that Lynch and Wohl and Strauss, in their discussions of the image of the city, do not place enough emphasis on…
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(Multiple Choice)
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Correct Answer:
C
Visual sociologist Camilo Jose Vergara observes that murals…
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(Multiple Choice)
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Correct Answer:
A
By emphasizing the importance of looking at "the city as a work of art," Olsen is stressing that great cities should be appreciated as…
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(Multiple Choice)
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Correct Answer:
A
The Impressionists' paintings of restructured Paris emphasized the city as a site for…
(Multiple Choice)
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One major theme in the paintings of the Ashcan School was their depiction of…
(Multiple Choice)
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One important thing about Philadelphia's murals is that they are permanent and help neighborhoods resist change.
(True/False)
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The radical restructuring of Paris in the mid-nineteenth century is referred to as…
(Multiple Choice)
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Hutter suggests that it is not surprising that one's mental maps or images often overlap with and complement those of others.Why is this?
(Multiple Choice)
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Some commentators argued that the Public Works of Arts Projects (PWAP) of 1933-1943 often resulted in murals that…
(Multiple Choice)
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The decline of Detroit and its emergence as a symbol of devastation is largely due to…
(Multiple Choice)
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Hutter stresses that the imagery of Paris as depicted in art was created through the radical rebuilding of the city.
(True/False)
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When people look at a building, street, neighborhood, or whole city, their impressions are influenced by…
(Multiple Choice)
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In discussing the transformation of Paris in the nineteenth century, Hutter stresses that…
(Multiple Choice)
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The Ashcan School painters were part of the ________ movement in early twentieth-century art and literature.
(Multiple Choice)
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The restructuring of Paris in the mid-nineteenth century involved all but one of the following.Which is NOT one aspect of the restructuring?
(Multiple Choice)
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Along with social reformers and social realist writers, the Ashcan School painters focused on…
(Multiple Choice)
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In this chapter, Hutter considers the work of the Impressionists in Paris and the Ashcan School in New York in emphasizing how images of cities are tied to underlying political, economic, and social factors.Explain how the work of either of the groups of painters illustrates Hutter's argument.
(Essay)
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Although many view graffiti negatively, others see it in a more positive light.How can one look at graffiti positively?
(Essay)
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