Question 1

Matching:
-Also called a bust shot.

Accepted Answer

A) Aspect ratio 
B) Bust shot 
C) Canted angles 
D) Central point of interest 
E) Cinemascope format
F)Closure
G)Composition
H)Extreme Close-Up (ECU)
I)Extreme Long Shot (ELS)
J)Framing
K)Golden mean
L)H&S shot
M)HDTV
N)Knee Shot
O)Leadroom principle
P)Letterbox format
Q)Long Shot (LS)
R)Medium Close-Up (MCU)
S)Medium Long Shot (MLS)
T)Medium Shot (MS)
U)Noseroom
V)NTSC
W)OTS
X)Picture cutoff
Y)Reverse leadroom
Z)Rule of thirds
Aa) Shot Nomenclature
Bb)Two Shot (or three shot) 
A) Aspect ratio 
B) Bust shot 
C) Canted angles 
D) Central point of interest 
E) Cinemascope format
F)Closure
G)Composition
H)Extreme Close-Up (ECU)
I)Extreme Long Shot (ELS)
J)Framing
K)Golden mean
L)H&S shot
M)HDTV
N)Knee Shot
O)Leadroom principle
P)Letterbox format
Q)Long Shot (LS)
R)Medium Close-Up (MCU)
S)Medium Long Shot (MLS)
T)Medium Shot (MS)
U)Noseroom
V)NTSC
W)OTS
X)Picture cutoff
Y)Reverse leadroom
Z)Rule of thirds
Aa) Shot Nomenclature
Bb)Two Shot (or three shot) L

Question 2

Cinemascope's 2.5:1 aspect ratio is wider than Panavision's.

Accepted Answer

A) True 
 B)False  True

Question 3

When films shot in Cinemascope or Panavision are shown on NTSC's 4:3 aspect ratio screens without
Cutting off the left and right sides of the picture, they are usually reduced to format.

Accepted Answer

A)  four-sided 
B)  letterbox 
C)  HDTV 
D)  Todd A-O 
E)  SDTV 
A)  four-sided 
B)  letterbox 
C)  HDTV 
D)  Todd A-O 
E)  SDTV B

Question 4

The shot is purposely composed out of balance: there's an "empty" space left in the shot, often behind the talent's back.

Accepted Answer

A)  leadroom 
B)  reverse leadroom 
C)  headroom 
D)  head and shoulder shot 
E)  none of the above 
A)  leadroom 
B)  reverse leadroom 
C)  headroom 
D)  head and shoulder shot 
E)  none of the above

Question 5

Matching:
-When using a human subject, a shot from approximately six inches above the waist up to slightly above the head.

Accepted Answer

A) Aspect ratio 
B) Bust shot 
C) Canted angles 
D) Central point of interest 
E) Cinemascope format
F)Closure
G)Composition
H)Extreme Close-Up (ECU)
I)Extreme Long Shot (ELS)
J)Framing
K)Golden mean
L)H&S shot
M)HDTV
N)Knee Shot
O)Leadroom principle
P)Letterbox format
Q)Long Shot (LS)
R)Medium Close-Up (MCU)
S)Medium Long Shot (MLS)
T)Medium Shot (MS)
U)Noseroom
V)NTSC
W)OTS
X)Picture cutoff
Y)Reverse leadroom
Z)Rule of thirds
Aa) Shot Nomenclature
Bb)Two Shot (or three shot) 
A) Aspect ratio 
B) Bust shot 
C) Canted angles 
D) Central point of interest 
E) Cinemascope format
F)Closure
G)Composition
H)Extreme Close-Up (ECU)
I)Extreme Long Shot (ELS)
J)Framing
K)Golden mean
L)H&S shot
M)HDTV
N)Knee Shot
O)Leadroom principle
P)Letterbox format
Q)Long Shot (LS)
R)Medium Close-Up (MCU)
S)Medium Long Shot (MLS)
T)Medium Shot (MS)
U)Noseroom
V)NTSC
W)OTS
X)Picture cutoff
Y)Reverse leadroom
Z)Rule of thirds
Aa) Shot Nomenclature
Bb)Two Shot (or three shot)

Question 6

Matching:
-A way to present a wide-screen format film on television without chopping off the left and right sides of the picture.

Accepted Answer

A) Aspect ratio 
B) Bust shot 
C) Canted angles 
D) Central point of interest 
E) Cinemascope format
F)Closure
G)Composition
H)Extreme Close-Up (ECU)
I)Extreme Long Shot (ELS)
J)Framing
K)Golden mean
L)H&S shot
M)HDTV
N)Knee Shot
O)Leadroom principle
P)Letterbox format
Q)Long Shot (LS)
R)Medium Close-Up (MCU)
S)Medium Long Shot (MLS)
T)Medium Shot (MS)
U)Noseroom
V)NTSC
W)OTS
X)Picture cutoff
Y)Reverse leadroom
Z)Rule of thirds
Aa) Shot Nomenclature
Bb)Two Shot (or three shot) 
A) Aspect ratio 
B) Bust shot 
C) Canted angles 
D) Central point of interest 
E) Cinemascope format
F)Closure
G)Composition
H)Extreme Close-Up (ECU)
I)Extreme Long Shot (ELS)
J)Framing
K)Golden mean
L)H&S shot
M)HDTV
N)Knee Shot
O)Leadroom principle
P)Letterbox format
Q)Long Shot (LS)
R)Medium Close-Up (MCU)
S)Medium Long Shot (MLS)
T)Medium Shot (MS)
U)Noseroom
V)NTSC
W)OTS
X)Picture cutoff
Y)Reverse leadroom
Z)Rule of thirds
Aa) Shot Nomenclature
Bb)Two Shot (or three shot)

Question 7

It's standard practice to place the camera lens at or slightly below the talent's eye level whether the talent is standing or seated to make the talent look submissive.

Accepted Answer

A) True 
 B)False

Question 8

Matching:
-A motion picture format with an aspect ratio of 2.5:1.

Accepted Answer

A) Aspect ratio 
B) Bust shot 
C) Canted angles 
D) Central point of interest 
E) Cinemascope format
F)Closure
G)Composition
H)Extreme Close-Up (ECU)
I)Extreme Long Shot (ELS)
J)Framing
K)Golden mean
L)H&S shot
M)HDTV
N)Knee Shot
O)Leadroom principle
P)Letterbox format
Q)Long Shot (LS)
R)Medium Close-Up (MCU)
S)Medium Long Shot (MLS)
T)Medium Shot (MS)
U)Noseroom
V)NTSC
W)OTS
X)Picture cutoff
Y)Reverse leadroom
Z)Rule of thirds
Aa) Shot Nomenclature
Bb)Two Shot (or three shot) 
A) Aspect ratio 
B) Bust shot 
C) Canted angles 
D) Central point of interest 
E) Cinemascope format
F)Closure
G)Composition
H)Extreme Close-Up (ECU)
I)Extreme Long Shot (ELS)
J)Framing
K)Golden mean
L)H&S shot
M)HDTV
N)Knee Shot
O)Leadroom principle
P)Letterbox format
Q)Long Shot (LS)
R)Medium Close-Up (MCU)
S)Medium Long Shot (MLS)
T)Medium Shot (MS)
U)Noseroom
V)NTSC
W)OTS
X)Picture cutoff
Y)Reverse leadroom
Z)Rule of thirds
Aa) Shot Nomenclature
Bb)Two Shot (or three shot)

Question 9

The Rule of Thirds could not be violated by putting too much headroom in your shot.

Accepted Answer

A) True 
 B)False

Question 10

Matching:
-A shot in which an area, often behind the talent's back, is intentionally left empty to unbalance the composition and create viewer anxiety.

Accepted Answer

A) Aspect ratio 
B) Bust shot 
C) Canted angles 
D) Central point of interest 
E) Cinemascope format
F)Closure
G)Composition
H)Extreme Close-Up (ECU)
I)Extreme Long Shot (ELS)
J)Framing
K)Golden mean
L)H&S shot
M)HDTV
N)Knee Shot
O)Leadroom principle
P)Letterbox format
Q)Long Shot (LS)
R)Medium Close-Up (MCU)
S)Medium Long Shot (MLS)
T)Medium Shot (MS)
U)Noseroom
V)NTSC
W)OTS
X)Picture cutoff
Y)Reverse leadroom
Z)Rule of thirds
Aa) Shot Nomenclature
Bb)Two Shot (or three shot) 
A) Aspect ratio 
B) Bust shot 
C) Canted angles 
D) Central point of interest 
E) Cinemascope format
F)Closure
G)Composition
H)Extreme Close-Up (ECU)
I)Extreme Long Shot (ELS)
J)Framing
K)Golden mean
L)H&S shot
M)HDTV
N)Knee Shot
O)Leadroom principle
P)Letterbox format
Q)Long Shot (LS)
R)Medium Close-Up (MCU)
S)Medium Long Shot (MLS)
T)Medium Shot (MS)
U)Noseroom
V)NTSC
W)OTS
X)Picture cutoff
Y)Reverse leadroom
Z)Rule of thirds
Aa) Shot Nomenclature
Bb)Two Shot (or three shot)

Question 11

To produce a canted angle shot the camera must be placed slightly off level to convey extremes of motion or mood.

Accepted Answer

A) True 
 B)False

Question 12

Matching:
-When using a human subject, a shot from the feet up. When there is more than one subject in the scene, a shot showing all subjects roughly from the feet up. Also called an "establishing" shot.

Accepted Answer

A) Aspect ratio 
B) Bust shot 
C) Canted angles 
D) Central point of interest 
E) Cinemascope format
F)Closure
G)Composition
H)Extreme Close-Up (ECU)
I)Extreme Long Shot (ELS)
J)Framing
K)Golden mean
L)H&S shot
M)HDTV
N)Knee Shot
O)Leadroom principle
P)Letterbox format
Q)Long Shot (LS)
R)Medium Close-Up (MCU)
S)Medium Long Shot (MLS)
T)Medium Shot (MS)
U)Noseroom
V)NTSC
W)OTS
X)Picture cutoff
Y)Reverse leadroom
Z)Rule of thirds
Aa) Shot Nomenclature
Bb)Two Shot (or three shot) 
A) Aspect ratio 
B) Bust shot 
C) Canted angles 
D) Central point of interest 
E) Cinemascope format
F)Closure
G)Composition
H)Extreme Close-Up (ECU)
I)Extreme Long Shot (ELS)
J)Framing
K)Golden mean
L)H&S shot
M)HDTV
N)Knee Shot
O)Leadroom principle
P)Letterbox format
Q)Long Shot (LS)
R)Medium Close-Up (MCU)
S)Medium Long Shot (MLS)
T)Medium Shot (MS)
U)Noseroom
V)NTSC
W)OTS
X)Picture cutoff
Y)Reverse leadroom
Z)Rule of thirds
Aa) Shot Nomenclature
Bb)Two Shot (or three shot)

Question 13

Matching:
-Director's shorthand for a shot of two people (three people).
A)Aspect ratio
B)Bust shot
C)Canted angles
D)Central point of interest
E)Cinemascope format
F)Closure
G)Composition
H)Extreme Close-Up (ECU)
I)Extreme Long Shot (ELS)
J)Framing
K)Golden mean
L)H&S shot
M)HDTV
N)Knee Shot
O)Leadroom principle
P)Letterbox format
Q)Long Shot (LS)
R)Medium Close-Up (MCU)
S)Medium Long Shot (MLS)
T)Medium Shot (MS)
U)Noseroom
V)NTSC
W)OTS
X)Picture cutoff
Y)Reverse leadroom
Z)Rule of thirds
Aa) Shot Nomenclature
Bb)Two Shot (or three shot)

Accepted Answer

The answer of Matching:
-Director's shorthand for a shot of two...

Question 14

Matching:
-In the U.S., a digital TV format using a 16:9 aspect ratio and 1125 scan lines, rather than the 4:3 aspect ratio and 525 lines of analog NTSC video.

Accepted Answer

A) Aspect ratio 
B) Bust shot 
C) Canted angles 
D) Central point of interest 
E) Cinemascope format
F)Closure
G)Composition
H)Extreme Close-Up (ECU)
I)Extreme Long Shot (ELS)
J)Framing
K)Golden mean
L)H&S shot
M)HDTV
N)Knee Shot
O)Leadroom principle
P)Letterbox format
Q)Long Shot (LS)
R)Medium Close-Up (MCU)
S)Medium Long Shot (MLS)
T)Medium Shot (MS)
U)Noseroom
V)NTSC
W)OTS
X)Picture cutoff
Y)Reverse leadroom
Z)Rule of thirds
Aa) Shot Nomenclature
Bb)Two Shot (or three shot) 
A) Aspect ratio 
B) Bust shot 
C) Canted angles 
D) Central point of interest 
E) Cinemascope format
F)Closure
G)Composition
H)Extreme Close-Up (ECU)
I)Extreme Long Shot (ELS)
J)Framing
K)Golden mean
L)H&S shot
M)HDTV
N)Knee Shot
O)Leadroom principle
P)Letterbox format
Q)Long Shot (LS)
R)Medium Close-Up (MCU)
S)Medium Long Shot (MLS)
T)Medium Shot (MS)
U)Noseroom
V)NTSC
W)OTS
X)Picture cutoff
Y)Reverse leadroom
Z)Rule of thirds
Aa) Shot Nomenclature
Bb)Two Shot (or three shot)

Question 15

This is a/an:

Accepted Answer

A)  CU 
B)  MCU 
C)  MS 
D)  MLS 
E)  LS 
A)  CU 
B)  MCU 
C)  MS 
D)  MLS 
E)  LS

Question 16

Matching:
-When using a human subject, a shot from just below the waistline up.

Accepted Answer

A) Aspect ratio 
B) Bust shot 
C) Canted angles 
D) Central point of interest 
E) Cinemascope format
F)Closure
G)Composition
H)Extreme Close-Up (ECU)
I)Extreme Long Shot (ELS)
J)Framing
K)Golden mean
L)H&S shot
M)HDTV
N)Knee Shot
O)Leadroom principle
P)Letterbox format
Q)Long Shot (LS)
R)Medium Close-Up (MCU)
S)Medium Long Shot (MLS)
T)Medium Shot (MS)
U)Noseroom
V)NTSC
W)OTS
X)Picture cutoff
Y)Reverse leadroom
Z)Rule of thirds
Aa) Shot Nomenclature
Bb)Two Shot (or three shot) 
A) Aspect ratio 
B) Bust shot 
C) Canted angles 
D) Central point of interest 
E) Cinemascope format
F)Closure
G)Composition
H)Extreme Close-Up (ECU)
I)Extreme Long Shot (ELS)
J)Framing
K)Golden mean
L)H&S shot
M)HDTV
N)Knee Shot
O)Leadroom principle
P)Letterbox format
Q)Long Shot (LS)
R)Medium Close-Up (MCU)
S)Medium Long Shot (MLS)
T)Medium Shot (MS)
U)Noseroom
V)NTSC
W)OTS
X)Picture cutoff
Y)Reverse leadroom
Z)Rule of thirds
Aa) Shot Nomenclature
Bb)Two Shot (or three shot)

Question 17

Matching:
-Director's shorthand for a shot in which talent is framed from just above or below the knee to slightly above the top of the head.

Accepted Answer

A) Aspect ratio 
B) Bust shot 
C) Canted angles 
D) Central point of interest 
E) Cinemascope format
F)Closure
G)Composition
H)Extreme Close-Up (ECU)
I)Extreme Long Shot (ELS)
J)Framing
K)Golden mean
L)H&S shot
M)HDTV
N)Knee Shot
O)Leadroom principle
P)Letterbox format
Q)Long Shot (LS)
R)Medium Close-Up (MCU)
S)Medium Long Shot (MLS)
T)Medium Shot (MS)
U)Noseroom
V)NTSC
W)OTS
X)Picture cutoff
Y)Reverse leadroom
Z)Rule of thirds
Aa) Shot Nomenclature
Bb)Two Shot (or three shot) 
A) Aspect ratio 
B) Bust shot 
C) Canted angles 
D) Central point of interest 
E) Cinemascope format
F)Closure
G)Composition
H)Extreme Close-Up (ECU)
I)Extreme Long Shot (ELS)
J)Framing
K)Golden mean
L)H&S shot
M)HDTV
N)Knee Shot
O)Leadroom principle
P)Letterbox format
Q)Long Shot (LS)
R)Medium Close-Up (MCU)
S)Medium Long Shot (MLS)
T)Medium Shot (MS)
U)Noseroom
V)NTSC
W)OTS
X)Picture cutoff
Y)Reverse leadroom
Z)Rule of thirds
Aa) Shot Nomenclature
Bb)Two Shot (or three shot)

Question 18

What do the numbers in a 4:3 aspect ratio refer to?

Accepted Answer

A)  the image must be three units high for every four units wide 
B)  the image must be eight units high for every six units wide 
C)  the image must be six units high for every eight units wide 
D)  the image must be four units high for every three units wide 
E)  none of the above 
A)  the image must be three units high for every four units wide 
B)  the image must be eight units high for every six units wide 
C)  the image must be six units high for every eight units wide 
D)  the image must be four units high for every three units wide 
E)  none of the above

Question 19

This is a/an:

Accepted Answer

A)  CU 
B)  MCU 
C)  MS 
D)  MLS 
E)  LS 
A)  CU 
B)  MCU 
C)  MS 
D)  MLS 
E)  LS

Question 20

Matching:
-The part of any shot one wishes to emphasize more than all others.

Accepted Answer

A) Aspect ratio 
B) Bust shot 
C) Canted angles 
D) Central point of interest 
E) Cinemascope format
F)Closure
G)Composition
H)Extreme Close-Up (ECU)
I)Extreme Long Shot (ELS)
J)Framing
K)Golden mean
L)H&S shot
M)HDTV
N)Knee Shot
O)Leadroom principle
P)Letterbox format
Q)Long Shot (LS)
R)Medium Close-Up (MCU)
S)Medium Long Shot (MLS)
T)Medium Shot (MS)
U)Noseroom
V)NTSC
W)OTS
X)Picture cutoff
Y)Reverse leadroom
Z)Rule of thirds
Aa) Shot Nomenclature
Bb)Two Shot (or three shot) 
A) Aspect ratio 
B) Bust shot 
C) Canted angles 
D) Central point of interest 
E) Cinemascope format
F)Closure
G)Composition
H)Extreme Close-Up (ECU)
I)Extreme Long Shot (ELS)
J)Framing
K)Golden mean
L)H&S shot
M)HDTV
N)Knee Shot
O)Leadroom principle
P)Letterbox format
Q)Long Shot (LS)
R)Medium Close-Up (MCU)
S)Medium Long Shot (MLS)
T)Medium Shot (MS)
U)Noseroom
V)NTSC
W)OTS
X)Picture cutoff
Y)Reverse leadroom
Z)Rule of thirds
Aa) Shot Nomenclature
Bb)Two Shot (or three shot)

Matching: -Also called a bust shot.

Cinemascope's 2.5:1 aspect ratio is wider than Panavision's.

When films shot in Cinemascope or Panavision are shown on NTSC's 4:3 aspect ratio screens without Cutting off the left and right sides of the picture, they are usually reduced to format.

The shot is purposely composed out of balance: there's an "empty" space left in the shot, often behind the talent's back.

Matching: -When using a human subject, a shot from approximately six inches above the waist up to slightly above the head.

Matching: -A way to present a wide-screen format film on television without chopping off the left and right sides of the picture.

It's standard practice to place the camera lens at or slightly below the talent's eye level whether the talent is standing or seated to make the talent look submissive.

Matching: -A motion picture format with an aspect ratio of 2.5:1.

The Rule of Thirds could not be violated by putting too much headroom in your shot.

Matching: -A shot in which an area, often behind the talent's back, is intentionally left empty to unbalance the composition and create viewer anxiety.

To produce a canted angle shot the camera must be placed slightly off level to convey extremes of motion or mood.

Matching: -When using a human subject, a shot from the feet up. When there is more than one subject in the scene, a shot showing all subjects roughly from the feet up. Also called an "establishing" shot.

Matching: -In the U.S., a digital TV format using a 16:9 aspect ratio and 1125 scan lines, rather than the 4:3 aspect ratio and 525 lines of analog NTSC video.

This is a/an:

Matching: -When using a human subject, a shot from just below the waistline up.

Matching: -Director's shorthand for a shot in which talent is framed from just above or below the knee to slightly above the top of the head.

What do the numbers in a 4:3 aspect ratio refer to?

This is a/an:

Matching: -The part of any shot one wishes to emphasize more than all others.

The T.V Camera

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Lighting Techniques and Equipment

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Field Production

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Directing I: Aesthetics

Directing II: Techniques

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Filters

Exam 4: Fundamentals of Composition

Matching: -Also called a bust shot.

Cinemascope's 2.5:1 aspect ratio is wider than Panavision's.

When films shot in Cinemascope or Panavision are shown on NTSC's 4:3 aspect ratio screens without Cutting off the left and right sides of the picture, they are usually reduced to format.

The shot is purposely composed out of balance: there's an "empty" space left in the shot, often behind the talent's back.

Matching: -When using a human subject, a shot from approximately six inches above the waist up to slightly above the head.

Matching: -A way to present a wide-screen format film on television without chopping off the left and right sides of the picture.

It's standard practice to place the camera lens at or slightly below the talent's eye level whether the talent is standing or seated to make the talent look submissive.

Matching: -A motion picture format with an aspect ratio of 2.5:1.

The Rule of Thirds could not be violated by putting too much headroom in your shot.

Matching: -A shot in which an area, often behind the talent's back, is intentionally left empty to unbalance the composition and create viewer anxiety.

To produce a canted angle shot the camera must be placed slightly off level to convey extremes of motion or mood.

Matching: -When using a human subject, a shot from the feet up. When there is more than one subject in the scene, a shot showing all subjects roughly from the feet up. Also called an "establishing" shot.

Matching: -In the U.S., a digital TV format using a 16:9 aspect ratio and 1125 scan lines, rather than the 4:3 aspect ratio and 525 lines of analog NTSC video.

This is a/an:

Matching: -When using a human subject, a shot from just below the waistline up.

Matching: -Director's shorthand for a shot in which talent is framed from just above or below the knee to slightly above the top of the head.

What do the numbers in a 4:3 aspect ratio refer to?

This is a/an:

Matching: -The part of any shot one wishes to emphasize more than all others.

The T.V Camera

Camera Lenses and Imaging Systems

Camera Mounts, Camera Operation and Floor Managing

Lighting Techniques and Equipment

Audio

Production Switchers and Special Effects

T.V Graphics

Video Recording

Editing: Technology and Techniques

Field Production

Tv Performance

Scriptwriting

Production Design

Directing I: Aesthetics

Directing II: Techniques

Producing

An Overview and Tour

Filters