Exam 38: Multiplicity and Diversity: Cultures of Liberation and Identity in the 1960s and 1970s
Exam 20: The Baroque in Italy: The Church and Its Appeal38 Questions
Exam 21: The Secular Baroque in the North: The Art of Observation43 Questions
Exam 22: The Baroque Court: Absolute Power and Royal Patronage38 Questions
Exam 23: The Rise of the Enlightenment in England: The Claims of Reason40 Questions
Exam 24: The Rococo and the Enlightenment on the Continent: Privilege and Reason41 Questions
Exam 25: The Rights of Man: Revolution and the Neoclassical Style40 Questions
Exam 26: The Romantic World View: the Self in Nature and the Nature of Self41 Questions
Exam 27: Industry and the Working Class: a New Realism39 Questions
Exam 28: Global Confrontation and Civil War: Challenges to Cultural Identity37 Questions
Exam 29: In Pursuit of Modernity: Paris in the 1850s and 1860s36 Questions
Exam 30: The Promise of Renewal: Hope and Possibility in Late Nineteenth-Century Europe37 Questions
Exam 31: The Course of Empire: Expansion and Conflict in America39 Questions
Exam 32: The Fin De Siècle: Toward the Modern41 Questions
Exam 33: The Era of Invention: Paris and the Modern World39 Questions
Exam 34: The Great War and Its Impact: a Lost Generation and a New Imagination39 Questions
Exam 35: New York skyscraper Culture and the Jazz Age: Making It New38 Questions
Exam 36: The Age of Anxiety: Fascism and Depression holocaust and Bomb39 Questions
Exam 37: After the War: Existential Doubt, artistic Triumph, and the Culture of Consumption34 Questions
Exam 38: Multiplicity and Diversity: Cultures of Liberation and Identity in the 1960s and 1970s37 Questions
Exam 39: Without Boundaries: Multiple Meanings in a Postmodern World38 Questions
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Why did Yale's architecture graduate students commission Claes Oldenburg to create Lipstick (Ascending)on Caterpillar Tracks?
(Multiple Choice)
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How did television's An American Family star Lance Loud create controversy in the mid 1970s?
(Multiple Choice)
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As recreated in Jeff Wall's photographic illustration for Invisible Man,why does Ellison's narrator need light?
(Multiple Choice)
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According to composer Philip Glass,what made the score for Robert Wilson's Einstein on the Beach so difficult?
(Multiple Choice)
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Supporting your claims with specific works,show how two of the following female visual artists of the 1960s explored and aimed to redefine gender roles: Judy Chicago,Eleanor Antin,Cindy Sherman.
(Essay)
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What did the college students involved in the 1960s antiwar movement want school administrations to do?
(Multiple Choice)
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In The Feminist Mystique,why does Betty Friedan reject Freud's idea that women envy men?
(Multiple Choice)
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How did many U.S.artists manage to undermine museums and galleries that might have displayed their works?
(Multiple Choice)
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What was a main effect of Christo and Jeanne-Claude's Running Fence?
(Multiple Choice)
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What did the electronic synthesizer allow composers to create for the first time?
(Multiple Choice)
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The chapters "Continuity and Change" section poses an intriguing question: does technology in fact threaten the idea of identity and "self"? Referencing your knowledge about and experience with specific media and technology,argue for or against that idea of identity losee.
(Essay)
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In his mural F-111,how does artist James Rosenquist equate the military with consumer culture?
(Multiple Choice)
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Why did Smithson chose the inaccessible,inhospitable Utah location for Spiral Jetty?
(Multiple Choice)
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Identify two works of land art discussed in the chapter,analyzing the statement made by their construction and their impact on the environment.
(Essay)
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Why did the government continue to fund building the F-111 fighter bomber even though it was declared obsolete?
(Multiple Choice)
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Explain the image of the American male as presented by the Marlboro Man.Then analyze two ways that stereotype was challenged and possibly debunked by the feminist and gay pride movements of the 1970s.
(Essay)
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