Exam 27: The Romantic World View: the Self in Nature and the Nature of Self
Exam 21: The Baroque in Italy: the Church and Its Appeal37 Questions
Exam 22: The Secular Baroque in the North: the Art of Observation43 Questions
Exam 23: The Baroque Court: Absolute Power and Royal Patronage38 Questions
Exam 24: The Rise of the Enlightenment in England: the Claims of Reason39 Questions
Exam 25: The Rococo and the Enlightenment on the Continent: Privilege and Reason35 Questions
Exam 26: The Rights of Man: Revolution and the Neoclassical Style40 Questions
Exam 27: The Romantic World View: the Self in Nature and the Nature of Self40 Questions
Exam 28: Industry and the Working Class: a New Realism39 Questions
Exam 29: Defining a Nation: American National Identity and the Challenge of Civil War34 Questions
Exam 30: Global Confrontation and Modern Life: the Quest for Cultural Identity46 Questions
Exam 31: The Promise of Renewal: Hope and Possibility in Late Nineteenth-Century Europe38 Questions
Exam 32: The Course of Empire: Expansion and Conflict in America39 Questions
Exam 33: The Fin De Siècle: Toward the Modern43 Questions
Exam 34: The Era of Invention: Paris and the Modern World38 Questions
Exam 35: The Great War and Its Impact: a Lost Generation and a New Imagination39 Questions
Exam 36: New York, skyscraper Culture, and the Jazz Age: Making It New37 Questions
Exam 37: The Age of Anxiety: Fascism and Depression, holocaust and Bomb40 Questions
Exam 38: After the War: Existential Doubt,artistic Triumph,and the Culture of Consumption39 Questions
Exam 39: Multiplicity and Diversity: Cultures of Liberation and Identity in the 1960s and 1970s37 Questions
Exam 40: Without Boundaries: Multiple Meanings in a Postmodern World37 Questions
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In his series of portraits of the insane,Théodore Géricault might have aimed to capture the
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In Johann Wolfgang von Goethe's Faust,the title character sells his soul to the devil out of
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Which poem by William Wordsworth is considered to be the fullest statement of the Romantic imagination?
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Explain the sublime's appeal to the Romantics,exemplifying your response with at least two works of visual art or literature.
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What Percy Bysshe Shelley work is the poet's answer to the mistakes of the French Revolution?
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In Mary Shelley's Frankenstein,the creature embarks on a quest for revenge against Dr.Frankenstein for
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What term did Hector Berlioz give to the leading theme or melody in his symphonies?
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In "Ode on a Grecian Urn" the vase fascinates John Keats,because of its
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The Romantics were attracted to the sublime,foremost,because it
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Citing at least two examples,show how and why the later English Romantics (Byron,Shelley,and Mary Shelley)utilized the Promethean idea in their works.
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List,explain,and provide specific examples for three developments in music during the Romantic age.
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In Lyrical Ballads,William Wordsworth focused on people from "humble and rustic life," because he regarded them to be
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The night appealed to the Romantics more than the day,because they felt it was less
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Compare the human figures in Constable's The Upper Falls of the Reichenbach to Friedrich's The Wanderer above the Mists,focusing on placement,size,and detail.
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In "Tintern Abbey," why does William Wordsworth believe that he looks at the world differently than he did five years earlier?
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Citing at least two specific examples,explain how Beethoven's "heroic" music evokes subjective feeling.
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