Exam 28: Industry and the Working Class: a New Realism
Exam 21: The Baroque in Italy: the Church and Its Appeal37 Questions
Exam 22: The Secular Baroque in the North: the Art of Observation43 Questions
Exam 23: The Baroque Court: Absolute Power and Royal Patronage38 Questions
Exam 24: The Rise of the Enlightenment in England: the Claims of Reason39 Questions
Exam 25: The Rococo and the Enlightenment on the Continent: Privilege and Reason35 Questions
Exam 26: The Rights of Man: Revolution and the Neoclassical Style40 Questions
Exam 27: The Romantic World View: the Self in Nature and the Nature of Self40 Questions
Exam 28: Industry and the Working Class: a New Realism39 Questions
Exam 29: Defining a Nation: American National Identity and the Challenge of Civil War34 Questions
Exam 30: Global Confrontation and Modern Life: the Quest for Cultural Identity46 Questions
Exam 31: The Promise of Renewal: Hope and Possibility in Late Nineteenth-Century Europe38 Questions
Exam 32: The Course of Empire: Expansion and Conflict in America39 Questions
Exam 33: The Fin De Siècle: Toward the Modern43 Questions
Exam 34: The Era of Invention: Paris and the Modern World38 Questions
Exam 35: The Great War and Its Impact: a Lost Generation and a New Imagination39 Questions
Exam 36: New York, skyscraper Culture, and the Jazz Age: Making It New37 Questions
Exam 37: The Age of Anxiety: Fascism and Depression, holocaust and Bomb40 Questions
Exam 38: After the War: Existential Doubt,artistic Triumph,and the Culture of Consumption39 Questions
Exam 39: Multiplicity and Diversity: Cultures of Liberation and Identity in the 1960s and 1970s37 Questions
Exam 40: Without Boundaries: Multiple Meanings in a Postmodern World37 Questions
Select questions type
Explain the events that inspired the creation of Géricault's The Raft of the Medusa.
(Essay)
4.8/5
(34)
Explain the symbolic meaning of a focal point's absence in Gustave Courbet's A Burial at Ornans.
(Essay)
4.7/5
(38)
What about Jean-Auguste-Dominique Ingres's Le Grande Odalisque did viewers immediately recognize as being unrealistic?
(Multiple Choice)
4.7/5
(42)
Neoclassically-trained Théodore Géricault painted The Raft of the Medusa to
(Multiple Choice)
4.8/5
(37)
Following the end of Napoleon's reign in 1815,France's government was
(Multiple Choice)
4.8/5
(53)
Architect A.W.N.Pugin considered medieval poorhouses superior to the nineteenth-century ones,because they were
(Multiple Choice)
4.8/5
(39)
Construct an argument for or against Paul Delaroche's claim that after the development of photography,"Painting is dead!"
(Essay)
4.8/5
(27)
When French painter Paul Delaroche saw his first daguerreotype,he declared
(Multiple Choice)
4.9/5
(36)
The French public and critics objected to Gustave Courbet's paintings because of his
(Multiple Choice)
4.9/5
(38)
Define "literary realism," and list two examples by different authors.
(Essay)
4.9/5
(40)
Honoré de Balzac wrote his 92-novel series The Human Comedy to
(Multiple Choice)
4.7/5
(35)
Factories in London tended to employ unskilled single young women and widows,because
(Multiple Choice)
4.9/5
(47)
The scholarly study of Orientalism is closely associated with the work of
(Multiple Choice)
5.0/5
(33)
For various possible reasons,Roger Fenton did not show the dead or wounded in his Crimean War photographs.Compare that choice to the practices of today's media.Argue for or against graphic photography.
(Essay)
4.7/5
(40)
Maxine Du Camp almost always included a human figure in his photographs to
(Multiple Choice)
4.9/5
(36)
What did French philosopher Charles Fourier call his idealized communities where individuals could live freely?
(Multiple Choice)
4.9/5
(34)
What is a possible reason for which Roger Fenton did not include the dead or wounded in his Crimean War photographs?
(Multiple Choice)
4.9/5
(30)
Showing 21 - 39 of 39
Filters
- Essay(0)
- Multiple Choice(0)
- Short Answer(0)
- True False(0)
- Matching(0)