Exam 1: Why Do We Study the History of Art

arrow
  • Select Tags
search iconSearch Question
flashcardsStudy Flashcards
  • Select Tags

Traditionally, how have artists been seen in comparison with gods, and vice versa? How viable are such comparisons?

Free
(Essay)
4.8/5
(36)
Correct Answer:
Answered by Examlex AI Copilot

Traditionally, artists have been seen as creators and visionaries, much like gods. They have the ability to bring something new and beautiful into the world, and their work often inspires awe and admiration. In some cultures, artists were even revered and worshipped for their talents and contributions to society.

On the other hand, gods have been seen as the ultimate creators and rulers of the universe. They are often depicted as having supernatural powers and abilities, and their actions and decisions are believed to shape the world and the lives of mortals.

The comparison between artists and gods is a complex and nuanced one. On one hand, both artists and gods are seen as creators and influencers of the world around them. They have the power to shape and inspire the lives of others. However, it is important to note that the comparison is not without its limitations. While artists may create beautiful works of art, they do not possess the same level of power and authority as gods. Additionally, the worship and reverence of artists can be seen as a form of idolatry, which may not be viable or appropriate in all cultural and religious contexts.

In conclusion, while the comparison between artists and gods has been made in traditional and historical contexts, it is important to approach such comparisons with caution and sensitivity. While both artists and gods may share certain qualities, it is important to recognize the distinct differences between the two and to respect the cultural and religious beliefs surrounding the worship and reverence of deities.

What is the difference between iconography and iconology?

Free
(Multiple Choice)
4.9/5
(39)
Correct Answer:
Verified

D

Should the British Museum relinquish ownership of the Elgin Marbles? Why or why not?

Free
(Essay)
4.9/5
(46)
Correct Answer:
Answered by Examlex AI Copilot

The question of whether the British Museum should relinquish ownership of the Elgin Marbles is a complex and contentious issue. The Elgin Marbles, also known as the Parthenon Marbles, are a collection of classical Greek marble sculptures that were originally part of the Parthenon and other buildings on the Acropolis of Athens. They were removed from Greece by Thomas Bruce, 7th Earl of Elgin, in the early 19th century and later acquired by the British Museum.

Many argue that the British Museum should relinquish ownership of the Elgin Marbles and return them to Greece. They argue that the marbles were taken from Greece under questionable circumstances and that their rightful place is in the country of their origin. Returning the marbles to Greece would also be a gesture of goodwill and respect towards the cultural heritage of the Greek people.

On the other hand, some argue that the British Museum should retain ownership of the Elgin Marbles. They argue that the marbles have been in the museum's collection for over 200 years and are an important part of the museum's holdings. They also argue that the marbles are displayed in a way that allows people from all over the world to appreciate and learn from them.

Ultimately, the decision of whether the British Museum should relinquish ownership of the Elgin Marbles is a complex and sensitive one. It involves considerations of history, cultural heritage, and international relations. It is a decision that should be made carefully and with input from all relevant stakeholders.

What is the primary feature that distinguishes sculptures from pictures?

(Multiple Choice)
4.8/5
(32)

Who sculpted Bird in Space?

(Multiple Choice)
4.8/5
(37)

How have new technologies affected understandings of art?

(Short Answer)
5.0/5
(40)

The sculptures of Duane Hanson are purportedly so realistic that people routinely try to strike up a conversation with them.

(True/False)
4.7/5
(39)

Who painted Fur-Covered Cup, Saucer, and Spoon?

(Multiple Choice)
4.8/5
(42)

A figurative work of art is one that ignores the "literal" appearance of an object and attempts to uncover its "essence" without reference to natural form.

(True/False)
4.9/5
(38)

As evidenced in the works of van Eyck, humans' appreciation of architecture presumably builds off of

(Multiple Choice)
4.8/5
(33)

The three broad categories into which the major visual arts are divided in the Western tradition include all of the following EXCEPT

(Multiple Choice)
4.9/5
(39)

The famous Elgin Marbles originated in

(Multiple Choice)
4.8/5
(39)

According to Roman legend, which artist made a statue of a beautiful woman that was brought to life by the intercession of the goddess Venus?

(Multiple Choice)
4.9/5
(40)

A person who commissions a work of art is known as a

(Multiple Choice)
4.8/5
(45)

Who painted the fifteenth-century painting The Virgin in a Church?

(Multiple Choice)
4.8/5
(37)

In which era of European history did the practice of collecting art for its intrinsic value begin?

(Multiple Choice)
4.8/5
(38)

Which of the following methodologies is primarily concerned with issues of power and economics?

(Multiple Choice)
4.8/5
(43)

In their initial construction and function, ziggurats best illustrate which type of artistic value?

(Multiple Choice)
4.8/5
(31)

The word archaeology might be translated literally as

(Multiple Choice)
4.9/5
(39)

What are the various values according to which a work of art might be assessed?

(Short Answer)
4.8/5
(38)
Showing 1 - 20 of 47
close modal

Filters

  • Essay(0)
  • Multiple Choice(0)
  • Short Answer(0)
  • True False(0)
  • Matching(0)