Exam 1: Why Do We Study the History of Art
Exam 1: Why Do We Study the History of Art47 Questions
Exam 2: The Language of Art47 Questions
Exam 3: Prehistoric Western Europe45 Questions
Exam 4: The Ancient Near East47 Questions
Exam 5: Ancient Egypt47 Questions
Exam 6: The Aegean46 Questions
Exam 7: The Art of Ancient Greece47 Questions
Exam 8: The Art of the Etruscans45 Questions
Exam 9: Ancient Rome47 Questions
Exam 10: Early Christian and Byzantine Art47 Questions
Exam 11: The Early Middle Ages47 Questions
Exam 12: Romanesque Art47 Questions
Exam 13: Gothic Art47 Questions
Exam 14: Precursors of the Renaissance47 Questions
Exam 15: The Early Renaissance47 Questions
Exam 16: The High Renaissance in Italy47 Questions
Exam 17: Mannerism and the Later Sixteenth Century in Italy47 Questions
Exam 18: Sixteenth-Century Painting and Printmaking in Northern Europe47 Questions
Exam 19: The Baroque Style in Western Europe47 Questions
Exam 20: Rococo, the Eighteenth Century, and Revival Styles47 Questions
Exam 21: Neoclassicism: the Late Eighteenth and Early Nineteenth Centuries47 Questions
Exam 22: Romanticism: the Late Eighteenth and Early Nineteenth Centuries47 Questions
Exam 23: Nineteenth-Century Realism47 Questions
Exam 24: Nineteenth-Century Impressionism47 Questions
Exam 25: Post-Impressionism and the Late Nineteenth Century47 Questions
Exam 26: The Early Twentieth Century: Picasso, Fauvism, Expressionism, and Matisse47 Questions
Exam 27: Cubism, Futurism, and Related Twentieth-Century Styles47 Questions
Exam 28: Dada, Surrealism, Social Realism, Regionalism, and Abstraction47 Questions
Exam 29: Mid-Century American Abstraction47 Questions
Exam 30: Pop Art, Op Art, Minimalism, and Conceptualism47 Questions
Exam 31: Continuity, Innovation, and Globalization47 Questions
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Which of the following terms is used to describe a work of art that portrays an object's surface reality convincingly enough for it to be mistaken for the real thing?
(Multiple Choice)
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Discuss the ways in which artists have been seen as being uniquely in touch with supernatural forces, even through to modern times.
(Essay)
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Lord Elgin acquired the sculptures that bear his name in open defiance of existing local, British, and international laws.
(True/False)
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Alberti traced the origins of art back to the myth of which Greek youth who fell in love with his own reflection?
(Multiple Choice)
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In his The Betrayal of Images, Magritte painted an image of a pipe directly above a caption which read, in French,
(Multiple Choice)
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By its very nature, which of the following artistic forms is most challenging to describe through words and pictures?
(Multiple Choice)
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Throughout history, major works of art have been broken down and destroyed in order to extract the precious materials from which they were made.
(True/False)
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Leonardo da Vinci grew so emotionally attached to his Mona Lisa that during his own lifetime he refused to surrender it to the patron who had commissioned it.
(True/False)
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As a rule, architecture diverges from painting and sculpture in being more
(Multiple Choice)
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Giotto's fly on the nose of a painted figure by Cimabue is an example of
(Multiple Choice)
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With which of the following statements would a semiotician most likely agree?
(Multiple Choice)
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Assess the different approaches available to art historians. Is any one approach more valuable than others? Why or why not?
(Essay)
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Both Judaism and Islam have strong and lively figurative artistic traditions.
(True/False)
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Which of the following is NOT a methodology of art history?
(Multiple Choice)
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What does Steichen's struggle to import a Brancusi bird into the United States reveal about the malleability of definitions of art?
(Essay)
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The biblical story of the Tower of Babel primarily conveys which lesson?
(Multiple Choice)
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Which thinker is most closely associated with deconstruction?
(Multiple Choice)
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Many cultures fear that damage done to an image of an object can do damage to the object itself.
(True/False)
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The basic principle behind formalism could best be summarized as
(Multiple Choice)
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