Exam 11: Enlightenment: Science and the New Learning
Exam 1: Origins: the First Civilizations26 Questions
Exam 2: Classicism: the Greek Legacy25 Questions
Exam 3: Empire: the Power and Glory of Rome24 Questions
Exam 4: Revelation: the Flowering of World Religions26 Questions
Exam 5: Synthesis: the Rise of the West25 Questions
Exam 6: Christendom: Europe in the Age of Faith26 Questions
Exam 7: Rebirth: the Age of the Renaissance25 Questions
Exam 8: Reform: the Northern Renaissance and the Reformation28 Questions
Exam 9: Encounter: European Outreach and Expansion26 Questions
Exam 10: Baroque: Piety and Extravagance26 Questions
Exam 11: Enlightenment: Science and the New Learning28 Questions
Exam 12: Romanticism: Nature, Passion, and the Sublime28 Questions
Exam 13: Materialism: the Industrial Era and the Urban Scene26 Questions
Exam 14: Modernism: the Assault on Tradition27 Questions
Exam 15: Globalism: Information, Communication, and the Digital Revolution25 Questions
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Which nineteenth-century composer, who wrote the piece nicknamed "The Surprise," is often called the "father of the symphony"?
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Which of the following men was NOT a significant figure in the movement known as the Scientific Revolution?
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Progress, human perfectibility, and political equality were among the ideals of Enlightenment thinkers. Which landmark works asserted or defended these ideals? Which offered a critical view of these ideals?
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"Whatever is, is right" reflects the philosophic optimism of
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The belief in a mechanistic universe fashioned by a Creator God who does not directly intervene in its affairs is called
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Henry Fielding and Samuel Richardson were both noted eighteenth-century writers of which new literary form?
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Compare the Rococo and Neoclassical styles, explaining the ways in which each reflects the aims, ambitions, and tastes of the European Enlightenment.
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