Exam 5: Principles of Design
Exam 1: Living With Art31 Questions
Exam 2: What Is Art36 Questions
Exam 3: Themes of Art36 Questions
Exam 4: The Visual Elements31 Questions
Exam 5: Principles of Design30 Questions
Exam 6: Drawing25 Questions
Exam 7: Painting27 Questions
Exam 8: Prints27 Questions
Exam 9: Camera and Computer Arts34 Questions
Exam 10: Graphic Design27 Questions
Exam 11: Sculpture and Installation33 Questions
Exam 12: Arts of Ritual and Daily Life28 Questions
Exam 13: Architecture30 Questions
Exam 14: Ancient Mediterranean Worlds34 Questions
Exam 15: Christianity and the Formation of Europe31 Questions
Exam 16: The Renaissance29 Questions
Exam 17: The 17th and 18th Centuries32 Questions
Exam 18: Arts of Islam and of Africa32 Questions
Exam 19: Arts of East Asia: India, China, and Japan30 Questions
Exam 20: Arts of the Pacific and the Americas31 Questions
Exam 21: The Modern World: 1800-194533 Questions
Exam 22: From Modern to Postmodern36 Questions
Exam 23: Opening up to the World20 Questions
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Georgia O'Keeffe's painting Deer's Skull with Pedernal is a prime example of:
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A
The architect Le Corbusier designed the Modulor, a tool he used for calculating human proportions, based upon:
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Correct Answer:
C
Choose three works that utilize rhythm and compare the emotional and intellectual responses they evoke in you.
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Answers will vary. For the three works, students should identify the different ways rhythms stand out visually, and then discuss what the artists were trying to show through such uses of rhythms.
Rather than depend solely upon visual unity, an artist will sometimes create ________ unity by unifying the ideas in a work of art.
(Multiple Choice)
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Discuss at least three ways that artists create compositional unity in a work, referring to specific works of art to support your statements.
(Essay)
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The ancient Roman architect Vitruvius associated the perfected male form with the perfect geometry of:
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The Thirteen-Diety Jnanadakini Mandala uses ________ to suggest that there is a hidden order to the universe.
(Multiple Choice)
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Edouard Manet's A Bar at the Folies-Bergère invites us to consider points of view in its subject and composition. Interpretations of this painting include ________ approaches.
(Multiple Choice)
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Consider Klimt's Death and Life and Goya's Executions of the Third of May, 1808, both included in this chapter of the text. Discuss the ways in which each artist visually established focal points or areas of interest.
(Essay)
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Consider Matisse's Memory of Oceania and Klee's Landscape with Yellow Birds, both included in this chapter of the text. Select three of the principles of design and discuss how each artist has used these principles in his work.
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Claes Oldenburg and Coosje van Bruggen created shock value through use of:
(Multiple Choice)
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Select any work in the chapter, except Picasso's Girl Before a Mirror. Identify it by artist, title, and medium. Then identify at least three of the elements of art that the artist has included. Next, indicate three of the principles of design that are evident in the work and describe how the artist has used these elements and principles to convey information through form as well as through content.
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Henry Ossawa Tanner's The Banjo Lesson creates emphasis through:
(Multiple Choice)
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Discuss the effects--both visual and emotional--of the symmetry of the Tibetan Thirteen-Deity Jnanadakini Mandala, or of another religious work that employs formal symmetry.
(Essay)
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Symmetrical balance, as used by Georgia O'Keeffe, expresses:
(Multiple Choice)
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In a two-dimensional work with asymmetrical balance, the appearance of balance is achieved by:
(Multiple Choice)
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The ancient Egyptians developed a standard set of proportions used to create images of the "correct" or "perfect" human, as have many cultures both ancient and modern. This set of proportions was created using:
(Multiple Choice)
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Annette Messager's Mes Voeux and Joseph Cornell's The Hotel Eden both demonstrate the use of:
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