What Is the Main Feminist Critique of Lennart Nilsson's Images

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The Answer is Answers must include the following:
a. Nilsson's earliest fetal photographs were enhanced and modified shots of specimens, yet they were often mistaken for photographs of living fetuses taken in utero.
b. Taken of nonliving specimens outside the womb, these images depict fetuses as if they are living people floating in space and not actually nascent forms dependent upon the body of a woman for survival.
c. The fetus is awarded personhood through the imaging process itself.
Answers may include the following:
a. Nilsson's technical strategies included rendering the color photographs in golden and orange tones (not unlike the colorization of the designer T cells), suggesting warm flesh and flowing blood.
b. The fetuses are often depicted as if floating in space, surrounded by lights that look like stars and providing a feeling of the cosmos.
c. The central narrative of these images is that medical photography and other forms of interior biomedical imaging are evidence of nothing short of a miracle in modern culture.
Explanation: Nilsson's images virtually erase the mother and, in their staging and composition, convey the sense that the fetus has the feelings, actions, and status of an infant.

What Is the Main Feminist Critique of Lennart Nilsson's Images

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What Is the Main Feminist Critique of Lennart Nilsson's Images

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