Exam 4: Hegemony - by James Lull
Exam 1: Cultural Studies, Multiculturalism, and Media Culture30 Questions
Exam 2: The Meaning of Memory: Family, Class, and Ethnicity in Early Network Television Programs30 Questions
Exam 3: The Economics of the Media Industry27 Questions
Exam 4: Hegemony - by James Lull29 Questions
Exam 5: The Internets Unholy Marriage to Capitalism27 Questions
Exam 6: Television and the Cultivation of Authoritarianism: a Return Visit From an Unexpected Friend25 Questions
Exam 7: Women Read the Romance: the Interaction of Text and Context27 Questions
Exam 8: Star Trek Rerun, Reread, Rewritten: Fan Writing As Textual Poaching30 Questions
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What does Jhally mean when he says, "Advertising is part of a 'discourse through and about objects'"?
Free
(Essay)
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Correct Answer:
He is referring to the fact that advertising not only informs us about a particular product, it also teaches us how such products are connected to important parts of our lives.
Like cause marketing, this cause branding strategy "is merely a cleverly disguised ploy to mask some of the fundamental problems for which the very same marketing forces are directly or indirectly responsible." Within this consumer context, commercial connotations are attached to ______.
Free
(Multiple Choice)
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Correct Answer:
D
Postfeminism is a term made up of multiple and conflicting meanings, and in this context, the author refers to Rosalind Gill's conception of postfeminism as ______.
Free
(Multiple Choice)
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Correct Answer:
B
True Blood is a television show based on novels, The Southern Vampire Mysteries, by Charlaine Harris. The stories, the 10th of which was published in 2010, were best sellers, providing a rich source of (intercorporate) intertextuality.
(True/False)
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What are some changes in media culture over the last 50 years as discussed in part IV of the readings?
(Essay)
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For all its popularity, the shopping mania provokes considerable disease: ______.
(Multiple Choice)
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Commercial intertextuality is used to describe the production and interlinking of texts like blockbuster films or TV series with______ and products.
(Multiple Choice)
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As the author describes, for some, the answer comes in dreaming of a near future in which all that anxiety melts away, but for others, the answer to such distress is ______.
(Multiple Choice)
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As described in the article, speed and fragmentation are not particularly conducive to thinking because they induce feeling. The speed and fragmentation that characterize the commodity image-system may have a similar effect on ______.
(Multiple Choice)
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What are two strategies for attracting audiences covered in part IV of the readings?
(Essay)
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The new consumerism has also set in motion another dynamic: ______.
(Multiple Choice)
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When the author says that in the contemporary world messages about goods are all pervasive, he means that ______.
(Multiple Choice)
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In the article, the author expresses that the fact that Ms. was asking companies to do business in a different way meant their saleswomen had to make many times the usual number of calls--first to convince agencies and then client companies besides--and to ______.
(Multiple Choice)
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According to the author, individuals use celebrities as a nexus of ______.
(Multiple Choice)
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This article advances that the Campaign for Real Beauty is a cause branding strategy that merges messages of corporate ______.
(Multiple Choice)
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Popular discourses surrounding female celebrities and cosmetic surgery most often emerge from ______.
(Multiple Choice)
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With its emphasis on luxury, expensiveness, exclusivity, rarity, uniqueness, and distinction, "new consumerism" reflects and perpetuates structures of ______.
(Multiple Choice)
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Gloria Steinem states that when Ms. began, they didn't consider not taking ads. She says the most important reason was keeping the price of a feminist magazine low enough for most women to afford. But the second and almost equal reason was ______.
(Multiple Choice)
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The transformation of the Olympics into a ______ event affects the authenticity of the athletes who literally embody the positive aspects of "Olympism"--the ideals that underpin the event and movement or, in more commercial terms, the meaning of the Olympic brand.
(Multiple Choice)
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