Exam 3: Implied Depth: Value and Space
Exam 1: Line, Shape, and the Principle of Contrast44 Questions
Exam 2: Form, Volume, Mass, and Texture38 Questions
Exam 3: Implied Depth: Value and Space44 Questions
Exam 4: Color41 Questions
Exam 5: Time and Motion34 Questions
Exam 6: Unity Variety and Balance35 Questions
Exam 7: Scale and Proportion29 Questions
Exam 8: Emphasis and Focal Point25 Questions
Exam 9: Pattern and Rhythm27 Questions
Exam 10: Content and Analysis27 Questions
Exam 11: Drawing55 Questions
Exam 12: Painting53 Questions
Exam 13: Printmaking52 Questions
Exam 14: Sculpture53 Questions
Exam 15: Architecture66 Questions
Exam 16: The Tradition of Craft51 Questions
Exam 17: Visual Communication Design44 Questions
Exam 18: Photography56 Questions
Exam 19: Film, Video, and Digital Art44 Questions
Exam 20: Alternative Media and Processes29 Questions
Exam 21: The Prehistoric and Ancient Mediterranean72 Questions
Exam 22: Art of the Middle Ages48 Questions
Exam 23: Art of India, China, Japan, and Southeast Asia60 Questions
Exam 24: Art of the Americas53 Questions
Exam 25: Art of Africa and the Pacific Islands47 Questions
Exam 26: Art of Renaissance and Baroque Europe: 1400 to 175064 Questions
Exam 27: Art of Europe and America, 1700 to 1865: Rococo to Realism42 Questions
Exam 28: The Modern Aesthetic: Manet in 1863 to the American Scene in the 1930s109 Questions
Exam 29: Late Modern and Contemporary Art: from Abstract Expressionism in the 1940s to the Present Day62 Questions
Exam 30: Art and Community37 Questions
Exam 31: Spirituality and Art44 Questions
Exam 32: Art and the Cycle of Life45 Questions
Exam 33: Art and Science38 Questions
Exam 34: Art and Illusion41 Questions
Exam 35: Art of Political Leaders and Rulers22 Questions
Exam 36: Art, War, and Revolution31 Questions
Exam 37: Art of Social Conscience28 Questions
Exam 38: The Body in Art42 Questions
Exam Identity, Race, and Gender in Art28 Questions
Exam 40: Gateway Features for Gateways to Art63 Questions
Exam 41: Introduction41 Questions
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One method used to establish depth in Beda Stjernschantz's Pastoral (Primavera)involves placing figures higher or lower in the composition.This process for creating depth is called ________.
(Multiple Choice)
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This German artist illustrated how a figure can be drawn from an oblique angle for his own text on drawing.
(Multiple Choice)
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In Caravaggio's The Calling of St.Matthew,the artist used light and dark values to emphasize Christ's hand.Why did the artist draw our attention to the hand? What other features in the work are emphasized with light and darkness?
(Essay)
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Beda Stjernschantz was a member of the Symbolists,who were interested in the relationship between art and music.This was exemplified in a physiological condition known as ________,in which one of the body's senses translates the experience into another sense.
(Multiple Choice)
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A Summer Shower by the British artist Edith Hayllar employs linear perspective to create depth.The painting contains imaginary sightlines that converge toward a single vanishing point.These lines are also called ________.
(Multiple Choice)
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An artist paints a scene with a large mountain,which lacks detail and is out of focus,and a tree,which is sharply defined and bright green.The viewer might assume that the mountain is ________ than the tree.
(Multiple Choice)
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The lightness or darkness of a surface is the element of art called ________.
(Multiple Choice)
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The Chinese artist Fan Kuan created ________ in his work Travelers among Mountains and Streams by alternating bands of lighter and darker values.
(Multiple Choice)
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This is the system for creating an illusion of depth using three basic components: horizon line,vanishing point,and convergence lines.
(Multiple Choice)
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If an artist were to draw a figure whose arm was pointing directly toward the viewer,what technique would the artist have to use when drawing the outstretched arm?
(Multiple Choice)
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If you are looking straight ahead,an object that is behind you is in your cone of vision.
(True/False)
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This system,which derives its name from the Greek meaning "equal measure," uses diagonal parallel lines to communicate depth.
(Multiple Choice)
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A series of different values that are grouped together is called a ________.
(Multiple Choice)
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Hatching and cross-hatching use two-dimensional lines to communicate ________ depth.
(Multiple Choice)
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When objects are far away they lack contrast,detail,and sharpness of focus because of the interference of air.Artists take advantage of this when they use the process called:
(Multiple Choice)
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In addition to alternating value,Fan Kuan's Travelers among Mountains and Streams uses this process to give the viewer a sense that some areas are closer than others.
(Multiple Choice)
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One-point perspective does convey depth,but it has limited applications due to its reliance on a single ________.
(Multiple Choice)
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The artist can more readily reflect the complexities of the real world by using more than one vanishing point.This is known as ________ perspective.
(Multiple Choice)
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The Belgian Surrealist artist ________ created The Treachery of Images,a work that calls our attention to the illusionary characteristics of painting.
(Multiple Choice)
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