Exam 7: Scale and Proportion
Exam 1: Line, Shape, and the Principle of Contrast44 Questions
Exam 2: Form, Volume, Mass, and Texture38 Questions
Exam 3: Implied Depth: Value and Space44 Questions
Exam 4: Color41 Questions
Exam 5: Time and Motion34 Questions
Exam 6: Unity Variety and Balance35 Questions
Exam 7: Scale and Proportion29 Questions
Exam 8: Emphasis and Focal Point25 Questions
Exam 9: Pattern and Rhythm27 Questions
Exam 10: Content and Analysis27 Questions
Exam 11: Drawing55 Questions
Exam 12: Painting53 Questions
Exam 13: Printmaking52 Questions
Exam 14: Sculpture53 Questions
Exam 15: Architecture66 Questions
Exam 16: The Tradition of Craft51 Questions
Exam 17: Visual Communication Design44 Questions
Exam 18: Photography56 Questions
Exam 19: Film, Video, and Digital Art44 Questions
Exam 20: Alternative Media and Processes29 Questions
Exam 21: The Prehistoric and Ancient Mediterranean72 Questions
Exam 22: Art of the Middle Ages48 Questions
Exam 23: Art of India, China, Japan, and Southeast Asia60 Questions
Exam 24: Art of the Americas53 Questions
Exam 25: Art of Africa and the Pacific Islands47 Questions
Exam 26: Art of Renaissance and Baroque Europe: 1400 to 175064 Questions
Exam 27: Art of Europe and America, 1700 to 1865: Rococo to Realism42 Questions
Exam 28: The Modern Aesthetic: Manet in 1863 to the American Scene in the 1930s109 Questions
Exam 29: Late Modern and Contemporary Art: from Abstract Expressionism in the 1940s to the Present Day62 Questions
Exam 30: Art and Community37 Questions
Exam 31: Spirituality and Art44 Questions
Exam 32: Art and the Cycle of Life45 Questions
Exam 33: Art and Science38 Questions
Exam 34: Art and Illusion41 Questions
Exam 35: Art of Political Leaders and Rulers22 Questions
Exam 36: Art, War, and Revolution31 Questions
Exam 37: Art of Social Conscience28 Questions
Exam 38: The Body in Art42 Questions
Exam Identity, Race, and Gender in Art28 Questions
Exam 40: Gateway Features for Gateways to Art63 Questions
Exam 41: Introduction41 Questions
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Historically,hierarchical scale has been used by artists to communicate power or rank in social and religious contexts,but identifying importance using scale (or implied scale)may also be used in visual communication design.Can you think of an example from everyday life-perhaps in advertising-where scale is use to indicate importance? How is it being communicated and is it effective?
(Essay)
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The Swedish-born artist Claes Oldenburg uses this kind of scale in his sculptures to express admiration for the little things in everyday life.
(Multiple Choice)
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The Flemish artist Jan van Eyck used hierarchical scale to communicate ________ importance in his painting Madonna in a Church.
(Multiple Choice)
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This aspect of culture is integral to both ancient Greek and Yoruba figural art,despite the differences in how the resulting artworks look.
(Multiple Choice)
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The relationships between the sizes of different parts of a work make up its ________.
(Multiple Choice)
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Dorothea Tanning's work Eine Kleine Nachtmusik uses deliberately distorted scale to create an abnormal or ________ effect.
(Multiple Choice)
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Claes Oldenburg and Coosje van Bruggen collaborated to create Mistos,a larger-than-life sculpture of this everyday item.
(Multiple Choice)
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The ancient Greeks designed the Parthenon according to the idealized rules of proportion for the human body,creating ________ design.
(Multiple Choice)
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In his figural portraits,Robert Lostutter uses this kind of scale to create an intimate viewing experience.
(Multiple Choice)
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